The Color Wheel. The color wheel is a chart of colors of the visible spectrum that is used to show how colors relate to each other.
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1 The Color Wheel The color wheel is a chart of colors of the visible spectrum that is used to show how colors relate to each other.
2 Color is Emotion Color is not given to us in order that we should imitate nature. It was given to us so that we can express our own emotions Henri Matisse
3 The Spectrum All color is contained within white light. When light passes through a crystal prism it is dispersed into the spectrum range of visible colors.
4 The History of the Color Wheel Sir Isaac Newton s experiments with light helped him invent the first color wheel. In 1666, Newton passed a beam of sunlight through a prism, which produced red, blue, yellow, green, and cyan beams of the visible spectrum. He was able to show the natural sequence of color by joining the two ends of the color spectrum together.
5 The Modern Color Wheel The color wheel does not show the full gradation in the spectrum. It shows the whole thing broken up into 12 segments. In reality the segments actually smear into one another so that we have an infinite number of colors. Some color wheels show the progression across the middle to a complete neutral in the center.
6 Primary Colors The Color Wheel is made up of 1. three primary colors, 2. three secondary colors, and 3. six tertiary colors Primary colors (red, blue, and yellow) are colors that can not be mixed by any other colors.
7 Primaries You cannot make primaries; you must buy them RED BLUE YELLOW
8 Secondaries You can make secondaries. You do not have to buy them. ORANGE =YELLOW + RED GREEN = BLUE + YELLOW PURPLE = RED + BLUE
9 Tertiaries Tertiaries are the secondaries combined. We use the names of the two secondary colors to describe them. red-orange orange-yellow yellow-green Blue-green blue-violet violet-red
10 Mixing your colors In theory you can make any color of the rainbow with the three primaries. However, no manufacturer can make a paint in a true primary color. People cannot even agree to exactly what a true primary is. You can still make an excellent painting with three tubes of paint that are pretty close to the primaries.
11 Temperature: Color sets a mood and gives an artist unlimited means of expression. Composition and technique connects with our intellect while color touches our heart. Red and Yellow are commonly considered warm while blue and purple are unquestionably cool.
12 Temperature Warm and cool colors are relative to where a color falls on the color wheel The warmest color is redorange and the coolest color is blue green Everything between those two points has a slightly warmer color on one side of it and a slightly cooler color on the other.
13 Color Symbolism Each color has associated symbolism built in. Can you suggest some of the symbols for: Red? Purple? Green? Yellow? Blue?
14 Tints and Shades: Saturation is the measure of pigment in a color. The primaries are the most saturated colors on the color wheel. Now that we know how to create all the colors in the spectrum we need to learn how to vary those colors into lights and darks. Light colors are called tints and are made by either adding water (to watercolor) or white (for oils and acrylics). Dark colors are called shades and made by adding black (acrylic or oil) or by mixing (watercolor).
15 An Introduction to Harmonic Color Hans Hoffman
16 Color is like Music The selection and use of color has been of primary importance to artists over the centuries. Like music, color can be used in pleasing chords and many artists have gone so far as to assign particular notes to each color. Like music, there are several primary chords that are universally accepted as harmonic: Complementary, Analogous (Warm, Cool), Monochromatic Neutral Richard Cramer, Redbank
17 The Perception of Color Harmony It is now generally recognized that the perception of color harmony depends on: (1) race; (2) geographical location; (3) historical period. Kurt Wehite The Materials & Techniques of Painting Romare Bearden, Sunrise for a China Lamp
18 To Generalize: In general, the mind prefers to equalize or neutralize the effect of extremes in stimuli. Full strength color extremes can be overpowering. However, too much moderation can be monotonous. Accents of acute extremes introduced into our diets of food, sound, odor or color create interest:
19 Complementary Color Complements are any pair of colors which are exactly opposite each other on the color wheel. Complements are one of the most common harmonic color schemes and can provide a beautiful array of subtle variations. Complements are most pleasing to the eye when one of them dominates and the other is featured as an accent.
20 Mixing Complements Complements, when mixed together in the right proportions always make a neutral dark. Complements always neutralize each other and can provide a lovely range of colors on their own.
21 Complementary Zing Wayne Thibaud, Untitled, Pear with Strawberry Complementary Colors are capable of creating two opposite effects: 1. placed next to each other, they make each other more exciting. For example, to bring out the zing in a dull orange, just try putting pure blue right next to it both become vivid! 2. mixed with each other, the complement makes the first color darker, duller. So when you want to show a darker side to an object, you can create this shading with the color's complement. In the example the violet has been tempered with its complement, yellow. Wolf Kahn, Yellow Square
22 Complementary Shadows When light falls on an object the shadow is generally the complement of the color of the light. Our sun is yellow so we prefer to use purple as a shadow color. The light at sunset is orange and pink at sunrise. You can use complements in your art to great effect at those times.
23 Analogous Color Analogous colors are those which lie next to each other on the color wheel. Analogous colors can be made to harmonize quite readily. Analogous colors have a dominant color temperature.
24 Analogous Harmony Milton Avery, Woman in Red When choosing a related group of colors it is useful to start with a secondary color and use the colors on either side as supports.
25 Warm and Cool Analogous Color Warm and Cool Colors can set moods with ease. A painting which has a feeling of warmth or coolness will have strong emotional sensitivity. Fritz Bultman, Hotter Henri Matisse, Interior with Violin Joan Miro, The Hunter
26 Monochromatic Color Monochromatic color uses a subtle variation of tints and shades it is just a big word for similar. It means using only one color. Think of the old sepia photographs or old master drawings. They had beautiful, but limited color. Alan Blaustein, Burgos Espana Edgar Degas, Dancer
27 Monochromatic Harmony A monochromatic color scheme can also be more than one color as long as its a fairly small part of the color wheel. No where in the painting can there be any other colors.
28 Monochromatic Mood Pablo Picasso, La Vie Van Gogh, Sunflowers Here are two famous monochromatic paintings. How do you feel when you look at them?
29 Neutral Color Neutral Colors have no real color of their own. You find them in the middle of the color wheel. To get control of your colors, get control of your neutrals, and use them extensively. Look at how the colors sing on a neutral background:
30 Learning to Love Neutrals Pure colors stand out, but they compete with each other, and seem childish. Henri Matisse, The Snail
31 Making Color Sing Notice how the scarcity of color makes the color more important. Vincent Van Gogh, The Plane Trees Wassily Kandinsky, Counter-Gravitation
32 Can You Guess the Color Scheme? Analogous? Complementary? Monochromatic? Neutral? Van Gogh, Café de Nuit
33 Can You Guess the Color Scheme? Analogous? Complementary? Monochromatic? Neutral? Hieronymous Bosch, Death and the Miser, 1485
34 Can You Guess the Color Scheme? Analogous? Complementary? Monochromatic? Neutral? Joseph Raffael, Iris
35 Can You Guess the Color Scheme? Analogous? Complementary? Monochromatic? Neutral? Modigliani, Woman in Red
36 Can You Guess the Color Scheme? Analogous? Complementary? Monochromatic? Neutral? Leo Manso, Argosy
37 Can You Guess the Color Scheme? Analogous? Complementary? Monochromatic? Neutral? Denise Duplock, Coulis
38 Can You Guess the Color Scheme? Analogous? Complementary? Monochromatic? Neutral? Georgia O Keeffe, Oriental Poppies
39 Can You Guess the Color Scheme? Analogous? Complementary? Monochromatic? Neutral? Romare Beardon, Musicians
40 Can You Guess the Color Scheme? Analogous? Complementary? Monochromatic? Neutral? Ruffino Tamayo, Dos Hermanos
41 Can You Guess the Color Scheme? Analogous? Complementary? Monochromatic? Neutral? Gary Smith, Sunset
42 Resources: Wilcox, Michael, Perfect Color Choices for the Artist, North Light Books Brooks, Walter, The Art of Painting, Golden Press 1968 Brown, Margaret Wise, The Color Kittens, Golden Books Publishing
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