Tough amped blues with. Tough amped blues with. Amped blues with slapback

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Kristopher Atkins
6 years ago
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1 Richard Hunter's Hunters RP255 Patch Set V16 The patches in this set were designed using the Audix Fireball V mic. Many of our customers use different mics and love what they hear. Use whatever mic you like! Just keep in mind that the patches will different with different mics, just as a "real" amp would. Note 1 Note 2 Note 3 Note 4 Note 5 Note 6 The general layout of patches in this set is: > 35 patches in 6 main categories:, Clean, DI and no amp,, and, and Wah > With rare exceptions, the patches are ordered by category, e.g all the patches, followed by all the DI patches, then the Pitch patches, etc. > These patches are doubled in the same order in user locations 1-35 and In order to get as much usable information as possible into a 6-character display, I've named every patch using the following conventions: First two letters: amp model; CH for Champ, TD for, BA for Tweed Bassman, DI for Direct, etc. Next 2-3 letters: main effect used; DEL for Delay, REV for Reverb, 8D for Octave Down, 8U for Octave up, MXF for MX Flanger, etc. The name ends with W when the WAH effect can be used. Some names just give you the essence of the patch, e.g. "TuffSl" means a tough slide guitar, "Plate" means a plate. Sorry that the patch names are in effect coded--it ain't easy to get a lot of info into 6 characters. Make SURE to work the pedal for every to see what it does. I recommend that you set the pedal (using procedures described in the manual) to ensure that the Wah does NOT engage unless you really want it to. A trigger level in the neighborhood of will probably do the job. In general, pushing the pedal down makes the effects more intense. Be sure to try the A/B switch on every patch. Patch Group Patch # Preset name Short desc Description 1 CHAMPB Bassman Pedal control Comments Perfect for amped blues 2 CHAMPC Champ More great 3 CHAMPD 4 BDBlue Blackface Deluxe amp bassman blues More great More great

2 5 DSDSLP DS Distortion with Brit 4x12 Heavy distortion More great 6 TW_SLP 7 TuffSli Twin Cleaner blues/rock tone with Whammy set to a major 2nd down Slide harp Whammy More great blues guitar from your harp 8 MA_4D with pitch shifter adding perfect 4th down Adds and cool to the harp tone Sounds incredible on a natural minor harp 9 ROOM Room Intimate 10 HALL Hall bigger 11 PLATE Plate 12 DDL+RM 13 DDL+HA 14 DDL+PL big, lush Short digital plus room cool, modern room Medium digital plus hall Long digital plus plate 15 SLAP Slapback 16 TW_ROT 17 CH_ROT Twin hall cathedral instant Chicago for acoustic players loud and clear darker Great for punchy solo work and making an acoustic harp "electric" without adding distortion

3 18 DI_ROT 19 BAROTS rotary rotary clean and sweet tough and rocking 20 TD_VBP 21 MA_VIB with vibropan Wicked variation on rotary theme From mild to inyour-face as you work the pedal Vibropan 22 BASVIB 23 MVVIB 77 Marshall Master Volume amp with Another tough bassman Smooth and beautiful, violin-like Use when you want a violin in the 24 TW_8DW 25 MA816D 26 DI_8D Twin Reverb amp low double and wah low /double low Without wah, smooth low sax ; with wah, ballsy synth lead adds a note anywhere from 1 down to 2 s Big, clean low This patch can be er addictive if you like big OR Wah power in the low end Bass lines and sax lines in a single patch Maximum bass with minimum distortion 27 BasGt1 low double bass Plenty tough in the low end when you want it Clean 28 CMPDRM 29 DI_DET Compressed drums detune effect Compression and to maximize your beatboxed rhythms chorusing or Tremolo harp FX Detune level Puts some meat in yer beat This is the next best thing to an accordian or tremolo harp

4 Clean 30 DI_MCH multichorus effect chorusing with digital Adds fullness to slow chords; add when you need it for even more 31 CHAMPB Bassman Perfect for amped blues 32 CHAMPC 33 CHAMPD 34 BDBlue Champ Blackface Deluxe amp bassman blues More great More great More great 35 DSDSLP DS Distortion with Brit 4x12 Heavy distortion More great 36 TW_SLP 37 TuffSli 38 MA_4D Twin with Whammy set to a major Cleaner blues/rock tone 2nd down Slide harp Whammy with pitch Adds and shifter adding cool to the harp perfect 4th tone More great blues guitar from your harp Sounds incredible on a natural minor harp 39 ROOM Room Intimate 40 HALL Hall bigger 41 PLATE Plate big, lush

5 42 DDL+RM 43 DDL+HA 44 DDL+PL Short digital plus room Medium digital plus hall Long digital plus plate 45 SLAP Slapback Twin 46 TW_ROT 47 CH_ROT cool, modern room hall cathedral instant Chicago for acoustic players loud and clear darker Great for punchy solo work and making an acoustic harp 48 DI_ROT 49 BAROTS 50 TD_VBP 51 MA_VIB 52 BASVIB 53 MVVIB rotary rotary with vibropan 77 Marshall Master Volume amp with clean and sweet tough and rocking Wicked variation on rotary theme From mild to inyour-face as you work the pedal Another tough bassman Vibropan Smooth and beautiful, violin-like Use when you want a violin in the 54 TW_8DW Twin Reverb amp low double and wah Without wah, smooth low sax ; with wah, ballsy synth lead This patch can be er addictive if you like big OR Wah power in the low end

6 55 MA816D 56 DI_8D 57 BasGt1 low /double low low double adds a note anywhere from 1 down to 2 s down Big, clean low bass Bass lines and sax lines in a single patch Maximum bass with minimum distortion Plenty tough in the low end when you want it Clean Clean 58 CMPDRM 59 DI_DET 60 DI_MCH Compressed drums detune effect multichorus effect Compression and to maximize your beatboxed rhythms chorusing or Tremolo harp FX chorusing with digital Detune level Puts some meat in yer beat This is the next best thing to an accordian or tremolo harp Adds fullness to slow chords; add when you need it for even more

MIDX Boss GT-1 - MIDI Implementation

MIDX Boss GT-1 - MIDI Implementation Version: May 03 2018 V2.9 PC# 00 - PC# 98 - Change Patch Number (U01-U99) PRESET CC s RECALL/SELECT PATCH = CC# 4 (0-98) STORE TO PATCH = CC# 5 (0-98) STORE TO CURRENT