|
|
- Justin Blankenship
- 6 years ago
- Views:
Transcription
1
2
3
4
5
6 Contents Introduction...6 Basic Intervals and Triads...8 Intervals...8 Triads...11 Table of Intervals...14 Seventh Chords...15 Dominant Seventh (7)...15 Minor Seventh (m7)...15 Major Seventh (maj7)...16 Diminished Seventh ( 7)...16 Minor Seventh Flat Five (m7 b 5)...17 Extended Chords...18 Other Chord Types...20 Sus Chords...20 Add Chords Chords (Power Chords) th Chords...21 Altered Chords...22 Altered Dominant Chords...23 Inversions...24 Inverted Triads...24 Root Position...24 First Inversion...25 Second Inversion...25 Inverted Seventh Chords...26 Two-Hand Voicings...27 Voice Leading...28 Voicing for the Melody...29 Advanced Voicings...30 Shell Voicings...30 Clusters...30 Spread Voicings...32 Quartal (4th Voicings)...34 Chord Symbol Variations...36 Circle of 5ths...40 Chords in All 12 Keys...41 C (and Inversions)...41 Cm (and Inversions)...42 C (and Inversions)...43 C+ (and Inversions)...44 Csus Csus C5 (power chord)...45 C6 (and Inversions)...46 Cm6 (and Inversions)...47 C7 (and Inversions)...48 Cmaj7 (and Inversions)...49 Cm7 (and Inversions)...50 Cm7(b 5) (and Inversions)...51 C 7 (and Inversions)...52 C(add9) (and Inversions)...53 C Cmaj Cm Cmaj7(b 5)...55 Cmaj7( # 5)...55 C7(b 5)...55 C7( # 5)...55 C7(b 9)...56 C7( # 9)...56 C9(b 5)...56 C9( # 5)...56 C # (and Inversions)...57 C # m (and Inversions)...58 C # (and Inversions)...59 C # + (and Inversions)...60 C # sus C # sus C # 5 (power chord)...61 C # 6 (and Inversions)...62 C # m6 (and Inversions)...63 C # 7 (and Inversions)...64 C # maj7 (and Inversions)...65 C # m7 (and Inversions)...66 C # m7(b 5) (and Inversions)...67 C # 7 (and Inversions)...68 C # (add9) (and Inversions)...69 C # C # maj C # m C # maj7(b 5)...71 C # maj7( # 5)...71 C # 7(b 5)...71 C # 7( # 5)...71 C # 7(b 9)...72 C # 7( # 9)...72 C # 9(b 5)...72 C # 9( # 5)...72 D (and Inversions)
7 Dm (and Inversions)...74 D (and Inversions)...75 D+ (and Inversions)...76 Dsus Dsus D5 (power chord)...77 D6 (and Inversions)...78 Dm6 (and Inversions)...79 D7 (and Inversions)...80 Dmaj7 (and Inversions)...81 Dm7 (and Inversions)...82 Dm7(b 5) (and Inversions)...83 D 7 (and Inversions)...84 D(add9) (and Inversions)...85 D Dmaj Dm Dmaj7(b 5)...87 Dmaj7( # 5)...87 D7(b 5)...87 D7( # 5)...87 D7(b 9)...88 D7( # 9)...88 D9(b 5)...88 D9( # 5)...88 Eb (and Inversions)...89 Eb m (and Inversions)...90 Eb (and Inversions)...91 Eb + (and Inversions)...92 Eb sus Eb sus Eb 5 (power chord)...93 Eb 6 (and Inversions)...94 Eb m6 (and Inversions)...95 Eb 7 (and Inversions)...96 Eb maj7 (and Inversions)...97 Eb m7 (and Inversions)...98 Eb m7( b 5) (and Inversions)...99 Eb 7 (and Inversions) Eb (add9) (and Inversions) Eb Eb maj Eb m Eb maj7( b 5) Eb maj7( # 5) Eb 7( b 5) Eb 7( # 5) Eb 7( b 9) Eb 7( # 9) Eb 9( b 5) Eb 9( # 5) E (and Inversions) Em (and Inversions) E (and Inversions) E+ (and Inversions) Esus Esus E5 (power chord) E6 (and Inversions) Em6 (and Inversions) E7 (and Inversions) Emaj7 (and Inversions) Em7 (and Inversions) Em7(b 5) (and Inversions) E 7 (and Inversions) E(add9) (and Inversions) E Emaj Em Emaj7(b 5) Emaj7( # 5) E7(b 5) E7( # 5) E7(b 9) E7( # 9) E9(b 5) E9( # 5) F (and Inversions) Fm (and Inversions) F (and Inversions) F+ (and Inversions) Fsus Fsus F5 (power chord) F6 (and Inversions) Fm6 (and Inversions) F7 (and Inversions) Fmaj7 (and Inversions) Fm7 (and Inversions)
8 Fm7(b 5) (and Inversions) F 7 (and Inversions) F(add9) (and Inversions) F Fmaj Fm Fmaj7(b 5) Fmaj7( # 5) F7(b 5) F7( # 5) F7(b 9) F7( # 9) F9(b 5) F9( # 5) F # (and Inversions) F # m (and Inversions) F # (and Inversions) F # + (and Inversions) F # sus F # sus F # 5 (power chord) F # 6 (and Inversions) F # m6 (and Inversions) F # 7 (and Inversions) F # maj7 (and Inversions) F # m7 (and Inversions) F # m7( b 5) (and Inversions) F # 4 7 (and Inversions) F # (add9) (and Inversions) F # F # maj F # m F # maj7( b 5) F # maj7( # 5) F # 7( b 5) F # 7( # 5) F # 7( b 9) F # 7( # 9) F # 9( b 5) F # 9( # 5) G (and Inversions) Gm (and Inversions) G (and Inversions) G+ (and Inversions) Gsus Gsus G5 (power chord) G6 (and Inversions) Gm6 (and Inversions) G7 (and Inversions) Gmaj7 (and Inversions) Gm7 (and Inversions) Gm7(b 5) (and Inversions) G 7 (and Inversions) G(add9) (and Inversions) G Gmaj Gm Gmaj7(b 5) Gmaj7( # 5) G7(b 5) G7( # 5) G7(b 9) G7( # 9) G9(b 5) G9( # 5) Ab (and Inversions) Ab m (and Inversions) Ab (and Inversions) Ab + (and Inversions) Ab sus Ab sus Ab 5 (power chord) Ab 6 (and Inversions) Ab m6 (and Inversions) Ab 7 (and Inversions) Ab maj7 (and Inversions) Ab m7 (and Inversions) Ab m7( b 5) (and Inversions) Ab 7 (and Inversions) Ab (add9) (and Inversions) Ab Ab maj Ab m Ab maj7( b 5) Ab maj7( # 5) Ab 7( b 5) Ab 7( # 5) Ab 7( b 9)...184
9 Ab 7( # 9) Ab 9( b 5) Ab 9( # 5) A (and Inversions) Am (and Inversions) A (and Inversions) A+ (and Inversions) Asus Asus A5 (power chord) A6 (and Inversions) Am6 (and Inversions) A7 (and Inversions) Amaj7 (and Inversions) Am7 (and Inversions) Am7(b 5) (and Inversions) A 7 (and Inversions) A(add9) (and Inversions) A Amaj Am Amaj7(b 5) Amaj7( # 5) A7(b 5) A7( # 5) A7(b 9) A7( # 9) A9(b 5) A9( # 5) Bb (and Inversions) Bb m (and Inversions) Bb (and Inversions) Bb + (and Inversions) Bb sus Bb sus Bb 5 (power chord) Bb 6 (and Inversions) Bb m6 (and Inversions) Bb 7 (and Inversions) Bb maj7 (and Inversions) Bb m7 (and Inversions) Bb m7( b 5) (and Inversions) Bb 7 (and Inversions) Bb (add9) (and Inversions) Bb Bb maj Bb m Bb maj7( b 5) Bb maj7( # 5) Bb 7( b 5) Bb 7( # 5) Bb 7( b 9) Bb 7( # 9) Bb 9( b 5) Bb 9( # 5) B (and Inversions) Bm (and Inversions) B (and Inversions) B+ (and Inversions) Bsus Bsus B5 (power chord) B6 (and Inversions) Bm6 (and Inversions) B7 (and Inversions) Bmaj7 (and Inversions) Bm7 (and Inversions) Bm7(b 5) (and Inversions) B 7 (and Inversions) B(add9) (and Inversions) B Bmaj Bm Bmaj7(b 5) Bmaj7( # 5) B7(b 5) B7( # 5) B7(b 9) B7( # 9) B9(b 5) B9( # 5)
Contents. D (and Inversions)...73
ontents Introduction...6 Basic Intervals and Triads...8 Intervals...8 Triads... Tale of Intervals...4 Seventh hords... Dominant Seventh (7)... Minor Seventh (m7)... Major Seventh (maj7)...6 Diminished
More informationTHE LEFT HANDED GUITAR CHORDS BOOK. 296 illustrated chords for left handed and over 500 chord notes. Asus4. The left handed Guitar Chords Book 1
THE LEFT HANDED GUITAR CHORDS BOOK Asus 96 illustrated chords for left handed and over 5 chord notes The left handed Guitar Chords Book First E-book edition: 7 e-book Left handed Guitar Chords Book Copyright
More informationSplinters and Stones Joel Houston, Michael Guy Chislett D 74 bpm 4/4
D 74 bpm 4/4 D.///..////..Gmaj7.///..////. D. Bm G(add2) D(add2) Asus. D Bm7 G(add2) D Asus Pre-.1 Bm G. Em7. D D/F#.D Asus. Asus/F#.Asus Bm G. Em7. D/F# D. Asus D. Asus A. Gmaj7 D A D. Bm G(add2) D(add2)
More informationii-v-i ? 4 4 Dm7 G7 CMaj7 Gm7 C7 FMaj7 Cm7 F7 B Maj7 Fm7 B 7 E Maj7 B m7 E 7 A Maj7 E m7 A 7 D Maj7 A m7 D 7 G Maj7 C # m7 F # 7 BMaj7 F # m7 B7 EMaj7
The most common chord progression found in jazz music is the ii-v-i (2-5-1), and the source of the minor ii, dominant V, and major I chords is the modes of the major scale. For example, the C major scale
More informationChord Essentials. Resource Pack.
Chord Essentials Resource Pack Lesson 1: What Is a Chord? A chord is a group of two or more notes played at the same time. Lesson 2: Some Basic Intervals There are many different types of intervals, but
More informationGuitar Chords, Copyright, St. James Folk Choir - 09/10/2018
Guitar Chords, Copyright, St. James olk Choir - 09/10/2018 29669 Ab ull barre 991 Ab 30683 Ab 316 Ab7 ull barre 73 Abdim Also Bdim, Ddim, dim A flt Ab ull barre 29669 A flt Ab 991 A flt Ab A flt Ab7 ull
More informationAb7. Abdim. Abdim. Abm. Abm. Abm7. Abm. Abm7. Guitar Chords, Copyright, St. James Folk Choir - 11/08/ F 4 F 4 F 4 F. Somewhat simplified
Guitar Chords, Copyright, St. James olk Choir - 11/08/2016 Ab ull barre Ab Ab Somewhat simplified Ab7 ull barre Abdim Also Bdim, Ddim, dim Abdim Also Bdim, Ddim, dim Abm ull barre Abm Abm Somewhat simplified
More informationUncommon Chords. 101 Vibrant Voicings You Won t Find On A Typical Chord Chart. By Mike Beatham. Uncommon Chords 2013 Mike Beatham & fretjam.
Uncommon Chords 101 Vibrant Voicings You Won t Find On A Typical Chord Chart. By Mike Beatham Introduction Thank you for downloading Uncommon Chords! As the title states, contained within are 101 chords
More informationSingle-Note Playing in Minor Keys
Single-Note Playing in Minor Keys Ted Greene 3-25-1976 thru 3-28-1976 [Note: Ted uses a slash through 7, 9, and 13 to indicate major 7, major 9, or major 13] Minor keys are very interesting for quite a
More informationTHE WEBINAR WILL BEGIN SHORTLY (6PM PACIFIC)
THE WEBINAR WILL BEGIN SHORTLY (6PM PACIFIC) You must either call (641) 715-3222, access code 435-952-992 or visit www.hearthisevent.com to hear this webinar. There is an 18-second delay at HearThisEvent.com.
More informationINTRODUCTION TO CHORDS
INTRODUCTION TO CHORDS Indicates Files in Piano Marvel Repertoire Introduction to Chords Print out this file and use it at your keyboard to study/ Prepared by Christine Brown Please give me your feedback
More informationAdditional Open Chords
Additional Open Chords Chords can be altered (changed in harmonic structure) by adding notes or substituting one note for another. If you add a note that is already in the chord, the name does not change.
More informationevirtuoso-online Lessons
Chords Lesson 2 Chord Extensions evirtuoso-online Lessons www.evirtuoso.com After practicing and building basic chords, the next step is to practice more complex chords with Chord Extensions. These chord
More informationEasy ii V I Vocabulary
Easy ii V I Vocabulary Easy and Essential ii V I Lines and Concepts Written By: Matthew Warnock Published By: Guitar for Life LLC Copyright 2018 Guitar for Life LLC mattwarnockguitar.com 2 Table of Contents
More informationTutorial 1B: Chords and Scales
Tutorial 1B: Chords and Scales Welcome! In this tutorial you ll learn how to: Other Level 1 Tutorials 1. Read and understand chord symbols 1A: Virtual Practice 2. Build major chords and Lydian scales 1C:
More informationUkulele Chord Theory & Practice
Ukulele Chord Theory & Practice By Ted Fong, January 2016 Table of Contents 1. The Major Scale... 2 2. Chords Defined... 3 3. Intervals... 4 4. Chord Symbols... 4 5. Ukulele Chord Shapes... 5 6. Chord
More informationTutorial 3K: Dominant Alterations
Tutorial 3K: Dominant Alterations Welcome! In this tutorial you ll learn how to: Other Tutorials 1. Find and use dominant alterations 3A: More Melodic Color 2. Play whole-tone scales that use alterations
More informationChord Voicings Chart. Here are the basic standard tuning Chord Voicings you can use and experiment with:
Chord Voicings Chart Here are the basic standard tuning Chord Voicings you can use and experiment with: C A G guitaralliance.com/ /chapter2_3.htm 1/18 E D guitaralliance.com/ /chapter2_3.htm 2/18 Cm Am
More informationMOVABLE CHORDS FOR THE GUITAR DON COMANDA
MOVBLE CHORS FOR THE GUITR ON COMN FOREWOR This book was designed specifically for those chord forms which can be moved up the fingerboard and which originate in the first fret. section showing chords
More informationPENTATONIC JAZZ. moomom omo o omoo o om M om oom mo M om oo omo o om M om oom mo omoo o om oo moomom M
PENTATONIC JAZZ You can use the pentatonic scales, with a few added and/or changed notes, to play over every type of chord found in jazz tunes. The great benefit of learning to improvise jazz solos using
More informationChord Homonyms for Favorite 4-Note (Voice) Chords By Ted Greene Comments by James Hober
Chord Homonyms for Favorite 4-Note (Voice) Chords By Ted Greene Comments by James Hober In my opinion, Ted Greene s worksheet, titled Chord Homonyms for Favorite 4-Note (Voice) Chords, is the most intense
More informationCHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS
6 PROGRESSION 1. I - IV - V7 2. I - vi - IV - V7 3. I - ii - V7 4. I - iii - IV - V7 CHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS The chart below contains the seven pitches of five major scales. Upper
More informationHark Michael Guy Chislett, Ben Tan, Dylan Thomas, Melodie Wagner E 134 bpm 6/8
E 134 bpm 6/8 E.\..Asus2.Amaj9..Bsus.\..C#m7.\. Asus2.Amaj9 Hark.the.herald.angels.sing Bsus. C#m7 E. Asus2 Bsus F#m7. A. B F#m7. A. B A. F#m7 B/D#. E C#m B/D#..E. A B/A.Amaj7.B... C#m B/D#..E. A B C#m.B/D#..E.\..A.B/A..Amaj7.B.
More informationHarmonic Improvement
Harmonic Improvement Ted Greene 1975, Feb 20 and 1976, June 4 & 6 PART III 5) The Cross-Cycle or b5th Substitution Principle A sometimes used substitution principle in modern harmony is to replace any
More informationSample Pages for Online Display only. May not be printed or copied
Sample Pages for Online Display only May not be printed or copied 2 Why Scales? This book has been a labor of love we wish to dedicate to our students. Many of these students originally thought playing
More informationHarmonised Scales Author: John Clarke Date:?
Dedicated to fostering the art and craft of the jazz guitar Harmonised Scales Author: John Clarke Date:? The objective of this article is to show: how chords are related to scales how an understanding
More informationGuitar Chords. Antoine Polin. Making Everything Easier! Learn to:
Making Everything Easier! Guitar Chords Learn to: Play over 600 chords in all 12 keys Perfect your technique with a detailed photograph of every chord Experiment with new styles Work out names of chords
More informationPLAY BY EAR, IMPROVISE AND UNDERSTAND CHORDS
PLAY BY EAR, IMPROVISE AND UNDERSTAND CHORDS IN WORSHIP A comprehensive ear training and chord theory course for the whole worship team guitar, bass, keys & orchestral players Get away from the sheet music
More informationChord Substitution Part 5 Ted Greene 1973, November 20
Chord Substitution Part 5 Ted Greene 1973, November 20 Compare the following: 1) Key of A F#m7 Bm7 E7 A 7 D 7 G# ± 7 C#7 F#m7 vi ii V I IV vii III vi 2) Key of F#m F#m7 Bm7 E7 A 7 D 7 G# ± 7 C#7 F#m7 I
More informationon the Cycle of 6ths From Ted Greene with Mark Levy Lesson 46 and 43 audio recordings. Transcriptions by Robert G Smith, October 2016
on the Cycle of 6ths From Ted Greene with Mark Levy Lesson 46 and 43 audio recordings. Transcriptions by Robert G Smith, October 2016 From the materials on the TG.com site, I ve found Ted cover the fascinating
More informationVoicing Modes - 2nd edition Revised & updated Etudes in Standard notation & TAB
1 Voicing Modes Voicing Modes Voicing Modes - 2nd edition Revised & updated Etudes in Standard notation & TAB Copyright 201, 201 by Noel Johnston All Rights Reserved Second Edition First Printing: September,
More informationEXPRESS GUITAR : CHORD CONSTRUCTION PART 2. Chord Construction. Design Your Own. Chord Shapes
Chord Construction Design Your Own Chord Shapes Part 2 Contents String Grids... 3 Grid A...... 4 C Major Harmonized scale - Grid A... 5 Scale Tone Seventh Chords... 9 Scale Tone Seventh Chord Shapes -
More informationHarmonizing Scales with Triads
Basic Guitar Harmonizing Scales with Triads by Takeshi Yamada Basic Guitar Harmonizing Scales with Triads by Takeshi Yamada "Takeshi's books are a great source of information" - Joe Diorio Apple4Bees Copyright
More informationArrival Michael Guy Chislett, Matt Crocker, Benjamin Hastings, Dylan Thomas A 130 bpm 4/4
A 130 bpm 4/4 A.\\\..E/A.\\\..A/D.\\\..E/D.\\\. A.\\\..\\\\..Esus.\\\..E.\\\. F#m7.\\\..E/F#.\\\..A/D.\\\..E/D.\\\. A.\\\..\\\\..Esus.\\\..E.\\\. A. D A. E F#m7. D A. Esus E F#m7. D A. E F#m7. D. A. E
More informationContents. Bassic Fundamentals Module 1 Workbook
Contents 1-1: Introduction... 4 Lesson 1-2: Practice Tips & Warmups... 5 Lesson 1-3: Tuning... 5 Lesson 1-4: Strings... 5 Lesson 1-6: Notes Of The Fretboard... 6 1. Note Names... 6 2. Fret Markers... 6
More informationStaves, Times, and Notes
Staves, Times, and Notes The musical staff or stave is the structure designed for writing western music. The written staff has five lines and four spaces. Each staff has a clef symbol, a key signature,
More informationThe Big Book of. Polychords. A catalog of left and right hand chord combinations for The Chapman Stick. Chris Crain
The Big Book of Polychords A catalog of left and right hand chord combinations for The Chapman Stick. Chris Crain The Big Book of Polychords A catalog of left and right hand chord combinations for The
More information11. Jazz Standards and Forms
11. Jazz Standards and Forms A typical performance of a jazz standard might take the following structure: o An introduction o The head (main melody) o Open-ended repetition of the form with improvisation
More informationFOLDER SAMPLES EXS24, Kontakt. Instruments
Futuristic - Futuristic 01 - Futuristic 02 - Futuristic 03 - Futuristic 04 090 Talking Wobble Bb 090 Talking Wobble Bb 090 Talking Wobble C 090 Talking Wobble C 090 Talking Wobble Cm 090 Talking Wobble
More informationUnderstanding the ChordMaps2 Screen
The - and + buttons change the current key down or up a half step. Octave - or + changes the octave of the Chord Sounds. Understanding the ChordMaps2 Screen The top row allows you to select the current
More informationA comprehensive ear training and chord theory course for the whole worship team guitar, bass, keys & orchestral players
A comprehensive ear training and chord theory course for the whole worship team guitar, bass, keys & orchestral players Get away from the sheet music and learn to transcribe, transpose, arrange & improvise
More informationHarmonic Improvement
Harmonic Improvement Ted Greene 1977, April 4, July 10, and May 6. [These lesson pages are Ted s updates or revisions to his lesson with the same title dated 1976, June 2, 4, 6 with 1975 Feb. 20. Some
More informationUseful Music Theory For Guitarists:
Useful Music Theory For Guitarists: Copyright 1991-2006 Nick Antonaccio. All right reserved. This text explains useful music theory concepts and applied techniques, in a way that is commonly understood
More informationCopyright 2016, by Noel Johnston. All Rights Reserved. First Edition First Printing: July 2016 ISBN XXXXXXXXXX
Voicing Modes Copyright 206, by Noel Johnston All Rights Reserved First Edition First Printing: July 206 ISBN XXXXXXXXXX Front cover and other image credits: Adobe Stock images and Noel Johnston Constellation:
More informationMore details >>> HERE <<<
More details >>> HERE http://urlzz.org/tmai101/pdx/1b2p2am/ Tags: Chord progression of g major A Closer Look. piano
More information2019 Stef Ramin jazz-guitar-licks.com All Rights Reserved
What s a Tritone Substitution? The tritone substitution is one of the most common substitution found in jazz. The basic application of a tritone chord substitution is to take any 7th chord and play another
More informationPete Simms Chord Construction 101 1
Pete Simms Chord Construction 101 1 Chord Melodies -Chord Construction 101 by Pete Simms Ok, this lesson is for you who can read music to at least a beginners level. I m hoping to relieve you from the
More informationALL CHORD SETS IN ALL KEYS W I T H T H E R O M A N
ALL CHORD SETS IN ALL KEYS W I T H T H E R O M A N N U M E R A L S Y S T E M H E A V E N N A T U R E S I N G. C O M WHAT IS THE ROMAN NUMERAL SYSTEM? Chords are what build a song. All the chords needed
More informationContemporary Arpeggios!
Contemporary Arpeggios And the secret system of Arpeggio implementation in your playing Niels Vejlyt The Secret System of Implementation described In this book you will not only be shown the leading edge
More informationTransposing Chord Symbols
Transposing Chord Symbols There s no easy way of doing this the only way is to identify the interval of the transposition, minor third, perfect fifth etc. and apply it to the original chord symbol. All
More informationBasically this chord is just like a G7 with the first fingered note on the High E string at the second fret instead of the first fret.
Week 14 - Day 1A: The Gmaj7 Chord The Gmaj7 chord looks like this: Here we have the notes G, B, D, and F#. Basically this chord is just like a G7 with the first fingered note on the High E string at the
More informationMozart, Beethoven, and Brahms were all renowned for their improvisational abilities
ØJazz Ukulele What is Jazz? (From Ask Jeeves) - a genre of popular music that originated in New Orleans around 1900 and developed through increasingly complex styles. A type of music of black American
More informationHow Are The Parallel Modal Scales Related?
How Are The Parallel Modal Scales Related? Just as the major and minor scale are simple permutations of each other [that is, they share the same notes and chords, but have different starting points within
More informationLegacy Learning Systems 624 Grassmere Park Dr., Suite 16 Nashville, TN 37211
Legacy Learning Systems 624 Grassmere Park Dr., Suite 16 Nashville, TN 37211 Gibson's Learn and Master Guitar. Copyright 2010 by Legacy Learning Systems, Inc. All rights reserved. No part of this product,
More informationa A F#(+11) Bm7 E+ B D C#m7 F#7 Bm7 E7 A Angels Over Paris A Bm7 Bm7 E7 Bm7 E7 A F#(+11) Bm7 E+ A Bm7 C#m7 Bm7 E7 D G#7 C#m7 F#7 B7 F7 E7
1 Angels Over Paris a A F#(+11) Bm7 E+ A Bm7 Bm7 E7 Bm7 E7 A F#(+11) Bm7 E+ A Bm7 C#m7 Bm7 E7 B D C#m7 F#7 Bm7 E7 A D G#7 C#m7 F#7 B7 F7 E7 A F#(+11) Bm7 E+ A Bm7 C#m7 Bm7 E7 Bm7 F+ E7 A / 2 ASCONA Verse
More informationMU 3322 JAZZ HARMONY II
JAZZ HARMONY II Chord Progression EDITION A US Army Element, School of Music 1420 Gator Blvd., Norfolk, Virginia 23521-5170 19 Credit Hours Edition Date: June 1996 SUBCOURSE OVERVIEW This subcourse is
More information5 Powerful Chord Progression Ideas To Enhance Your Songwriting. SongwritingLessonsOnline.com
5 Powerful Chord Progression Ideas To Enhance Your Songwriting SongwritingLessonsOnline.com 5 Powerful Chord Progression Ideas To Enhance Your Songwriting By Ryan Buckner Guitar Mastery Solutions, Inc.
More informationChord Phrasings and Progressions
Video Reference: Chapter 3 - "Chord Phrasings and Progressions" Chord Phrasings and Progressions Chord Voicing - The notes that make up a chord are referred to as voicings. For now, the two basic voicings
More informationEasy Jazz Guitar Progressions
Easy Jazz Guitar Progressions 12 Essential Progressions for Jazz Guitar Written By: Matthew Warnock Published By: Guitar for Life LLC Copyright 2017 Guitar for Life LLC mattwarnockguitar.com 2 Table of
More informationThe intervallic method is central for the jazz vocabulary. A) INTERVAL NUMBERS AND NAMES FOR CHROMATIC 12-TONE SERIES
4. THE INTERVALLIC SERIES How does one convey musical information to others? The most basic method is ostensive: you hum the melody to the other and say Learn this! Or you play it on an instrument. The
More informationThe Tritone substitution In Chords on August 8, 2012 at 10:01 am from Alfred Scoggins (Wholenote web site) Tempo: 120
The Tritone substitution In Chords on August 8, 2012 at 10:01 am from Alfred Scoggins (Wholenote web site) Tempo: 120 In chordal playing there are several substitution rules one can apply. One of these
More informationChord Compendium for Raised Matched Reciprocal tuned Chapman Stick
hord ompendium for Raised Matched Reciprocal tuned hapman Stick by reg Howard This booklet shows where to find commonly occuring chords on both the bass and melody sides of Sticks tuned in the Raised Matched
More informationTHEORY ASSIGNMENTS. H = Half Step, W = Whole Step, -3 = Minor Third (3 half steps)
THEORY ASSIGNMENTS Consult the SCALE SYLLABUS or NOMENCLATURE pages for further info concerning building scales. The next few pages are used for study and practice at my Summer Jazz Workshops. Let me encourage
More informationHow to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007
How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 There are different forms of jazz improvisation. For example, in free improvisation, the player is under absolutely no constraints.
More informationPentatonic Scales: Theory and Applications
OpenStax-CNX module: m33374 1 Pentatonic Scales: Theory and Applications Mathias Lang This work is produced by OpenStax-CNX and licensed under the Creative Commons Attribution License 3.0 Abstract Pentatonic
More informationFREE music lessons from Berklee College of Music
FREE music lessons from Berklee College of Music Jazz Composition Theory and Practice Ted Pease Chapter 2 Harmonic Considerations Modal Harmony Click CD icons to listen to CD tracks from book. Press ESC
More informationWorksheet: Marian's Music Theory Shorthand (video 4, stepping outside the scale) 1 / 6
Worksheet: Marian's Music Theory Shorthand (video 4, stepping outside the scale) 1 / 6 I. Half steps and whole steps and scales We spent some time on intervals seconds, thirds, sixths, etc. now we are
More informationForming a Tonal Center
Forming a Tonal enter Tonality in Western Music How do we establish 1 of the 12 notes in western music as the most important note or tonal center? Here is the way it happens! Free Lesson, Page 1 The 12
More informationChords- Theory and Application
Chords- Theory and Application Chords remain a mystery for most guitarists because of the mystique surrounding both the guitar and the theory behind what makes a chord appropriate. The almost limitless
More informationBEGINNERS HANDBOOK. Table of Contents
BEGINNERS HANDBOOK Table of Contents Parts of a Ukulele 2 Types of Ukuleles 3 How to Hold a Ukulele 4 Strings and Tuning 5 Strumming 6 Reading Chord Diagrams 7 How to Read Strumming Patterns 8 Chord Chart
More informationAN APPROACH TO THE STUDY OF MUSIC. By Dr. Tim Lake
COPYRIGHT 1997 Padraig Publishing. All rights reserved. No part of this article may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording,
More informationThe Great American Songbook
The Great American Songbook Volume Don't Get Around Much Anymore Arr. by Rich Severson Georgia On My Mind Tenderly The Shadow Of Your Smile Fly Me To The Moon It Had To Be You Don'tGetAroundMuchAnyonDukeBoElbRingutosenl
More information10 Must Know Jazz Guitar Chords
10 Must Know Jazz Guitar Chords Playing the right chords through a jazz standard can be tricky without the right chord vocabulary. In this lesson, we will cover the 10 must know jazz guitar chords that
More informationPentatonic Scale Studies Second Edition (2003)
Pentatonic Scale Studies Second Edition (2003) Edard Petersen Roving Bovine Music Pentatonic Scale Studies Second Edition Many thanks to Brian Seeger for his ork in repairing and organizing the Pentatonic
More informationLet s think about music theory
Let s think about music theory Why teach music theory in your class? Benefits for students -- Knowledge is power Recognizing scale passages in music Knowledge of chords Identifying intervals Ease in instruction
More informationFRANK BEE S LEARN AND MASTER PIANO METHOD
FRANK BEE S LEARN AND MASTER PIANO METHOD FOR GROUP OR INDIVIDUAL INSTRUCTION...by Frank Baffour Frank PUBLICATION CO., INC 1 P a g e FRANK S LEARN AND MASTER PIANO METHOD Copy right c 2018 edition ISBN
More informationLife After the Third Fret
Life After the Third Fret Workshop by: Sarah Maisel www.cheemaisel.com WHAT? No way! Yes folks- there is a life after the third fret on the ukulele. It s fun to strum songs, but after a while you will
More informationFENDER PLAYERS CLUB THE ii-v-i
THE CADENTIAL USE OF THE DOMINANT SEVENTH CHORD The following figures demonstrate improvised melodic "lines" over common progressions using major, minor, and dominant seventh chords. In this lesson, we
More informationAb/Gb.. 4. Ab11. Asus.. Asus2/Ab. Asus2/F. Asus4/Bb. Abmin. Abmaj7. Asus4/G... Asus4/Gb. Asus4/Gb.. Am Am(7#) Am(add9) Am/B. Am/B.. Am/D.
GUITAR CHORD CHART The.'s and,'s after the chord name means that the chord is a duplicate or alternate formation. Asus... A9 A9sus Aadd9. Aadd9.. Aaug/D. Aaug/G. Adim Ab Ab+ Ab/A. Ab/F. Ab/F.. Ab/Gb. Ab/Gb..
More informationForming a Tonal Center
Forming a Tonal Center Tonality in Western Music How do we establish 1 of the 12 notes in western music as the most important note or tonal center? Here is the way it happens! Jazz Everyone! Free Lesson,
More informationTHE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline
THE ULTIMATE GUITAR CHORD CHART II - by Phillip J Facoline email- pfacol@elaine.ee.und.ac.za The.'s and,'s after the chord name means that the chord is a duplicate or alternate formation. Ab Ab+ Ab/A.
More informationSpecific Chord Symbols Chart
2 3 4 Specific Chord Symbols Chart 5 Symbol C Spelling C E G Symbol C dim Spelling C Eb Gb Symbol C 13(b5) Spelling C E Gb Bb D A C 6 C E G A C o7 C Eb Gb A C 13(b9) C E G Bb Db A C 6 /9 C E G A D Co7(add
More informationA Style Chords: The D's
A Style Chords: The D's So, you might already know that the open D Major chord itself isn't an A style chord. However, there ARE D chords that can be played utilizing the A string. This of course would
More informationJazz Theory and Practice Module 5 a, b, c Dim. 7 th & 9 th Chords; Extensions to the 13 th ; Other Harmonic Structures
Jazz Theory and Practice Module 5 a, b, c Dim. 7 th & 9 th Chords; Extensions to the 13 th ; Other Harmonic Structures B. Extensions: 9 th, 11 th and 13 th chords Jazz Theory and Practice Harmonic extensions
More informationLecture 5: Pitch and Chord (1) Chord Recognition. Li Su
Lecture 5: Pitch and Chord (1) Chord Recognition Li Su Recap: short-time Fourier transform Given a discrete-time signal x(t) sampled at a rate f s. Let window size N samples, hop size H samples, then the
More informationScale (from L. scala, ladder): A progression of notes in a specific order.. 5cales are very important to know, especially when it comes t o playing a solo. This section is an easy reference for constructing,
More informationI. Basic Theory A. Major scale and Intervals
I. Basic Theory A. Major scale and Intervals COPYRIGHT AND DISCLAIMER The Cowpie Guitar Lessons are Copyright 1995 by Greg Vaughn. Lessons are Written by Greg Vaughn and typeset in BoChord 0.94 which is
More informationTutorial 1C: Melodic Color
Tutorial 1C: Melodic Color Welcome! In this tutorial you ll learn how to: Other Level 1 Tutorials 1. Find and use color tones in solos 1A: Virtual Practice 2. Find and use color intervals in solos 1B:
More informationIntroduction To Guitar For Worship
Introduction To Guitar For Worship Copyright 00 by Ming Ho Distributed by: Introduction The purpose of this document is to teach you how to play guitar for the purpose of worshiping and leading others
More informationThe Fundamental Triad System
The Fundamental Triad System A chord-first approach to jazz theory and practice Pete Pancrazi Copyright 2014 by Pete Pancrazi All Rights Reserved www.petepancrazi.com Table of Contents Introduction...
More informationHarmony for Jazz Guitar
Harmony for Jazz Guitar By David Chavez Music s only purpose should be the glory of God and the recreation of the human spirit. Johann Sebastian Bach For David, Michael and Aaron 1 INTRODUCTION Improvisation
More informationComments from James Hober, December 2015:
Comments from James Hober, December 2015: This is an interesting page that Ted wrote as a personal study for himself. It ends with V-15 chords listed along with the regular 14 voicing groups! January 27
More informationPopular Music Theory Exams
London College of Music Examinations Popular Music Theory Exams Preliminary to Grade Eight Information Booklet Valid from 2010 until further notice Qualifications are awarded and certificated by University
More informationTable of Contents. Module 1. Module 4. Module 2. Module 3
Table of Contents Module 1 DVD 1 Module 4 DVD 4 Parts of guitar String numbering Finger numbering Finger placement next to fret Proper strumming position Proper hand position for scratching (front) Proper
More informationThe Fundamental Triad System
The Fundamental Triad System A chord-first approach to jazz guitar Volume I Creating Improvised Lines Pete Pancrazi Introduction / The Chord-First Approach Any jazz guitar method must address the challenge
More informationChords symbols and their chords
Home Chords symbols and their chords This article simply describes how to determine the notes for each chord symbol, and sometimes gives a little extra information. Last amended 14 April 2017 Contents
More information30 Minutes and 4 Chords That Will Change Your Life!
30 Minutes and 4 Chords That Will Change Your Life! What will we cover? G C E A Tuning (My Dog Has Fleas) How to hold a ukulele Practice chord shapes C, C7, F & G7* Practice switching back and forth between
More informationChord Construction. I am going to approach chord construction from the point of view of the major scale. E Form
Chord Construction I am going to approach chord construction from the point of view of the major scale. E Form Using the E form scale, I have diagramed the scale with numbers indicating the tones of the
More informationIf you want a step-by-step system to build your vocabulary of basic guitar chords, learn how to strum like a pro, and understand rhythms in music once and for all check out my home study course below.
More informationAdding Color and Richness to Common Chords
Adding Color and Richness to Common Chords BY JOHN MARK PIPER Maj 7 chords are made of 1, 3, 5, 7 of the major scale. (Cmaj7, CM7) It is often desirale to add color to chords using chord extensions that
More information