EASY HITS GUITAR TAB EDITION

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1 ESY HIS UIR EDIION Produced by lfred Music PO ox Van Nuys, C 9- alfredcom Printed in US No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfredcom/permissions ISN-: ISN-: Cover Photos ibson Hummingbird courtesy of ibson rands Duesenberg Dragster DC courtesy of Duesenberg uitars, US

2 contents Strum Patterns ingerpicking Patterns 5 ILE RIS gainst ll Odds (ake a Look at Me Now) Phil Collins 6 rthur s heme (est hat You Can Do) (from rthur) Christopher Cross 9 t Last Etta ames ecause You Loved Me (heme from Up Close Personal) Celine Dion 6 reathe aith Hill Can You Read My Mind (Love heme from Superman) Maureen Mcovern Colour My World Chicago 5 Evergreen (Love heme from Star Is orn) arbra Streisand feat Kris Kristofferson 6 alling Slowly (from Once) len Hansard and Markéta Irglová eelings ( Dime?) Morris lbert or Your Eyes Only (from or Your Eyes Only) Sheena Easton lory of Love (heme from he Karate Kid Part II) Peter Cetera 6 he reatest Love of ll Whitney Houston Hold Me, hrill Me, Kiss Me Mel Carter 6 How Do I Live Lenn Rimes 9 How Do You Keep the Music Playing? (from est riends) Patti ustin and ames Ingram 5 (Everything I Do) I Do It for You ryan dams 9 I Swear ll--one 55 heme from Ice Castles (hrough the Eyes of Love) Melissa Manchester 6 If You Leave Me Now Chicago 66 I ll Stand by You he Pretenders 58 I m Not in Love cc 6 It Might e You (heme from ootsie) Stephen ishop 7 ust the Way You re (mazing) runo Mars 7 ust You n Me Chicago 78 Laura Standard 8 Look What You ve Done to Me oz Scaggs 88 Love Is a Many-Splendored hing Standard 8 Love Song nne Murray 9 Love Story (Where Do I egin) ndy Williams 86 Misty ohnny Mathis 9 Moonlight Sting 97 More han You Know Standard Nobody Does It etter (from he Spy Who Loved Me) Carly Simon Open rms ourney Our House Crosby, Stills, Nash Young 7 he Shadow of Your Smile (from he Sandpiper) Standard She Elvis Costello Softly s I Leave You Standard 8 Somewhere, My Love (Lara s heme) (from Doctor Zhivago) Standard 5 Stardust Standard 8 he Summer Knows (heme from Summer of ) arbra Streisand Superstar he Carpenters he Sweetheart ree (from he reat Race) Henry Mancini ry a Little enderness Standard What re You Doing the Rest of Your Life? Standard 8 Words et in the Way Miami Sound Machine You Must elieve in Spring ony ennett and ill Evans You Send Me Sam Cooke 6 (or) Your Precious Love erry utler

3 SRUM PERNS elow are a number of suggested patterns that may be used while strumming the chords for the songs in this book hink of these as starting points from which you may embellish, mix up, or create your own patterns Note the markings above the staff that indicate the direction of the strums indicates a downstroke indicates an upstroke Strum Pattern #: Û Û Û Û Û Û Û Û Strum Pattern #8: Û Û Û Û Strum Pattern #: Û Û Û Û Û Û Û Strum Pattern #9: Û Û Û Strum Pattern #: Û Û Û Û Û Û Strum Pattern #: Û Û Û Û Û Strum Pattern #: Û Û Û Û Û Strum Pattern #: Û Û Û Û Û Strum Pattern #5: Û Û Û Û Û Û Strum Pattern #: Û Û Û Strum Pattern #6: Strum Pattern #: Û Û Û Û Û Û Û 8 Û Û Û Û Û Û Û Û Û Û Û Û Û Û Strum Pattern #7: Û Û Û Û Û Û Û Û Û Û Û Û Strum Pattern #: Û Û Û Û

4 5 INERPICKIN PERNS Here are some fingerpicking patterns that may be used to arpeggiate chords where indicated in this book s with the strum patterns, these are starting points from which you may embellish, mix up, or create your own patterns Note the fingerings: p = thumb i = index finger m = middle finger a = ring finger indicates a downstroke indicates an upstroke ingerpicking Pattern #: p i m i p i m i ingerpicking Pattern #8: p m a i ma i ingerpicking Pattern #: p i m p m i m ingerpicking Pattern #9: p i m a m i ingerpicking Pattern #: p i m p i m a ingerpicking Pattern #: p i m a m ingerpicking Pattern #: p i m a p i m a ingerpicking Pattern #: p i m a ingerpicking Pattern #5: p i p m p i p m ingerpicking Pattern #: ingerpicking Pattern #6: p i p m i p i } ingerpicking Pattern #: ingerpicking Pattern #7: p m p i m p i ingerpicking Pattern #: 8 p i m a m i p i m a m i

5 6 INS LL ODDS (ake a Look at Me Now) Use Suggested Strum Pattern # Moderately Π= w/half-time feel Words and Music by PHIL COLLINS P % Verse: m7 m7 C 5 Πj ΠHow can I just let you walk See additional lyrics a - way, just let you leave with - out a trace? When I / Em7 m7 9 j Πstand here tak - ing ev - ry breath with you; ooh You re the sus Πj j on - ly one who real - ly knew me at all So take a look at me now, gainst ll Odds (ake a Look at Me Now) EMI OLDEN ORCH MUSIC CORP and HI ND RUN MUSIC PULISHIN LD ll Rights for HI ND RUN MUSIC PULISHIN LD dministered by EMI PRIL MUSIC, INC Exclusive Print Rights for EMI OLDEN ORCH MUSIC CORP dministered by LRED MUSIC ll Rights Reserved

6 Chorus : C/ D7/ 7 8 Πj j j well, there s just an Πj j emp-ty space nd there s noth - ing m sus left here to re - mind me, just the mem - ry of your face { Well, take Now, take a a look look at at me me now, now, 5 C/ D7/ 6 Πj j Πj well, there s cause there s just just an an emp-ty emp-ty space space nd you com-in ut to back wait 5 m sus w to for me you is a is - gainst all the I odds, can do, and that s and that s what what I ve got to face DS % sus Πj I I ve got - ta face ake a good look at me now, 5 gainst ll Odds (ake a Look at Me Now) - -

7 8 Chorus : C/ D7/ 9 Πj cause I ll still be stand-ing here nd you com-ing back 5 5 m sus to me is a - gainst all odds, it s the chance I ve got - ta take decresc Π7 P C(9) / 6 5 ake a look at me now rit e dim w Uw w Verse : How can you just walk away from me, When all I can do is watch you leave? Cause you shared the laughter and the pain, nd even shared the tears You re the only one who really knew me at all (o Chorus :) gainst ll Odds (ake a Look at Me Now) - - Verse : I wish I could just make you turn around, urn around and see me cry here s so much I need to say to you, So many reasons why You re the only one who really knew me at all (o Chorus :)

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