CONTENTS. 2 The Guitar Chord Resource. Introduction About the Authors PART ONE: EASY CHORD IDEAS...11

table of contents table of contents

tale of contents tale of contents Aout the Author... Introducton alature... Chapter : Introducng rads... rad Formulas and Inversons... Chapter : rads on the Gutar... rads on Adjacent Strngs... rads on

ABOUT THE AUTHORS... 4 INTRODUCTION CHAPTER 1 REVIEW OF THE BASICS The Open Strings...6 Roman Numerals...6 Music Notation...

CONTENTS ABOUT THE AUTHORS... 4 INTRODUCTION... 5 CHAPTER REVIEW OF THE BASICS The Oen Strngs...6 Roan Nuerals...6 Musc Notaton... 7 CHAPTER FINGERSTYLE PATTERNS Revew of Patterns # - #... Pattern #...

CONTENTS ABOUt the AUthOrS... 5 INtrODUCtION... 6 ChAPtEr 1 Getting Started ChAPtEr 2 Strum, Strum, Strum ChAPtEr 3 Reading Standard Music Notation

ONENS bout the uthors 5 INRODUION 6 hapter Gettng Started 7 Lesson : Know Your Uke7 Lesson : Readng ablature Mary Had a Border olle Lesson : he Notes on the Fretboard hapter Strum, Strum, Strum 5 Lesson

CONTENTS

CONENS + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + OU HE UHOR INRODUCION asc Notaton and heory CHER ONE: he Gutar Styles oolox Lesson

Introduction to Jazz Guitar Chords and Comping Styles. -by Mike Scott

Introduction to Jazz Guitar Chords and Comping Styles -y Mike Scott he folloing lessons introduce some of the asics of azz guitar chords opics include: Some of the most common chord voicings used Intervals

CONTENTS 2 TEACH YOURSELF TO PLAY CLASSICAL GUITAR

ECH YOURSELF O PLY CLSSICL GUIR CONENS INRODUCION PRS OF HE GUIR HE CLSSICL GUIRIS S OOL KI UNING HE GUIR HE HNDS6 Left-Handed Players6 FINGERNILS6 SEING POSIION7 HE GUIR FINGERORD8 Mn Gutar Lesson: Half

Contents. Rock Guitar for Adults. About the Author... 4 Introduction Chapter One: Rock Chords 6. Chapter Five: The First Wave of Rock Scales 30

Contents bout the uthor Introduction Chapter One: ock Chords 6 he First Wave of ock Chords 6 he econd Wave of ock Chords Power Chords Barre Chords Chapter wo: Getting Bluesy he -Bar Blues ockin Up the

about the author... 4

CONN about the author... 4 INRODUCION... 5 Chapter etting tarted 6 he uitar Fingerboard...6 uning...7 Music Notation... Reading, cale, and Chord Diagrams... Roman Numerals... ome erms and igns... asic

LEAD FOR THE GUITAR (IMPROVISING)

LEAD FOR THE GUTAR (MPROVSNG) Prep Section by ARTHUR BAYAS Primary, ntermediate, & Advanced Section by DON COMANDA Lead (mprovising) is the spontaneos creation of a rhythmic, melodic line to a grop of

CONTENTS. 2 Mastering Ukulele

ONENS bout the uthors... 4 INRODUION... 5 hpter he World hordng to Uke 6 Lesson : he Hrmonzed Mjor Scle...6 Lesson : our ypes of 7th hord Inversons...7 Lesson : Mjor nd Mnor 6th Inversons...8 Lesson 4:

The Major Scale Key Signatures Cycle of 5ths Numbering (Spelling)... 24

CONEN bout the uthor... 4 INRODUCION... Chapter Getting tarted 6 he Guitar Fingerboard...6 uning... Music Notation...8 Reading, cale, and Chord Diagrams... 2 Roman Numerals... 2 ome erms and igns... asic

Contents. CD-Track Listing...5. Introduction Pentatonic Scales Creating Pentatonic Lines Rhythmic Variation...

Contents CD-Track Listing...5 Introduction...7 1 Pentatonic Scales...9 2 Creating Pentatonic Lines...13 3 Rhythmic Variation...27 Chords and Pentatonics...29 Progression 1: (Minor 7th Cycle)...29 Progression

Gospel Piano. Beginner - Lesson 1A. iv 4 V 5

ospel Piano Beginner - Lesson 1A Martin ureasko The Naked Keyboardist EXAMPLE 1 REEW - The Scale Tone hords These triads (three-note chords) are built on each tone of the scale, using only those notes

Contents. Beginning Bass for Adults. About the Author Eighth Notes...33 Eight to the Bar...33 The Eighth Rest...34 Rasta Riff...

2 Contents bout the uthor... Introduction... Ho to Use his ook... Chapter One uying Your ass... mplifiers... arts of the ass... Holding the ass... 8 he Left Hand... he Right Hand... uning Your ass...2

Say Wha? (60 BPM) BLUES-ROCK HARD ROCK. Blind Swine (90 BPM) FUNK ROCK. Tipitina s 501 (100 BPM Shuffle)... 24

SIING IN: ROCK GUIR CONNS bout the uthor Introduction ow to Use his ook Working with the Play-long racks Scale heory6 Intro to Rock armony Changing Keys and Making the Changes Say Wha? (Classic Rock in

CHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS

6 PROGRESSION 1. I - IV - V7 2. I - vi - IV - V7 3. I - ii - V7 4. I - iii - IV - V7 CHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS The chart below contains the seven pitches of five major scales. Upper

Jimmy s Sketchbook Vol. 2 Two Lines For Barney

Jy s Sketchook Vol 2 Two Lnes or arney ro The Jy Wyle Tro: Classcal Jazz Jazz Chroncles JCS 1 & 2 Two Lnes or arney s one of Jy s fnest coostons Jy has recorded ths work two dfferent tes The frst recordng

Constructing Distributed Fretted Instruments for the Web

Generatve Art 22 Constructng Dstrbuted Fretted Instruments for the Web Prof. Jônatas Manzoll, BMath, BMus, MSc, PhD Insterdscplnary Nucleus for Sound Studes - NICS Musc Department, Arts Faculty, UNICAMP

SAMPLE KYRIE. Dm (Em) Dm (Bm) (Bm) (G) (Em) (Bm) (D) Chri ste. ri e e. son. ri e e lé. Gm7 F (G) Gm7. (Bm) (Em7) (D) (Em7) (D) son. Chri ste.

KYRIE Capo 3: () m () m () m () m () m () () B e e (7) m7 lé () m () m lé son. Ky r e e () son. Chr ste SMPLE Text: raduale Romanum, 1974. Musc: Chant Mass; raduale Romanum, 1974; gutar acc. 1995, OCP.

Contents. The Total Beginning Guitarist

Contents bout the uthors... 4 Introduction... 5 uying a Guitar... 6 Parts of the Guitar... 7 Holding the Guitar... 8 wo Positions for Playing the Guitar... 8 Left-Hand echnique... Right-Hand echnique...

You re Not Your Mistakes 2019 Mutual Theme Album

You re Not Your Mistakes 2019 Mutual Theme Album q = 105 4 ΠΠWords and music by Nik Day 4 You re not your mis-takes It s ust some-thing you do 4 4 4 some - times But that s not ho you are In your heart

Beginning Guitar For the Classroom A Comprehensive Approach

Begnnng utar or the lassroo orehensve roach Thrteenth dton Lou Warde Platso Musc oyrght 09, Platso Musc Internatonal oyrght Secured ll Rghts Reserved orard Ths book s ntended for the begnnng student th

Song of Farewell. F # m7 E/G # C # m7/e E. œ œ. œ œ œ. œ œ. May the and. an - gels come. œ œ. œ œ œ. F # m/a E/B B E E/G #

ased on In Paradisum Song of areell Grayson Warren ron rranged by Rick Modlin Choral arrangement by Rick Modlin, Val Parker Grayson Warren ron Organ VRSS 1 & 2 Soprano & l p P Tenor? ass &? INTRO (q =

The Chromatic Scale (all half steps) The Major Scale The formula for the major scale is: w w 1/2 w w w 1/2. Minor Scales

The hromatic Scale (all half steps) # # E F F# # A A# B OR: b Eb E F b Ab A Bb B # # E F F# # A A # B & # # # # # b E b E F b A b A B b B & b n b n b n b n b n The Major Scale The formula for the major

NOTES TO JAZZ IMPROVISATION CLINIC Copyright Rhinoceruss Music 2005

41-42 42 nd Street, Suite 1-O Sunnyside, NY 11104 (646) 320-3617 russ@russnolan.com.russnolan.com NOTES TO AZZ IMPROVISATION CLINIC Copyright Rhinoceruss Music 2005 1. ust like English, Spanish, German,

Pop Ballad Accompaniment for Piano and Keyboard by Ron Drotos

pedal Sloly etc E m Pop Ballad Accompaniment for Piano and Keyboard by Ron Drotos opyright 2012 Ron Drotos There are many types of piano accompaniment that ork ell behind a vocalist, hether you yourself

TABLE OF CONTENTS. Table of Contents ABOUT THE AUTHOR 4

LE OF CONENS OU HE UHOR INROUCION Chord Substitution Rollin In My Sweet aby s rms (Straight) 2 Rollin In My Sweet aby s rms (ritone Substitution) Rollin In My Sweet aby s rms (Minor rd Substitution) Rollin

While you already see the notes needed, which are C, E, G, and D, we must understand what the term 'add' means.

Week 6 - Day 1: The Cadd9 Chord The Cadd9 chord looks like this: While you already see the notes needed, which are C, E, G, and D, we must understand what the term 'add' means. It actually just means to

Contents. Bassic Fundamentals Module 1 Workbook

Contents 1-1: Introduction... 4 Lesson 1-2: Practice Tips & Warmups... 5 Lesson 1-3: Tuning... 5 Lesson 1-4: Strings... 5 Lesson 1-6: Notes Of The Fretboard... 6 1. Note Names... 6 2. Fret Markers... 6

The I-IV-II-V Progression

The I-IV-II-V Progression I-VI-II-V Soloing (L#9) Scott Devine "In this tutorial I demonstrate how to play the I-IV-II-I progression. It's really common and one you need to learn." Parent Scale: C Major

Harmonic Improvement

Harmonic Improvement Ted Greene 1977, April 4, July 10, and May 6. [These lesson pages are Ted s updates or revisions to his lesson with the same title dated 1976, June 2, 4, 6 with 1975 Feb. 20. Some

How To Create Your Own Solo Pieces

How To Create Your Own Solo Pieces As you learned from the video lesson, you only really need 2 elements to create a solo piece on bass. They were the melody, and some kind of accompaniment being bass

EE 215A Fundamentals of Electrical Engineering Lecture Notes Resistive Circuits 10/06/04. Rich Christie

5A Introducton: EE 5A Fundamental of Electrcal Engneerng Lecture Note etve Crcut 0/06/04 ch Chrte The oluton of crcut wth more than two element need a lttle more theory. Start wth ome defnton: Node pont

The Ultimate Guide To Bass Harmonics. Create chords, melodies and solo bass pieces using harmonics

The Ultimate Guide To Bass Harmonics Create chords, melodies and solo bass pieces using harmonics Ho To Use This Guide Welcome to this Ultimate Guide! It s great to have you on board. First things first,

It s time to take a look at another classic song you must know how to play on the ukulele.

It s time to take a look at another classic song you must know how to play on the ukulele. In this lesson, learn: how to apply multiple strumming patterns we ve learned throughout one song a song: Ain

Forming a Tonal Center

Forming a Tonal Center Tonality in Western Music How do we establish 1 of the 12 notes in western music as the most important note or tonal center? Here is the way it happens! Jazz Everyone! Free Lesson,

Harmonic Improvement

Harmonic Improvement Ted Greene 1975, Feb 20 and 1976, June 4 & 6 PART III 5) The Cross-Cycle or b5th Substitution Principle A sometimes used substitution principle in modern harmony is to replace any

# w. # w # # w # w # w

& & PRIMARY TRIADS In Levels 1-4, triads (3-note chords) ere built on the first note of the scale. If an example as in the key of E Major, then the triad introduced as an E Major triad, ith E, G and B.

Table Of Contents. GuitarZoom 2015

Table Of ontents Ho to Fretboard hord Basics and Major hords Minor hords I-IV-V in Major Keys Minor Key hords Progression hord Inversions uitarzoom uitar Tuning: Moderate q = to Ê Â = = = Tuning x. x.

GRADE 6 MUSIC THEORY. First Inversions I V I. ii 5 V I I I 6 V I I V 7. Strong in the soprano part suggests a I - V - I chord progression.

GRADE MUSC THEORY Dr. Declan Plummer Lesson : Pre-Cadential Chords & nverted Chord Progressions Pre-Cadential Chords. Deciding what chords to use as pre-cadential chords is determined by what chords go

The Art of Arpeggios

ellenha@gal.co 2 Se 2 The Art of Areggos The Lttle Book of Rght Hand Technque for the Ukulele by Saantha Mur 2 exercses for the develoent of the rght hand. Wth detaled fngerngs and study notes. ellenha@gal.co

Phil explained the origins of this gorgeous ballad in the January 1992 Phil Keaggy Newsletter as follows:

Let Everything Else Go Words and music by Phil Keaggy Phil explained the origins of this gorgeous ballad in the January 1 Phil Keaggy Nesletter as follos: While riding my bicycle early one Sunday morning

Fly Like a Bird. for Kate McMichael. Am7. B b add9. œ œ. œ J. œ œ œ œ

2 Based on Psalm 19:1 4, 7 12, 2 24 ly Like a Bird for Kate McMichael Ken anedo Keyoard % % NTR (q = ca 112) 4 4 RERAN Melody ly Harmony like a ird B add9 ẇ Lord, B add9 B add9 sus4 soul 1995, 2002, P

Forming a Tonal Center

Forming a Tonal enter Tonality in Western Music How do we establish 1 of the 12 notes in western music as the most important note or tonal center? Here is the way it happens! Free Lesson, Page 1 The 12

To Raymond Johnston & the Choir of St. Mark's Episcopal Cathedral Sing We the Virgin Mary. Appalachian Carol. œ œ. ded her When she bir-thed

Words melody transcried in Kentucky c. 1933 y John Jaco Niles (18921980) Solo Voice (emale) Organ Pedals Adagio q 92 2 3 4 5 6 7 selice legato 4 selice legato 4 To Raymond Johnston the Choir o St. Mark's

Chord Theory as applied to Jazz Guitar Functional Harmony

Chord Theory as applied to Jazz Guitar Functional Harmony by John Riemer Part 1-Tonal Centers Chord theory takes on special adaptations as applied to playing jazz guitar. The role of the guitar puts it

Ready to play. 1. Rest position now, 2. Hold it out in front, 3. Lift it up on high, 4. On your shoulder now.

Ready to play 3 Get-ready rag Stand wt your feet slgtly apart and get ready to do eac of te actons along wt te C. For 5 8, old your voln steady wt your rgt and wle you move to te musc.. Rest poston now,

Table of Contents. About the Author... 4 Introduction... 5

able of ontents bout the uthor... Introduction... art : laying coustic Songs... 6 hapter : etting to Know the coustic uitar... 6 Lesson : arts and ositioning of the uitar... 6 Lesson : Naming itches...

J œ. œ œ. œ œ. œ J œ œ.

6 1 Car - ol my heart, 2 Think child, S a Chrt-mas out - lives 6 6 car - ol my - self, filled ith great ae, clod in our flesh, rol - lick - prae Car - ol danc - ays Meet - ne - ly seen Tent Spir - it s

Week 7 - Day 1: The Dsus4 Chord. The Dsus4 chord looks like this and contains the notes D, A, and G: All we need to find is the 1, 4, and 5.

Week 7 - Day 1: The Dsus4 Chord The Dsus4 chord looks like this and contains the notes D, A, and G: OR All we need to find is the 1, 4, and 5. The D scale is: 1 2 3 4 5 6 7 8 D E F G A B C D Here you'll

The Shearer Method: Guitar Harmony. by Alan Hirsh

The Shearer Method: Guitar Harmony by Alan Hirsh TABLE OF CONTENTS PREFACE About this book I BUILDING BLOCKS... 1 Step... 1 The Major Scale... 2 Chromatic Notes... 2 The Key... 4 Intervals... 6 Major,

Elements of Predictability

Advanced Harmonic Concepts Elements of Predictability There are a number of similar characteristics associated ith the composition and performance of standard jazz With these characteristics come a number

Adding Color and Richness to Common Chords

Adding Color and Richness to Common Chords BY JOHN MARK PIPER Maj 7 chords are made of 1, 3, 5, 7 of the major scale. (Cmaj7, CM7) It is often desirale to add color to chords using chord extensions that

Chords- Theory and Application

Chords- Theory and Application Chords remain a mystery for most guitarists because of the mystique surrounding both the guitar and the theory behind what makes a chord appropriate. The almost limitless

Level 3 Music Studies, 2015

91421 914210 3SUPERVISOR S Level 3 Music Studies, 2015 91421 Demonstrate understanding of harmonic and tonal conventions in a range of music scores 2.00 p.m. Monday 16 November 2015 Credits: Four Achievement

KEYBOARD PROFICIENCY EXAM FOR MUSIC MINORS

KEYBOARD PROFCENCY EXAM FOR MUSC MNORS NAME: DATE: Requirements:. Perform C, D, E, F, G, A, and Bflat major and harmonic minor scales, octaves, hands gether, parallel motion. Scales tested:. n above keys,

Smarter Balanced Assessment Consortium Claims, Targets, and Standard Alignment for Math

Sarter Balanced Assessent Consortiu Clais, s, Stard Alignent for Math The Sarter Balanced Assessent Consortiu (SBAC) has created a hierarchy coprised of clais targets that together can be used to ake stateents

Straight No Chaser. for Osceola All-County Jazz Auditions. j œ œ œ nœ. # œ œ nœ. œ # œ œ # œ œ œ # œ œ œ. # œ œ. œ œ# œ œ# œ œ œ œ.

Alto Sax 4 Ó Œ for Osceola 2002-2003 All-County azz Auditions # # n T Monk # # G # # 9 # E- # # # A # # # A 4 # G # n # # 8 G # # # E- E- 22 # # # # # # A The Articulation in this piece should e closer

In this lesson, you mix up the previous quarter note and eighth note strumming pattern in a different way.

In this lesson, you mix up the previous quarter note and eighth note strumming pattern in a different way. You learn: a versatile strumming pattern that can be used for hundreds of different songs how

Fall 2018 #11 Games and Nimbers. A. Game. 0.5 seconds, 64 megabytes

5-95 Fall 08 # Games and Nmbers A. Game 0.5 seconds, 64 megabytes There s a legend n the IT Cty college. A student that faled to answer all questons on the game theory exam s gven one more chance by hs

Time Lord. Performance Score (Grade 5 Standard) by Gawen Robinson 1/210113

Lord Performance Score (Grade 5 Standard) by Gaen Robinson 1/210113 Published by Musicline Publications P.O. Box 15632 Tamorth Staffordshire B77 5BY 01827 281 431.musiclinedirect.com No part of this publication

CONTENTS

CONENS + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + OU E UOR INRODUCION 4 CPER ONE: Getting Started alf Steps and Whole Steps he Notes

Stranger in Paradise. Dm7 Am6 Dm7 Am6 Dm7. œ bœ U U. & œ j 4 œ œ œ œ œ œ œ œ œ œ œ # œ œ œ œ. œ j œ œ œ œ œ œ œ œ œ œ œ# Œ œ œ œ œ œ œ œ œ œ œ œ œ œ

~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~ Stranger in Paradise q=50 Robert Wright & George Forrest (Arr. Maria Dunn - 2012) Dm7 Am Dm7 Am Dm7 & 4 G7 Em/G B7/G Em/GDm7/G A & j 4 & 4 Oh & & iano lays sustained string sound

TABLE OF CONTENTS ABOUT THE AUTHOR...4 INTRODUCTION...5

ABLE OF CONENS ABOU HE AUHOR...4 INRODUCION... CHAPER Getting Started 6 he Fretboard...6 Reading Standard Music Notation... Reading Bass ablature...9 Chord Symbols...9 Accidentals... 0 he Chromatic Scale...

A Fingerstyle/Chordal Examination of The Sound of Silence by Simon & Garfunkel

A Fingerstyle/Chordal Examination of The Sound of Silence by Simon & Garfunkel When you take a look at the material below, you won't notice (at first) anything more than just some notes. This makes sense

CONTENTS ABOUT THE AUTHOR...4

CONENS ABOU E AUOR INRODUCION CAER GEING SARED 6 Lesson : Getting to Know Your ools 6 Lesson : he Notes on the Fretboard 8 Lesson : Reading ablature (AB) Mary ad a Border Collie Lesson : Your First Chords

The Key to Your Guitar Playing Success

Table Of Contents Become Aware of Who You Are as a Guitar Player 3 Remember Why You Were Supposed to be a Guitar Player in the First Place Stop Comparing Yourself to the Rest of the World 6 Set Realistic

Life After the Third Fret

Life After the Third Fret Workshop by: Sarah Maisel www.cheemaisel.com WHAT? No way! Yes folks- there is a life after the third fret on the ukulele. It s fun to strum songs, but after a while you will

œ œ œ œ œ œ œ œ œ b œ œ œ œ œ œ œ œ œ n œ ? b b ? b b œ # œ ? b b œ œ b œ ? b b œ œ œ b œ

Bass Lines WHERE THE PASSING TONES COME FROM Every chord has one or more scales which contain the chord tones (1,, 5, 7) and a set of passing tones (2, 4, 6). Diatonic, scale, passing tones come from the

Learn Guitar The Method For A New Generation

pt pt Presents Learn Guitar The Method For A New Generation Written & Method By John McCarthy Adapted By: Jimmy Rutkowski Supervising Editor: Joe Palombo Music Transcribing & Engraving: Jimmy Rutkowski

Three Must Know Rock Rhythms

I c I I I Three Must Kno Rock Rhythms Steve Stine Chords used in this lesson 4 4 # # Basic beats V V 4 4 V V V V 4 4 d Offbeat/ onbeat Upbeat. onstrokes on the last Upbeat 4 4 4 4 onstroke V V V V onstroke

Advanced Chromatic Harmonies I: The Neapolitan, and Augmented-Sixth Chords as a Combination of Modal Borrowing and Applied Procedures

MU182: Theory II R. Vigil Advanced Chromatic Harmonies I: The Neapolitan, and Augmented-Sixth Chords as a Combination of Modal Borrowing and Applied Procedures I. Modal Borrowing The most basic aspect

He Is The God Of Abram (BLIND SIGHT - Scene 1 - Ben, Deborah and Chorus)

4 2 4 2 s The od Of rm (BLN SHT - Scene 1 - Ben, eorh hor) 1 m # pre # od r Words Mic y - rm, love Lord, e 7 # # # m thnk od r 7 # - cre co, Lord, e # Lord ill od help # s - r - ev' - ry el dy n B n n

Copyright 2010 Rock Star Recipes Ltd.

Copyright 2010 Rock Star Recipes Ltd. ll rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying,

The Dark Enclosing Tomb of Night. Cmaj7. œ œ œ. œ œ œ. Em9. œ œ œ œ œ œ œ. j œ. j œ. Dsus2

2 The ark Enclos mb of Night Genevieve Glen, OSB Timothy R Smith Keyboard?? Am9 INTRO Moderately (q = ca 116)? G VERSE 1? J J 3 1 The dark en- clos - /E Am J /E 2 2 2 tomb /E of J 9 ma7 sus2 /E J night

For choir and congregation The Story of the Cross. includes I Stand Amazed in the Presence, At the Cross, and Down at the Cross. D m 7 4. w w.

13 Worship allad q = 76 or choir and congregation The Story of the ross includes I Stand Amazed in the Presence, At the ross, and on at the ross m 7 31 Arranged y ennis Allen 3 B2 B B2 6 HOIR unison 1

Foreword PART 3: WORKOUTS Melodic Minor Workouts How to Practice Workouts... 26

TABLE OF CONTENTS Foreord...................................................... 7 PART 1: BACKGROUND............................................. 9 PART 2: THEORY.................................................

II V I. for solo or two electric guitars. Larry Polansky. for Brian McLaren and Carter Scholz

for solo or two electric guitars for two electric guitars GUITAR I D F E (1st string) C B Bb G# G G D C# C A A Bb D G C (6th string) GUITAR II Eb Eb E (1st string) Bb B B F# F F# D D D A G G D D E (6th

Contents Introduction...6 Basic Intervals and Triads...8 Intervals...8 Triads...11 Table of Intervals...14 Seventh Chords...15 Dominant Seventh (7)...15 Minor Seventh (m7)...15 Major Seventh (maj7)...16

Fingerpick Manual. Main Page

Fingerpick Manual Congratulations on your purchase of Realitone s Fingerpick! Ready to get started? It s easy enough, just play the notes on the blue keys, or play codes on the upper octave green keys.

Tutorial 3K: Dominant Alterations

Tutorial 3K: Dominant Alterations Welcome! In this tutorial you ll learn how to: Other Tutorials 1. Find and use dominant alterations 3A: More Melodic Color 2. Play whole-tone scales that use alterations

Chain Codes. Shape Representation and Description. Signatures. Polygonal Approximations

Shae Reresentaton and Descrton Reresentaton Matchng or comarng reresentatons for shae recognton Invarance wth resect to nusance arameters Image codng Descrton Classf shaes based on a descrtor Invarance

Abarbanell and ~1 - Per.sona1br StQg!ee~d~By-~~...-- ~:::a...r:::~::: Mr.Leder~r

"EVERY cj v "7 dvll' t LTTLE MOVEMENT".. Lina 'Woods. Frazee &. Lederer Present Abarbanell and 1 R. c. A Three Act FrenchVaudeville c c=;s > Herz err Per.sona1br StQg!eedBy... a...r Mr.Lederr EVERY LTTLE

Palmer & Hughes Book 3 Session 7 Instruction and Companion Material

MasterAccordionWorkshops PHBook3 Session7 PalmerHughes Book3 Session7 InstructionandCompanionMaterial Presenters SheliaLeeMarkRopel MasterAccordionWorkshops Sponsoredy 5013(c)Non Profit 1 HAPi*1547S.RicheyRd.,Pasadena,TX77550*281

Diminished 7th Chords Common Progressions and Principles

Diminished 7th Chords Common Progressions and Principles Ted Greene 1974-12-29 The following principles concerning diminished 7th chords are pretty complicated and take quite awhile to absorb, unfortunately.

Table of Contents. Module 1. Module 4. Module 2. Module 3

Table of Contents Module 1 DVD 1 Module 4 DVD 4 Parts of guitar String numbering Finger numbering Finger placement next to fret Proper strumming position Proper hand position for scratching (front) Proper

VERY LIGHT MUSIC THEORY

The purpose for this seminar: - to impart into the body of Christ a little bit of what we ve got so far in this area of worship, singing, playing, organizing, structuring, etc... - to impart practical

Piano Voicing Mnemonics

Piano Voicing Mnemonics I. One-anded Jazz Voicings for Major 7, Dominant 7, and Minor 7 Chords. Category (rd in the loest voice) C 7 E B D Look at root at the top and spread out (up a hole, don a half);

Chord Progressions Primer

hord Progressions Primer TH MJOR SL N PRORSSION THORY If you looked at Theory 1, you ve seen how to chords are constructed. Now it s time to put all these chords into action by exploring their relationship

The Circle of Fifths/5ths. Why learn about "The Circle of Fifths"? An understanding of this topic, combined with this root pattern diagram:

Video Reference: Chapter 3 - "Circle of 5ths" The Circle of Fifths/5ths Why learn about "The Circle of Fifths"? An understanding of this topic, combined with this root pattern diagram: makes it easy to

Online Reporting. Online Reporting. A step-by-step guide. Important information for churches, schools and organisations

Onlne Reportng Onlne Reportng A step-by-step gude www.olr.ccl.com Important nformaton for churches, schools and organsatons May 2016 Reportng s a vtal part of beng a lcence holder... Reportng s a requrement

MATHCOUNTS. 100 Classroom Lessons. August Prepared by

MATHCOUNTS 100 Classroom Lessons August 2000 Prepared by John Cocharo The Oakridge School 5900 W. Pioneer Parkway Arlington, TX 76013 (817) 451-4994 (school) jcocharo@esc11.net (school) cocharo@hotmail.com

!!!! Understanding!the!Modern!Rhythm!Section! Outside!Pedestrian! Dr.!Anthony!Fesmire,!guitar!

UnderstandingtheModernRhythmSection OutsidePedestrian.outsidepedestrian.com Dr.AnthonyFesmire,guitar AssociateProfessor,CollegeoftheDesert.anthonyfesmire.com DavidLockeretz,ass DavidOromaner,drums DavidODrums.davidoromaner.com

Copyright 2016, by Noel Johnston. All Rights Reserved. First Edition First Printing: July 2016 ISBN XXXXXXXXXX

Voicing Modes Copyright 206, by Noel Johnston All Rights Reserved First Edition First Printing: July 206 ISBN XXXXXXXXXX Front cover and other image credits: Adobe Stock images and Noel Johnston Constellation:

Modern Band: Chart Notation Guide

At the top of each lead sheet, you ll fi nd information on the song s key (in this case, A major), tempo (90 BPM), chords, and song structure. You ll see the chords listed with a letter name and a roman

The Transcriber s Art #49 Matthäus Waissel, Prælamulum & Passe mezo by Richard Yates

The Transcrber s Art #49 Matthäus Wassel, Prælaulu & Passe ezo by Rchard Yates It s not because thngs are dffcult that e do not dare, t s because e do not dare that thngs are dffcult. Seneca, d-1st century

Forming a Tonal Center

Forming a Tonal Center Tonality in Western Music How do we establish of the 2 notes in western music as the most important note or tonal center Here is the way it happens! Free Lesson, Page The 2 notes

Free GK Alerts- JOIN OnlineGK to NUMBERS IMPORTANT FACTS AND FORMULA

Free GK Alerts- JOIN OnlineGK to 9870807070 1. NUMBERS IMPORTANT FACTS AND FORMULA I..Numeral : In Hindu Arabic system, we use ten symbols 0, 1, 2, 3, 4, 5, 6, 7, 8, 9 called digits to represent any number.

The A-based Major Barre Chord Other A-based Barre Chords. The E-based Major Barre Chord Other E-based Barre Chords. Open-Position Power Chords

hapter fter learning basic chords, you can play barre chords and power chords to add flair to your music. his chapter discusses -based and -based barre chords, which are the most popular types of barre

Copyright 2000 Rusty Cooley. All rights reserved. No part of this CD ROM / audio CD package, including audio, interior design, cover design, text,

Copyright 2000 Rusty Cooley. All rights reserved. No part of this CD ROM / audio CD package, including audio, interior design, cover design, text, graphics, or files may be reproduced or transmitted in