Enter Sandman. Enter Sandman
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1 Here s what Michael Bonner, the Yankees senior director of scoreboard and broadcasting said of the song.. But once Rivera is no longer closing games for the Yankees, Bonner said, the song will be retired at Yankee Stadium along with him. The opening chords of Metallica s blare over the Yankee Stadium sound system, and by the time the drums kick in 15 seconds later, everyone in the building knows what is about to happen. Mariano Rivera s theatrical entrance is one of the most recognizable in all of professional sports, but as the Yankees closer approaches the all-time saves mark, he admits he doesn t even listen to the song. is a song by American thrash metal band Metallica, featured as the opening track and lead single from their eponymous 1991 album. The music was written by Kirk Hammett, James Hetfield and Lars Ulrich. Vocalist and rhythm guitarist Hetfield wrote the lyrics. Mariano Rivera - 1 / 5
2 Guitarist Kirk Hammett told Rolling Stone magazine how he wrote this song's memorable riff: "Soundgarden had just put out Louder Than Love. I was trying to capture their attitude toward big, heavy riffs. It was two o'clock in the morning. I put it on tape and didn't think about it. When [drummer] Lars [Ulrich] heard the riff, he said, 'That's really great. But repeat the first part four times.' It was that suggestion that made it even more hooky." KirK Hammett According to engineer Randy Staub, the drum track was composed of nearly 50 takes because drummer Lars Ulrich recorded each section of the song separately in order to maintain the intensity. Supposedly a combination of 40 to 50 microphones were used in recording the drums and guitars to simulate the sound of a live concert. 2 / 5
3 Lars Ulrich Hammett told Kerrang! September 13, 2008 about the song's guitar solo: "A lot of people can probably hum this one note perfect, but aside from the fact that it's an insanely popular song I think the solo is amazing in its own right. It fits in perfectly and adds a different dimension to the music." Metallica The instrumental parts of the song were quickly finished, but Hetfield did not come up with vocal melodies and lyrics for a long time. The song was among the album's last to have lyrics, and the lyrics featured in the song are not the original; Hetfield felt that "" sounded "catc hy and kind of commercial" and so to counterbalance the sound, he wrote lyrics about "destroy[ing] the perfect family; a huge horrible secret in a family" that included references to crib death. 3 / 5
4 James For they "foundation, the felt Hetfield first he could time the guide in write Metallica's to better the whole lyrics. history, record" Nevertheless, however, even Ulrich before according and it had producer to lyrics." Ulrich, Bob the Rock song told was Hetfield the that Enter children's Sandman At Hetfield Lord, There God "Guard another 5:23 line to my Sandman have take me, into traditional soul story lives been angels, their to chorus, in Peter song, keep, life. many Never children's through When Pan, of there if "Take more Never Metallica I die as is Pat the bedtime my before cynical Peter a Land, rendition Boone night, hand, producer lives I renditions and prayer. wake, covered we're in of the is Bob an me I off pray a ancient magical of much this, in Rock: to this God's the Never he less prayer Lord "Now children's world said holy Never pleasant my the I which light," of lay soul Neverland. Land" second prayer me have place. to down take." is performed part a the reference to In as child sleep, this pleading song, by I to pray James the the with Metallica album sold describes The Chart. the received Grammy United single over debuted On by Awards 22 it, September States, was peaked the "one million released album in of No. for at 1992, copies the No. shipping 30, 1 on most a , ultimately worldwide, the whole, July on recognizable more Billboard the it 29, became the Billboard losing 1991, than allowing song ,000 Metallica's to two songs was Hot "The weeks "Enter the nominated 100 of copies. Soul United all second chart before Sandman" time Cages" States In for in addition the single rock". Best at by release to and No. Sting. become, to Rock to nine 5 achieve the on of Song other Metallica. nominations as gold UK Chris countries, the Singles status The True 34thin and "Enter song Greatest "500 After sessions States playing Songs the Psychological Sandman" music their US Metal designed That invaded "500 that Songs Shaped was Greatest to has Operations, Iraq break of culturally received All Rock". in the Time". Songs 2003, will many offensive the this The intention All Saddam was accolades. Rock Time" to one them". and was Hussein's list, of the Rolling and to "break songs Hall VH1 supporters. Stone of placed they a Fame prisoner's magazine played includes it According 22nd over resistance listed it their and in to their it over United as list [... the list of by] the of 399th the "40 Metallica Enter within your Something's Dreams (x2) say closet never We're Say one pillow And word never-land Sandman Keep off your of your eye if to war tight I prayers And die you wrong, open head Dreams before Lyrics free Exit Take never-land (Whisper) Grippin' little shut Exit from light mind I my of wake one the light sin lies hand Enter your that light Don't Now (x2) 'Til Enter Dreams pillow noise We're night the Heavy I Pray forget lay night sandman off you tight Take off me the thoughts to my dragons heard to Grain down Exit lord my son never he light my hand of It's To tonight comes fire sand never-land sleep soul just include Enter We're And to the (x2) And Exit take Sleep of night beast everyone off things they Take Pray light (x2) to We're Take with never under aren't the Enter my that Hush one off I my lord hand tuck never-land will your of to night eye hand snow my little bite, you bed We're open soul Take baby We're in yeah white never-land In Warm to off Gripping your my don't keep off tosleep hand Enter The pentatonic (A#) song in Sandman addition. begins scale, with so the an arpeggio is played performed clean on in the minor first position. triad of The E withan key is augmented E minor, on fourth a Infact fifth strings, this arpeggio introducing becomes also the use main of riff, a Wah which Wah uses pedal. the same notes but only on the sixth and Let's position. see into details the main theme. It features a riff in E5, playing a Power chord in first Before and repeating the refrain, the introductory on the chorus arpeggio and pre-chorus, of the song, the this song time modulates one tone one picthed whole higher. tone, up to F#, The widely Chorus used is in then thrash executed metal music. in this The F#: following note the use theme of the sections, "Diabolus instead, Musica" are again, the in tritone, E. 4 / 5
5 5 / 5
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