Introduction...1 Part I: You Got a Right to Play the Blues...7. Part II: Setting Up to Play the Blues...55

Size: px

Start display at page:

Download "Introduction...1 Part I: You Got a Right to Play the Blues...7. Part II: Setting Up to Play the Blues...55"

Cody Holland
5 years ago
Views:

1 Contents at a Glance Introduction...1 Part I: You Got a Right to Play the Blues...7 Chapter 1: Every Day I Have the Blues... Hallelujah!...9 Chapter 2: Blues Meets Guitar: A Match Made in Musical Heaven...23 Chapter 3: Grab Hold, Tune Up, Play On!...39 Part II: Setting Up to Play the Blues...55 Chapter 4: Getting a Grip on Left-Hand Chords...57 Chapter 5: Positioning the Right Hand for Rhythm and Lead...71 Chapter 6: Blues Progressions, Song Forms, and Moves...97 Chapter 7: Musical Riffs: Bedrock of the Blues Part III: Beyond the Basics: Playing Like a Pro Chapter 8: Playing Lead: Soaring Melodies and Searing Solos Chapter 9: Playing Up the Neck Chapter 10: Express Yourself: Making the Guitar Sing, Cry, and Wail Part IV: Sounding Like the Masters: Blues Styles through the Ages Chapter 11: Acoustic Roots: Delta Blues and Its Country Cousins Chapter 12: The Birth and Growth of Classic Electric Blues Chapter 13: Blues Rock: The Infusion of Ol Rock n Roll Part V: Gearing Up: Outfitting Your Arsenal Chapter 14: Shop Till You Drop: Buying the Right Guitar for You Chapter 15: Choosing Your Amp and Effects Chapter 16: Changing Strings COPYRIGHTED MATERIAL Part VI: The Part of Tens Chapter 17: Ten Blues Guitar Giants Chapter 18: Ten Great Blues Guitars Chapter 19: Ten (Plus One) Must-Have Blues Guitar Albums...325

2 Part VII: Appendixes Appendix A: How to Read Music Appendix B: How to Use the CD Index...349

3 Table of Contents Introduction...1 About This Book...1 Conventions Used in This Book...2 What You re Not to Read...3 Foolish Assumptions...3 How This Book Is Organized...4 Part I: You Got a Right to Play the Blues...4 Part II: Setting Up to Play the Blues...4 Part III: Beyond the Basics: Playing Like a Pro...4 Part IV: Sounding Like the Masters: Blues Styles through the Ages...4 Part V: Gearing Up: Outfitting Your Arsenal...5 Part VI: The Part of Tens...5 Part VII: Appendixes...5 Icons Used in This Book...5 Where to Go from Here...6 Part I: You Got a Right to Play the Blues...7 Chapter 1: Every Day I Have the Blues... Hallelujah! Capturing the Blues Train from Its Departure Then to Its Arrival Now...10 The pieces of blues that made the genre...10 The place of the blues conception...11 Rejoicing over 100 years of blues: The shifting shape of the genre...11 The qualities that made blues cats hit the big-time...12 It s Not All Pain and Suffering The Lighter Side of Blues...13 Surveying the Means to Make the Music: The Guitar in All Its Glory...14 The low-fi acoustic guitar...14 The semi-hollowbody electric guitar...15 Solidbody electric guitars...15 The Collision of Two Worlds: Acoustic versus Electric...16 Getting a Grip on How Guitars Work...17 You ve gotta use your hands both of them...17 Producing the tones: String vibration and pitch...18 Electric guitars only: Pickups and amplification...18

4 viii Blues Guitar For Dummies Performing and Looking Like a Blues Player...19 Expanding and filling your brain with know-how...19 Looking the part...20 Blues Trivia For Dummies...21 The questions...21 The answers...22 Chapter 2: Blues Meets Guitar: A Match Made in Musical Heaven Beyond the Delta: Defining the Blues Guitar Sound...24 The method to the music: Chord progressions...24 The guitarist s language of melody...25 The expression that invokes your senses...26 The groove that sets the pace...27 Dissecting an Acoustic and an Electric...27 Getting Down with the Blues: A Quick How-To...31 The foundation for all guitar playing: Acoustic guitars...31 Shifting acoustic to overdrive: Electric guitars...32 What You Need to Get Your Groove On...35 Chapter 3: Grab Hold, Tune Up, Play On! Holding Your Axe (That Is, Your Guitar)...39 Grabbing your guitar s neck...40 Pushing down on the strings...41 Getting sound to come out...42 Holding the Pick, Attacking the Problem...44 Getting Situated...45 Sitting down or standing up...46 Tuning Up...47 Helping your guitar get in tune with itself...48 Holding your guitar to an electronic standard...48 Playing a Chord...50 Music Notation: Not Just for Geeks...51 Guidance for your aimless fingers: A chord diagram...51 Mapping out your short-term path: Rhythm notation...53 Guiding you all the way through a song: Tablature...54 Part II: Setting Up to Play the Blues...55 Chapter 4: Getting a Grip on Left-Hand Chords Starting Out Simple: Blues Chords Even Your Mom Could Play...58 Going to the Next Level: Barre Chords...59 Forming a barre chord...61 Naming barre chords...62

5 Table of Contents ix Playing E-based barre chords...63 Playing A-form barre chords...65 Combining forms...67 Taking Advantage of Versatile Power Chords...68 Chapter 5: Positioning the Right Hand for Rhythm and Lead Strumming Along...71 Stroking down And stroking up...72 Combining down and up...73 Striking to a beat...73 Mixing Single Notes and Strumming...75 Separating bass and treble: The pick-strum...75 Playing common pick-strum patterns...76 Shuffling the Beats with Syncopated Strumming...79 A bit of notation: Dots that extend and ties that bind...79 Syncopation: Playing with dots and ties...79 Stopping the String Ringing (Just for a Sec)...81 Muting the sound between two chords (left hand)...82 Simulating syncopation with left-hand muting...82 Muting the sound of a note (right hand)...83 Copying the Classics: Plucking Fingerstyle Blues...84 The Right Hand s Bliss: Different Rhythm Styles to Play...85 The shuffle groove...87 The driving straight-four...87 The slow 12/8, with groups of three...87 The two-beat feel...94 The slow and funky 16 feel...95 Chapter 6: Blues Progressions, Song Forms, and Moves Blues by the Numbers...97 Recognizing the Big Dogs: Primary Key Families and Their Chords...98 The Structure of a Blues Song, Baby...99 Playing the 12-bar blues Slow blues The 8-bar blues Straight-four (or rock blues) Applying Structures to Keys A move with many chords: The Jimmy Reed move The sound of sadness: Minor blues Accessorizing the 12-Bar Blues: Intros, Turnarounds, and Endings Intros Turnarounds Endings High Moves...117

6 x Blues Guitar For Dummies Chapter 7: Musical Riffs: Bedrock of the Blues Basic Single-Note Riffs For the low-down bass notes: Quarter-note riffs The big daddy of riffs: Eighth-note riffs Adding a little funk: 16th-note riffs Throwing rhythm for a loop: Syncopated eighth-note riffs Double the Strings, Double the Fun: Two-Note Riffs (or Double-Stops) Straight feel Shuffle, or swing, eighths High-Note Riffs, the Bridge to Lead Guitar Keith Richards s borrowed trademark: Quick-four riffs Intro, turnaround, and ending riffs Mastering the Rhythm Figure Part III: Beyond the Basics: Playing Like a Pro Chapter 8: Playing Lead: Soaring Melodies and Searing Solos Mastering Your Picking Technique Becoming smooth with your simple downs and ups Tackling tricky alternate-picking situations The Universal Lead Language: The Pentatonic Scale Why the pentatonic is the perfect scale The two sides of the pentatonic scale A common scale for practice: E minor pentatonic Pentatonic Plus One: The Six-Note Blues Scale Adding Some Extra Flava to the Blues Scale Clashing bitterly A dash of sweetness Chapter 9: Playing Up the Neck For Inquiring Minds: Why Up the Neck You Should Go Positioning Your Digits for an Easy Key Change The pros of closed positions The details of closed, numbered positions Easing Into Position: Moving the Pentatonic Up and Down Changing Your Position A natural first: Moving from fifth position to eighth The eighth-position blues bonus How low can you go? Moving from fifth position to third The Technical Side of Moving Like taking candy from a baby: The subtle shift Seeking a bit of attention: The noticeable slide When you don t want to move, just reach or jump...164

7 Table of Contents xi Five Positions You Should Know: Meanderings of the Pentatonic Scale Relating the positions to each other Connecting the positions: Licks that take you up and down Understanding the Logic behind the Corresponding Shift of Position and Key Recognizing common keys and their comfortable positions Mapping keys to positions Chapter 10: Express Yourself: Making the Guitar Sing, Cry, and Wail Appreciating the Art of Articulation Going In for the Attack A little bit louder now... a little bit softer now: Dynamics Hitting hard and backing off Breaking Down the Music: Phrasing Connecting notes the slippery way: Slides It s hammer time get ready to strike a string! Exposing a note by lifting a digit: Pull-offs Giving Your Sound a Bit of Flair Shake that string: Adding vibrato The rubber-band blues: Bends that stretch a string Playing a Song with Various Articulations Part IV: Sounding Like the Masters: Blues Styles through the Ages Chapter 11: Acoustic Roots: Delta Blues and Its Country Cousins Delta Blues: Where It All Began Understanding the Delta technique Ladies and gentlemen, king of the Delta blues: Robert Johnson Country Ragtime: The Piedmont Blues Everything In-Between: Country and Folk Blues A quick profile of country and folk blues Giving these in-between blues a listen Closing with a lick and some style: Ragtime tags Country and Folk Blues Had a Baby; Its Name was Rockabilly Quintessential Blues: Slide Guitar The tools that let you slide Sliding technique Tuning your guitar for slide, a technique all its own...209

8 xii Blues Guitar For Dummies Chapter 12: The Birth and Growth of Classic Electric Blues The Rise of the Electric Guitar in Blues Giving Props to the Earliest Electric Pioneer Sweet Home Chicago, Seat of the Electric Blues Muddy Waters, leader of the pack Elmore James, slide guitarist extraordinaire Otis Rush: Soulful player with a flair for vibrato Buddy Guy, the father of blues rock Modern-Day Blues Styles: The Sounds of Texas Four Blues Giants: Three Kings and a Collins Albert King, the upside-down string bender B.B. King, the blues king of kings Freddie King, a two-pick man Albert Collins, master of the Telecaster Children of the Post-War Blues Revival Son Seals, Chicago s favorite son Robert Cray, smooth persuader Bonnie Raitt, stellar lyrical slides artiste Chapter 13: Blues Rock: The Infusion of Ol Rock n Roll The Blues Had a Baby, and They Called It Rock n Roll Chuck Berry, blues rock s first superstar Bo Diddley, king of the jungle beat The Brits Invade the Blues Clapton and Green, early blues icons Jeff Beck, blues-rock s mad scientist Trippin the Blues Eric Clapton, the original guitar god Jimi Hendrix takes the blues psychedelic Heavy Blooze : The Infusion of Hard Rock Jimmy Page, frontrunner of the metal blues Leslie West, big man with a big sound Blackmore and beyond, where blues gets scary Southern Comfort The Allmans, especially brother Duane Lynyrd Skynyrd Hot Barbecue Blues, Texas Style Johnny Winter, Texas blues-rock titan Billy Gibbons and ZZ Top, giving rock some soul Stevie Ray Vaughan, the greatest modern bluesman of them all Blues on Steroids Eddie Van Halen takes the blues to 80s metal Euro-Metal brings virtuosity and precision to the blues...250

9 Table of Contents xiii 21st-Century Soul John Mayer, new kid on the blues block Allmans Redux: Warren Haynes and Derek Trucks, keepers of the flame Part V: Gearing Up: Outfitting Your Arsenal Chapter 14: Shop Till You Drop: Buying the Right Guitar for You Before You Begin Shopping Deciding On a Make and Model Evaluating a Guitar Construction Materials Workmanship Appointments (aesthetic options) Welcome to the Jungle: Shopping Bringing a friend Money matters: Deal... or no deal Protecting Your Guitar Hard cases Soft cases Gig bags Chapter 15: Choosing Your Amp and Effects Getting Started with a Practice Amp Shopping for a practice amp Playing with a practice amp Powering Up to a Larger Amp Choosing among different amp formats Feeling the power Dissecting the Amplifier Input jack Preamp Tone Effects Power amp Speakers The flexibility of having separate channels What s That Sound? Checking Out Your Amp Choices Tube amps Solid-state amps Hybrid amps Digital-modeling amps...282

10 xiv Blues Guitar For Dummies Remembering the Good Old Days Vintage amps Reissue amps Dialing in an Amp Sound Chronicling Classic Amps for Blues Fender Bassman Fender Deluxe Reverb Fender Twin Reverb Marshall JTM Marshall Plexi Super Lead Vox AC Mesa/Boogie Mark IIc Messing Around with Your Sound: Effects Juicing Up Your Sound When your sound is too hot to handle: Distortion Toying with Tone Quality EQ: The great tonal equalizer Wah-wah, the effect that is as it sounds Modulation Effects, from Swooshy to Swirly Stacking sounds for a fuller effect: Chorus Swooshing, like a jet plane: Flangers and phase shifters Like a visit to the opera house: Vibrato and tremolo Pretending (and Sounding Like) You re Somewhere You re Not Delaying sound in a cave-like way Adding reverb to make your sound slicker Choosing an Effects Format A string of effects: Pedals on parade A box to house them all at your feet A box to house them all at hand level Chapter 16: Changing Strings Change Is Good, But When? Choosing the Right Strings Acoustic strings Electric strings Outfitting Your String-Changing Toolkit Removing Old Strings Stringing a Steel-String Acoustic Stringing an Electric Guitar Part VI: The Part of Tens Chapter 17: Ten Blues Guitar Giants Robert Johnson ( ) Elmore James ( ) T-Bone Walker ( )...318

11 Table of Contents xv Muddy Waters ( ) Albert King ( ) B.B. King (b. 1925) Albert Collins ( ) Otis Rush (b. 1934) Eric Clapton (b. 1945) Stevie Ray Vaughan ( ) Chapter 18: Ten Great Blues Guitars Gibson L-1 Flattop Gibson ES-175 Archtop National Steel Gibson J Fender Telecaster Gibson Les Paul Fender Stratocaster Gibson ES Gibson ES Gibson SG Chapter 19: Ten (Plus One) Must-Have Blues Guitar Albums Robert Johnson: The Complete Recordings Blues Masters: The Very Best of Lightnin Hopkins T-Bone Walker: Complete Capitol Black & White Recordings T-Bone Walker: Complete Imperial Recordings The Best of Muddy Waters B.B. King: Live at the Regal The Very Best of Buddy Guy Robert Cray: Bad Influence Masters of the Delta Blues: Friends of Charlie Patton Mean Old World: The Blues from 1940 to Chicago: The Blues Today Part VII: Appendixes Appendix A: How to Read Music The Elements of Music Notation Reading pitch Reading duration Expression, articulation, and miscellaneous terms and symbols Appendix B: How to Use the CD Relating the Text to the CD Count-offs Stereo separation...340

12 xvi Blues Guitar For Dummies System Requirements Audio CD players Computer CD-ROM drives Using the CD with Microsoft Windows Using the CD with Mac OS What You ll Find on the CD CD audio tracks Digital music Troubleshooting Index...349

Index COPYRIGHTED MATERIAL. Symbols and Numerics

Index COPYRIGHTED MATERIAL. Symbols and Numerics Symbols and Numerics / (slashes), 53, 100 5-6 riff, 126 8-bar blues, 106 12/8 blues. See also grooves defined, 27, 87 feel, 87 illustrated, 92 93, 104 105 pick-strum pattern, 78 songs, 87 12-bar blues