&$121,1' $VUHFRUGHGE\'DQLHO+R

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Daniela Watts
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18 anon in erformance Notes Song Specific erformance Notes aniel Ho, on his hristmas Ukulele Style, recorded this arrangement of anon in. My sister had asked me many months ago if I would record a anon in on the ukulele. Well, maybe now I can grant her that wish. Meeting Tonya ale at the Hayward Ukulele Festial also motiated me to transcribe this one because she also had expressed an interest in a anon in. There are at least 4 ukulele tracks on the recording and I use 5 in the transcription. I also hae labeled each part all the way through the score so it is clear which ukulele is playing each part. I cant oerride the software (which is primarily guitar based to change the GtrI abbreiation to UkeI or UkeII so just know that they are identifying the ukulele tracks. GtrI represents an ukulele that is just strumming whole notes for each chord change while GtrII represents an ukulele that is playing arpeggios through the chord changes, which reminds me that aniel uses GA tuning with a Low G on this song. The low G is required for the arpeggio parts but re-entrant tuning will certainly work for the chords. en though there are so many parts this can sound quite awesome with just two ukuleles. If one player performs any combination of GtrI and GrtII while an intermediate to adanced player plays a combination of the other melody and solo lines it will sound great. General erformance Notes Keep in mind that the tablature is just a guideline. I try to transcribe the parts as close as I can to the original recording, howeer, that doesnt mean that I play them exactly as written. It is hard to duplicate the exact strums that the player is using so I get something close and go from there. The main reason I transcribe is to learn the song and hae a permanent reference to make it easier to learn the song again after I hae forgotten it months later. I find it ery helpful to follow along in the tab while listening to the recording seeral times before actually attempting to play the song. This gets you familiar with the tab as it relates to the recording. Tablature can be intimidating to some people. Here is a tip I realized one day. laying some of the indiidual fret numbers seemed awkward and uncomfortable until I noticed that they came from within the shape of the chord. So wheneer possible fret the chord and then play the other notes from within the chord. This should eliminate some moing around and make things a bit easier. Aboe all else, hae fun and if you hae any questions feel free to contact me at dominic@rcsis.com

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