Most pictorial representations of motorcars
|
|
- Maximillian Hardy
- 6 years ago
- Views:
Transcription
1 1 Principles of automobile motion Most pictorial representations of motorcars generally depict them in motion both on and off the track. With this in mind, I have decided to devote this first chapter to precisely that subject, but will only briefly outline the principles which apply. Talk of drag coefficients and aerodynamics won t really mean that much to the artist; what is important is for the student of automobile art to understand, especially with racing cars, is that aerodynamics increase a car s performance by helping it go faster and stick to the road like glue when cornering, etc. Three aerodynamic forces act on an automobile: Drag, Lift and Side Force, combined with parallel forces acting on three axis X, Y and Z as well as the moments rotating round these axis: X = Roll (Mr); Y = Pitch (Mp) and Z = Yaw (My). I am not saying for one moment that to become successful as an automobile artist you have to understand vehicle aerodynamics, but it does help to understand, to a certain degree, how and why various cars act in different ways when in motion. The two most obvious forces which could influence how the artist portrays an automobile in motion is pitch and roll. If you are portraying cars at speed, especially Formula One or Group C sports cars, they will pitch back around their Y axis (see fig 4). This pitching moment is related to the angle of attack of the wind over the car s nose, or if you are depicting a car cornering hard, the side forces come into play showing roll around the X axis. Aerodynamics, of course, play a major role in the design of modern Grand Prix cars: as well as the all-too-familiar rear wing, we now have bargeboards, winglets, diffusers, aero flaps and chimneys; the list is endless because of the 14
2 24 Fig 2.8 (below) Another workshop pencil sketch, this time a famous sports car from the 1950s, the Italian-built Lancia D24. It was this model, driven by Alberto Ascari, which claimed victory in the 1954 Mille Miglia. It s workshop scenes like this that make interesting compositions in their own right, and this car was in for a major transmission overhaul with its wheels off and front suspension dismantled. Remember, under a car s bodyshell there are a host of components, so try to understand as much as possible about how it works. This sketch was drawn in an A3 wire-bound 90gm sketchbook using soft pencils; i.e. B and 2B, plus a 4B for emphasising darker shaded areas.
3 Fig 3.2/1 Using the centre lines on the perspective box grid (fig 3.2) for the X, Y and Z plots (X = length, Y= width and Z = height), you can adopt whatever scale you feel is appropriate in any measurement which suits the subject you are drawing the larger the object in real life i.e. an aircraft carrier the smaller the scale, otherwise you might need a very large piece of paper! another method: isometric projection, where all lines remain parallel, drawn at 30 degree right angles to one another, all vertical lines remaining vertical (see fig 3.2/3), but more about this later. Throughout my career as a Technical Illustrator in the aircraft and automobile industries, the more common perspective grid was used (see fig 3.2), and I found this to be the most useful method with the convenient three axis, the X, Y and Z centre lines, as used in the automobile design process. A car s basic dimensions can be plotted using any scale required on these centre lines, thus enabling the illustrator to construct the basic overall dimensions of the vehicle portrayed i.e. X = length, Y = width, and Z = height. Once these 32
4 Fig 8.11/1 Shown here is my very first thoughts for this painting, drawn on a piece of 6 x 4½in/15 x 11cm scrap paper, using a fine line ballpoint pen, marker pens and correction fluid. If an idea comes to you at any time, get your thoughts onto paper as quickly as possible, then develop the idea when you have more time, eventually creating the final image. Fig 8.11/2 For this painting I produced two separate working drawings, eventually mating them to create the final composition. This was necessary as I had to undertake very detailed research about which buildings were actually there in 1937 (when this painting is based). The two W125s were produced from many photographs supplied from Daimler Chrysler Classic archives. 120
5 Motorsport racing & rallying Fig 8.11/ Monaco Grand Prix Watercolour 53.7 x 37.5cm/21 x 14½in For this particular painting, I decided to create a view looking back at the famous waterfront as the cars race along it. If you stood on the same spot today, fewer than six of the buildings from 1937 remain. The first thumbnail sketch (see Fig 8.11/1 opposite, top) was created virtually as a doodle using fine line pens, plus markers in cool and warm greys. During my visits in recent years, I have taken photos to use as reference material to check on colour and period architectural accuracy. To create the two W125 Mercedes Benz GP cars, photo references from Mercedes Benz own museum in Stuttgart were used. Eventually, I mated together the two pencil sketches of the background and cars. (See fig 8.11/2 opposite.) The architecture of Monte Carlo is essentially light beige with Terra Cotta, Yellow Ochre and all shades in-between. Likewise, the paving on the harbour front that the cars were racing along is a sandy beige colour. For the background, I laid on a basic light wash of Burnt Sienna and Yellow Ochre mix, working in various shades of the two colours. The cars themselves were, of course, silver, so I left the basic white of the paper with a wash of Ultramarine Blue on the top surface; Paynes Grey was added for the lower body sides with background colour. For the shadows, I never use black, but a mix of Sepia and Phaleo Blue, with odd dashes of Burnt Sienna, finished off with flicks of Permanent White to add movement. One trick I use is to paint the portion of the car nearest (this could apply to a rear view) in a deeper, crisp colour, whilst fading away in colour depth the furthest portion; this helps give the illusion of speed and movement. 121
Fiona Peart Detailed Hedgerow studies using watercolour.
Detailed Hedgerow studies using watercolour. Introduction As the summer moves towards autumn, but before the colours all change, is a wonderful time to find painting subjects in our hedgerows. There is
More informationHow to Draw with a Grid
Level: Beginner Flesch-Kincaid Grade Level: 8.3 Flesch-Kincaid Reading Ease: 67.5-6 Pages and 12 Illustrations How to Draw with a Grid Exploring the grid method to draw accurate outline drawings This resource
More informationSketch technique. Introduction
Sketch technique Introduction Although we all like to see and admire well crafted illustrations, as a professional designer you will find that these constitute a small percentage of the work you will produce.
More informationSTUDENT NAME: CLASS: TEACHER:
STUDENT NAME: CLASS: TEACHER: Problem: In the space below discuss, what is the problem that needs to be solved. Design Brief: Rewrite the design brief in the space provided. Design Parameters: List the
More informationEffective use of negative space in transparent watercolor
Effective use of negative space in transparent watercolor Workshop Material List Putting things into perspective Materials and equipment are important. Over time you develop personal preferences that influence
More informationIntroduction to sketching. Wooden Box. Set. Name. Madras College, St Andrews
Introduction to sketching Wooden Box Name Set Madras College, St Andrews 16 1 This drawing unit aims to teach you the skills you need to make a range of sketches of craft models like the small wooden box
More informationFiona Peart
Penguins using Water Colour Washes The Lunch Queue 27cms x 35cms Introduction I received my first proper wooden paint box when I was 16, it contained 16 Winsor and Newton half pan Paints and I loved using
More informationACRYLICS DEMONSTRATION
ACRYLICS DEMONSTRATION TABBY CAT LOOSE AND FAST By Jane Lazenby I shall be working quickly and loosely with Atelier Interactive acrylics. These paints give me the ability to change the dry surface of the
More informationHow to paint a Horse in Traditional Oil Paint
How to paint a Horse in Traditional Oil Paint www.montmarte.net Copyright of Mont Marte International Pty Ltd ACN 101589897 Materials List... The materials for this lesson can be found at a Gold or above
More informationHow to paint a Tiger on a rock
How to paint a Tiger on a rock Materials List... The materials for this lesson can be found at a Gold or above Art Centre. Go to to find the one nearest to you. MCG0120 Mont Marte Taklon Filbert # 16 BMHS0033
More informationYear 6 Visual Arts Unit 2017 Colour and Tone Term: Week:
Term: 1 2 3 4 Week: 1 2 3 4 5 6 7 8 9 10 11 OUTCOMES Making: investigates subject matter in an attempt to represent likenesses of things in the world - makes artworks for different audiences, assembling
More informationLeaving Certificate Technology
Leaving Certificate Technology Core Module Resource: Communications and Graphics Media Communications and Graphics Media Resource Document Material and Layout Range of tasks exploring topics and learning
More informationPastel Pencil Skintones
Pastel pencils and portraiture go hand in hand; enabling the artist to achieve both detail and subtle blended effects. As a forgiving medium they allow you to take away or add colour and texture without
More informationExploring 3D in Flash
1 Exploring 3D in Flash We live in a three-dimensional world. Objects and spaces have width, height, and depth. Various specialized immersive technologies such as special helmets, gloves, and 3D monitors
More informationChapter 8. Piping Isometrics
Chapter 8 Piping Isometrics An isometric drawing is a type of pictorial drawing in which three sides of an object can be seen in one view. It s popular within the process piping industry because it can
More informationHow to paint the Blue Mountains
How to paint the Blue Mountains What You Need CMMD6018 Mont Marte Double Thick Canvas 60 x 180 cms MCG0059 Mont Marte Palette Knife # 4 MAXX0007 Mont Marte Stainless Steel Brush Washer MCG0022 Mont Marte
More informationRENDERING (SHADING) IN REPRESENTATIONAL DRAWING
RENDERING (SHADING) IN REPRESENTATIONAL DRAWING computer graphics & design What is Rendering? Rendering is the application of tone and texture to create a three-dimensional appearance and/or to depict
More informationYear 7 Graphics. My Teacher is : Important Information
Year 7 Graphics My Teacher is : Important Information > Good behaviour is an expectation > Bring correct equipment to your graphics lesson > Complete all homework set and hand in on time > Enter and leave
More informationComplete Drawing and Painting Certificate Course
Complete Drawing and Painting Certificate Course Title: Unit Three Shading and Form Medium: Drawing in graphite pencil Level: Beginners Week: Two Course Code: Page 1 of 15 Week Two: General overview Last
More informationValue Mapping & Color Schemes Intermediate to Advanced
Value Mapping & Color Schemes Intermediate to Advanced This is a bit different from the other lessons! There isn t a Follow-Along Demo! We re working on building a strong foundation for our paintings,
More informationArtsy Painted Birds. Sign up for the free newsletter at
Artsy Painted Birds I love painting birds. I like to give them crazy colors and use loose, painterly brushstrokes. The fun-colored birdies make me happy! Don t fret if you can t draw a bird. You can trace!
More informationRick Surowicz Watercolor
Rick Surowicz Watercolor 3 Day Workshop Material List Putting things into perspective Materials and equipment are important. Over time you develop personal preferences that influence the selection of equipment
More information1. Draw the scene with a 2B pencil. Mask the flowers and the boat with masking fluid and a masking fluid brush.
Venetian Doorway To keep this Venetian scene simple, I have chosen a squareon view so I do not have to worry about the perspective. This step-by-step demonstration offers an opportunity to create plenty
More informationFACTFILE: GCE TECHNOLOGY & DESIGN
FACTFILE: GCE TECHNOLOGY & DESIGN 1.8, 1.26, 1.56 DESIGN AND COMMUNICATION Design and Communication Learning outcomes Students should be able to: communicate designs using 2D methods, to include freehand
More informationExtension material for Level 2 Design and Visual Communication Study Guide (page 33)
Graphic media Extension material for Level 2 Design and Visual Communication Study Guide (page 33) ISBN 978-1-927194-15-7 For individual student use only. No other use permitted. ESA Publications (NZ)
More informationHow to paint a Realistic GIANT Bee in Satin Series Acrylic Paint
How to paint a Realistic GIANT Bee in Satin Series Acrylic Paint www.montmarte.net Copyright of Mont Marte International Pty Ltd ACN 101589897 Materials List... The materials for this lesson can be found
More informationPerspective Sketching
Perspective Sketching Perspective Drawings A perspective drawing offers the most realistic three-dimensional view of all the pictorial methods, because it portrays the object in a manner that is most similar
More information75 points D. Homework 50 points E. Critiques 10 point F. Total: 150 points
Art 202-Intermediate Drawing M: 5:50-10-pm-- 818 364 7735 CAC 1. Office CAI 221 or CAC 1: M, T, Th 4:45-5:45, W: 4:20-5:50, F. 2:10-3:10 Professor Barbara Kerwin: Barbara@barbarakerwin.com This is an intermediate
More informationMissing Sequence. You have 10 minutes to complete this test. Select the square that comes next in the sequence.
Missing Sequence Select the square that comes next in the sequence. 1. 2. 3. Similarities 4. 5. 6. Analogies 7. 8. ` 9. Odd one out 10. 11. 12. Complete the grid 13. 14. 15. Answers 1. A- The pattern along
More informationBuildER s Guide. Overlap technique
full color U N O F F I C I A L THE LEGO BuildER s Guide 2 n d e d i t i o n Allan Bedford Overlap Technique Stagger technique Hybrid Column 6 Microscale Building: More Than Meets the Eye In Chapter 5,
More informationHoney Brown Lamp Black. Silver Sage Green Soft Black. Antique Green Bittersweet. Brass Candlestick with Pussy Willows
À faire Page 1 Brass Candlestick with Pussy Willows While on a walk in New England last spring, I kept noticing how beautiful the pussy willows were in the sunshine. These fuzzy flowers inspired me to
More informationHow to draw a Girl in the Manga Anime style
How to draw a Girl in the Manga Anime style Materials List... The materials for this lesson can be found at a Gold or above Art Centre. Go to to find the one nearest to you. MPN0026 Mont Marte Drawing
More informationPoppies. Principles of design: repetition, variety, movement, contrast, unity, balance.
Poppies Symbolism of poppies has long history of life, death and renewal. The seeds remain dormant under Ground for years until disturbed and then they flower. Vincent Van Gogh (Post-Impressionist) Claude
More informationThe BIOS in many personal computers stores the date and time in BCD. M-Mushtaq Hussain
Practical applications of BCD The BIOS in many personal computers stores the date and time in BCD Images How data for a bitmapped image is encoded? A bitmap images take the form of an array, where the
More informationName VALUE. Vocabulary. (also on drawing vocab worksheet)
Name VALUE Value is the relative lightness and darkness of a color or grey tone. Color as well as black and white, has value. When you turn a color photo into a black and white version you can see the
More informationHow to paint a Rainbow Eucalyptus Tree with Acrylic paint
How to paint a Rainbow Eucalyptus Tree with Acrylic paint www.montmarte.net Copyright of Mont Marte International Pty Ltd ACN 101589897 Materials List... The materials for this lesson can be found at a
More informationPainting Techniques: Ways of Painting
Techniques: Ways of There are so many ways of painting that no book can possibly do justice to them all. However there are certin basic techniques that every painter should master. Opaque Technique: The
More informationPhotography Help Sheets
Photography Help Sheets Phone: 01233 771915 Web: www.bigcatsanctuary.org Using your Digital SLR What is Exposure? Exposure is basically the process of recording light onto your digital sensor (or film).
More informationSketchbook Assignments Due Monday, November 15, 2010
Sketchbook Assignments Due Monday, November 15, 2010 1. CONTINUOUS LINE DRAWING - From observation, create a continuous line drawing of an object or person as you look at it. The line in the continuous
More informationPaint Neat Edges. on Zebra Stripes. Draw a Symmetrical Zebra Face
Level: Intermediate Flesch-Kincaid Grade Level: 7.5 Flesch-Kincaid Reading Ease: 62.1 Drawspace Curriculum 8.2.A6-10 Pages and 33 Illustrations Paint Neat Edges on Zebra Stripes Outline the contours of
More informationThe Revolve Feature and Assembly Modeling
The Revolve Feature and Assembly Modeling PTC Clock Page 52 PTC Contents Introduction... 54 The Revolve Feature... 55 Creating a revolved feature...57 Creating face details... 58 Using Text... 61 Assembling
More informationThe Elements of Art: Photography Edition. Directions: Copy the notes in red. The notes in blue are art terms for the back of your handout.
The Elements of Art: Photography Edition Directions: Copy the notes in red. The notes in blue are art terms for the back of your handout. The elements of art a set of 7 techniques which describe the characteristics
More informationCostume Rendering Tips and Tricks By: Billy Wilburn South Dakota State University
Costume Rendering Tips and Tricks By: Billy Wilburn South Dakota State University Tracing Paper -- Oh what a wonderful thing! Use tracing paper to make quick sketches. If you don t like it you can always
More informationProduct design: Communicating your design proposals
Product design: Communicating your design proposals In the world of business and industry design proposals can only be turned into saleable products if the designers communicate their proposals effectively.
More informationCQU: MMST11010 Illustration & Visualisation Week 9 Tutorial:
CQU: MMST11010 Illustration & Visualisation Week 9 Tutorial: Intro This week we practice giving characters facial expression. Then we show how cartoon bodies can exaggerate motion and help to explain action
More informationTrunk Full of Flowers by Kingslan & Gibilisco Studio
Trunk Full of Flowers by Kingslan & Gibilisco Studio Conversion Chart Book Code Archival Winsor & Newton Genesis W Soft Titanium White Titanium White White Y Cadmium Yellow Mid Cadmium Yellow Pale Bismuth
More informationCOPYRIGHT NATIONAL DESIGN ACADEMY
National Design Academy How 2 Guide Choosing markers COPYRIGHT NATIONAL DESIGN ACADEMY mark Contents Choosing markers 3 Basic Greyscale 3 Coloured markers 5 Toolbox: basic marker cube 6 2 Choosing markers
More informationWHY DO ARTISTS PAINT IN DIFFERENT WAYS? Workshop visit for schools, ages 5 to 12. Teachers Notes
WHY DO ARTISTS PAINT IN DIFFERENT WAYS? Workshop visit for schools, ages 5 to 12 Teachers Notes Presentation A common question asked by many primary-school children is why do artists paint in different
More informationPrincefield First School. Art and Design
Create and communicate Princefield First School Art and Design Strand Early Years Key Stage 1 Key Stage 2 Reception Year 1 Year 2 Year 3 Year 4 Represent their own ideas, thoughts To use a range of materials
More informationThe Elements and Principles of Art
The Elements and Principles of Art The elements and principles can be applied to discuss any of the visual arts including: painting, photography, set design, graphic design, sculpture, and architecture.
More informationFrom there I begin to sketch in the details of the design. This is done fairly lightly at first, this will allow you to correct mistakes when firming
MAX SHERSHNEV In this tutorial Max Shershnev shows us his technique for producing sketch renderings using watercolour paints. An unusual technique that is not often seen in the car industry, the tutorial
More informationIns and Outs of Stereograms
The Art of Mathematics Ins and Outs of Stereograms Steve Plummer and Pat Ashforth Create simple stereogram drawings using ruler and pencil, or a computer drawing package. Easy, step by step instructions
More informationCOLORED PENCIL WITH MIXED MEDIA with Sarah Becktel
SUPPLY LIST COLORED PENCIL WITH MIXED MEDIA with Sarah Becktel Lesson 1: Introduction to Materials and Techniques Strathmore 500 Series Mixed Media Board or Strathmore 400 Series Mixed Media Paper Artist-grade
More informationChetek-Weyerhaeuser High School/Middle School
Chetek-Weyerhaeuser High School/Middle School Unit 1 Elements of Art Drawing I Units and s s 1. I can generate and apply multiple types of examples of each of the elements of art to produce a visual vocabulary
More informationmaterials list: You can get all of these materials at a Gold or above art centre go to
How to paint the Milky way. materials list: You can get all of these materials at a Gold or above art centre go to /stockist cmmd1218 mont marte double thick canvas 121 x 182 cm mpn0097 mont marte white
More informationAfter Bouguereau: Italian Girl
After Bouguereau: Italian Girl www.kingslan.com painting@kingslan.com Italian Girl at the Well Surface Portrait grade 22x28 portrait grade canvas. Transfer Information Transfer the design to the surface
More informationUNIT 1 (of 5): Line (16 hours = 1 credit)
Art I A Elements of Art UNIT 1 (of 5): Line (16 hours = 1 credit) Independent Study 1. Students will be introduced to techniques meant to inspire creativity 2. Students will practice drawing skills in
More informationUNIT 2 (of 5): Shape, Form & Perspective (16 hours = 1 credit)
Art I A Elements of Art UNIT 2 (of 5): Shape, Form & Perspective (16 hours = 1 credit) Independent Study Materials Needed: Homework packet Paper Ruler Black Fine Point Marker Pencil Eraser Colored media
More informationAdvanced Placement Studio Art Summer Assignment 2018
Advanced Placement Studio Art Summer Assignment 2018 Welcome to AP Studio Art! This is a high-level course that will both hone your skills and allow you to display your talent. The course will also require
More informationFor this project, you will be using TORN PAPER to create a COLLAGE!
Torn Paper Collage For this project, you will be using TORN PAPER to create a COLLAGE! You can use virtually any kind of paper you can find. Magazines, newspapers, junk mail Artwork, sheet music, pages
More informationAfter Bouguereau: The Nut Gatherers.
After Bouguereau: www.kingslan.com painting@kingslan.com Surface Portrait grade 24 x 36 portrait grade canvas. Transfer Information Transfer the design to the surface with gray graphite. Palette Set up
More informationTo draw or paint a picture to accompany a story. To draw or paint a picture of somebody or something known
Use a range of materials creatively to design and make products Year 1 Year 2 To be able to use a range of materials to think about and To be able to use a range of materials to think about and make an
More informationPASTELS DEMONSTRATION
PASTELS DEMONSTRATION FLORAL STILL LIFE By Michael Howley In this guide I will be demonstrating how to develop a floral still life using blending and layering techniques. As you can see from the photograph,
More informationHow to Paint Koi with Premium Watercolour
How to Paint Koi with Premium Watercolour Materials List... The materials for this lesson can be found at a Gold or above Art Centre. Go to to find the one nearest to you. PMHS0053 Mont Marte Watercolour
More informationINSPECTION AND CORRECTION OF BELLHOUSING TO CRANKSHAFT ALIGNMENT
INSPECTION AND CORRECTION OF BELLHOUSING TO CRANKSHAFT ALIGNMENT BACKGROUND Proper alignment of the transmission input shaft to the crankshaft centerline is required in order to achieve the best results
More informationSnowy Winter Landscape
Snowy Winter Landscape Grade: 1 st Grade Medium: Paper, Acrylic Paint Learning Objective: Students will be able to create a sense of space and distance by using the repetition of shapes in varying sizes
More informationLesson #1 Secrets To Drawing Realistic Eyes
Copyright DrawPeopleStepByStep.com All Rights Reserved Page 1 Copyright and Disclaimer Information: This ebook is protected by International Federal Copyright Laws and Treaties. No part of this publication
More informationCRAFTS. London Double Decker Bus Craft
London Double Decker Bus Craft CRAFTS A double-decker bus has two levels or 'decks'. Red doubledecker buses are usually associated with London and have become a national symbol of England. This cardboard
More informationWatercolour. Part 7 Make the Ordinary. Fast and Loose. transform any scene into a spectacular painting
Watercolour Fast and Loose Part 7 Make the Ordinary transform any scene into a spectacular painting No course covering the great impressionistic watercolourists of the 20 th century would be complete without
More informationSection 5. Graphic techniques for portfolio presentation
Graphics techniques 117 Section 5 Graphic techniques for portfolio presentation A general knowledge of some basic graphic techniques is needed by all Technology students in order that the presentation
More informationLesson Plans 9/23/13 9/27/13 Last week of the 1 st 6 weeks!
Lesson Plans 9/23/13 9/27/13 Last week of the 1 st 6 weeks! You are responsible for all missed work! Art 1: Mandalas Drawing: Value artwork with Ebony Painting: Painting Techniques Mon 9/23/13 AB1 & AB5
More informationFrench Bunnies. Kerryanne English 2012
French Bunnies Kerryanne English 2012 Page2 French Bunnies Kerryanne English 2012 When I designed the bunnies I wanted something that could be used not only for Easter, but at any time of the year for
More informationLearn how to draw this World War II plane and other aircraft in this article.
How to Draw Planes Drawing can be fun -- and it's not as hard as you may think. One of the secrets of drawing is that any object can be broken down into its smaller parts. By following these step-by-step
More informationThe Mill by Barb Halvorson
The Mill by Barb Halvorson The Mill By Barb Halvorson Palette: DecoArt Americana Acrylics Alizarin Crimson #13179 Black Forest Green #13083 Blue Violet #13141 Bright Yellow #13227 Brilliant Red #13145
More informationFocus, as you work, on getting many gradations of dark and light in your piece to guarantee something that is super interesting to the eyes.
Hello! My name is Effy Wild, and Kara has tasked me with creating a mixed media face with an emphasis on building a lot of value contrast through the use of lights and darks (and glazes) to create depth
More informationBOBS CARD MODELS. De Haviland Dash-8 water-bomber (1:72)
BOBS CARD MODELS www.bobscardmodels.com De Haviland Dash-8 water-bomber (1:72) A Canada de Haviland Dash-8 fitted with a large water tank, complements the French aerial firefighters' fleet of Canadairs
More informationApple. Drawing an Apple in Coloured Pencil -- Michael Spillane
Drawing an Apple in Coloured Pencil -- Michael Spillane Apple Botanical Illustration -- Lesson Plan Apple in coloured pencil -- 9 x 9 inches Arches 240 lb hot-pressed watercolour paper taped to a masonite
More informationChetek-Weyerhaeuser High School/Middle School
Chetek-Weyerhaeuser High School/Middle School Unit 1 Elements of Art Painting I Units and s s 1. I can generate and apply multiple types of examples of each of the elements of art to produce a visual vocabulary
More informationSHEEP MANTEL CLOCK. by Kerry Trout
SHEEP MANTEL CLOCK by Kerry Trout EXCLUSIVE Sheep Mantel Clock by Kerry Trout PALETTE DecoArt Americana Acrylics Antique Green #13147 Baby Blue #13042 Bleached Sand #13251 Blue Haze Light* Burnt Sienna
More informationUsing Google SketchUp
Using Google SketchUp Opening sketchup 1. From the program menu click on the SketchUp 8 folder and select 3. From the Template Selection select Architectural Design Millimeters. 2. The Welcome to SketchUp
More informationHow to paint a misty landscape.
How to paint a misty landscape. There is something about misty landscapes that most people find appealing. Mist has a way of softening the landscape and creating a sense of mystery. What lies behind the
More informationAP BREADTH 2D DESIGN Mrs. Welch. A Variety of works demonstrating understanding of 2D design issues
AP BREADTH 2D DESIGN Mrs. Welch A Variety of works demonstrating understanding of 2D design issues Your breadth will include a range of design principles such as the following: UNITY VARIETY RHYTHM PROPORTION
More informationCopyright of Mont Marte International Pty Ltd ACN
Traditional bouquet in Oils pick up these materials from any gold mont marte art centre Cmmd6076 Mont Marte double thick canvas 60 x 72cm bmhs0019 mont marte gallery series brush pack 6pce bmhs0024 mont
More informationMathematics Success Level F
T598 [OBJECTIVE] The student will find the perimeter and area of rectangles and triangles. [MATERIALS] Student pages S204 S212 Transparencies T612, T614, T616, T618, T620, T622 Ruler Scissors Gridded index
More informationFoundations of Art and Photography
Foundations of Art and Photography 1 The study of composition or pictorial design: the way in which all elements work together to produce an overall effect 2 Five Elements of Composition that create patterns:
More informationOptical Illusion Sketchbook Project Art 1201
Optical Illusion Sketchbook Project Art 1201 Before beginning our final optical illusion project, we need to practice drawing optical illusions so we will have a better understanding of how to construct
More informationSNOWY NIGHT. by Vera Collier
SNOWY NIGHT by Vera Collier EXCLUSIVE Snowy Night by Vera Collier PALETTE: DecoArt Americana Berry Red #13019 Bittersweet Chocolate #13195 Burnt Sienna #13063 Forest Green #13050 Terra Cotta #13062 Uniform
More informationElements of Art. Define: Line. Shape. Value. Texture. Color. Form. Space
Elements of Art Line Shape Value Texture Color Form Space Directions: When we talk about the parts that make up a picture or work of art, we refer to them as elements. In the space below, draw a picture
More informationSTRANGE SHAPES: Sketching in Surrealism 7-9 TEACHER RESOURCES. Grade Level: 7-9 Lesson Length: 7-10 Days
LESSON PLAN FOR GRADES TEACHER RESOURCES 7-9 STRANGE SHAPES: Sketching in Surrealism Grade Level: 7-9 Lesson Length: 7-10 Days Materials: Copic sketchbook paper or X-Press It Blending Card Copic 6-Piece
More informationArchdeacon Cambridge Art and Design content and skills
Archdeacon Cambridge Art and Design content and skills National Curriculum Aims for all pupils to: produce creative work, exploring their ideas and recording their experiences become proficient in drawing,
More informationElements Of Art Study Guide
Elements Of Art Study Guide General Elements of Art- tools artists use to create artwork; Line, shape, color, texture, value, space, form Composition- the arrangement of elements of art to create a balanced
More informationAdvancing with Watercolor
Advancing with Watercolor Composition The Fascinator COMPOSITION WORKING WITH WATERCOLOR 1 Composition Composition: Is the way in which something is put together or arranged : the combination of parts
More informationYear 7 Art Homework Booklet 1
Year 7 Art Homework Booklet 1 Name: Teacher: Group: How is your homework marked? 1 Exceeding target level 2 Achieving target level 3 Working towards target level 4 Working below target level Art analysis
More informationFACTFILE: GCSE ART AND DESIGN
FACTFILE: GCSE ART AND DESIGN Drawing Techniques Aims This range of drawing exercises breaks drawing down into very simple approaches or steps. Each exercise is accessible to all students, regardless of
More informationSunny Art Centre. Short Courses
Sunny Art Centre Short Courses Sunny Art Centre Short Courses The Sunny Art Centre is a leading art institution located in the heart of Central London. We now offer a range of short courses carefully designed
More information4 th Grade: March Lesson 5: Landscape Chalk Pastel
4 th Grade: March Lesson 5: Landscape Chalk Pastel Objective: To create a landscape drawing, pulling colors and light out of a dark background Technique: Sketching and drawing with chalk pastels Set-up:
More informationSummer Assignment 2013
ADVANCE PLACEMENT STUDIO ART DRAWING PORTFOLIO Summer Assignment 2013 Read all directions carefully! All assignments in this packet must be brought to Mr. Bortz in room 48 on the first day back to school
More informationBOBS CARD MODELS. Canadair CL-215 (1:72)
BOBS CARD MODELS www.bobscardmodels.com Canadair CL-215 (1:72) Canadair was a civil and military aircraft manufacturer in Canada. It was the subsidiary of other aircraft manufacturers and a nationalized
More informationContents. Teachers Notes 4 Handy Hints 5 Colour 7 Techniques Explained 8 How To Use This Book 9
Contents Teachers Notes 4 Handy Hints 5 Colour 7 Techniques Explained 8 How To Use This Book 9 Beach Umbrella 10-12 Chameleon 13-15 Banana Sundae 16-18 Life Cycle 19-21 Don t Bully Me 22-23 Balloon Faces
More information