The Real Dr.Jellyfish Book

Size: px
Start display at page:

Download "The Real Dr.Jellyfish Book"

Transcription

1 The Real DrJellyfish Book 101 Essential Jazz Tunes 2nd Edition

2 Dedicated to Zoop Puzio Zoop Puzio 2012 Zoop Archives Productions 1st Edition 2008 Zoop Archives Productions

3 Songs by title A night in Tunisia 1 Afternoon in Paris 14 Airegin 15 Alice in Wonderland 16 All blues 17 All of me 18 All of you 19 All the things you are 20 Alone together 21 Anthropology 22 Au privave 2 Autumn leaves 24 Beautiful love 25 Billie's bounce 26 Birks' works 27 Blue bossa 28 Blue in green 29 Blue Monk 0 Blue train 1 Blues for Alice 2 Body and soul But not for me 4 But not for me (Coltrane Changes) 5 Bye bye blackbird 7 Caravan 8 Cherokee 40 Confirmation 41 Countdown 42 Dolphin dance 4 Donna Lee 44 Doxy 45 Effendi 46 Evidence 47 Footprints 48 Four 49 Giant steps 50 Groovin' high 51 Have you met miss Jones? 52 I got rhythm 5 I love you 54 I mean you 55 I remember Clifford 56 Impressions 57 In a sentimental mood 58 Inner urge 59 Invitation 60 It could happen to you 61 It don't mean a thing 62 Joy spring 6

4 Just friends 64 Just one of those things 65 Lady Bird 67 Maiden voyage 68 Milestones 69 Misty 70 Moment's notice 71 MrPC 72 My funny Valentine 7 My romance 74 Naima 75 Nica's dream 76 Night and day 77 Nostalgia in Times Square 78 Now's the time 79 Oleo 80 On Green Dolphin street 81 Ornithology 82 Passion dance 8 Rhythm-a-ning 85 'Round midnight 86 Salt peanuts 88 Scrapple from the apple 91 Seven steps to heaven 92 So what 9 Softly, as in a morning sunrise 95 Solar 96 Someday my prince will come 97 Sonnymoon for two 98 StThomas 99 Stablemates 100 Stella by starlight 101 Straight, no chaser 102 Summertime 10 Take the A train 104 Tenor madness 105 The blues walk 106 The days of wine and roses 107 The theme 108 There is no greater love 109 There will never be another you 110 Tune up 111 Very early 112 Virgo 11 Walkin' 114 Well you needn't 115 What is this thing called love 116 When I fall in love 117 Woody'n you 118 Yesterdays 119 You don 't what love is 120 4

5 Songs by author (music / lyrics) Blakey (?) The theme Brown Joy spring Brown The blues walk Churchill / Morey Someday my prince will come Carpenter Walkin' Coltrane 26-2 Coltrane Blue train Coltrane Countdown Coltrane Giant steps Coltrane Impressions Coltrane Moment's notice Coltrane MrPC Coltrane Naima Dameron Lady Bird Davis All blues Davis Blue in green Davis Four Davis Milestones Davis So what Davis Solar Davis Tune up DePaul / Raye You don 't what love is Dorham Blue bossa Ellington, Tizol Caravan Ellington / Mills In a sentimental mood Ellington / Mills It don't mean a thing Evans Very early Fain / Hilliard Alice in Wonderland Feldman, Davis Seven steps to heaven Garner / Burke Misty Gershwin / Gershwin But not for me Gershwin / Gershwin I got rhythm Gershwin / Heyward Summertime Gillespie, Paparelli A night in Tunisia Gillespie Birks' works Gillespie Groovin' high Gillespie, Clarke Salt peanuts Gillespie Woody'n you Golson I remember Clifford Golson Stablemates Green / Heyman Body and soul Hancock Dolphin dance Hancock Maiden voyage Henderson / Dixon Bye bye blackbird Henderson Inner urge Jones / Symes There is no greater love Kaper / Webster Invitation Kaper / Washington On Green Dolphin street Kern / Hammerstein All the things you are 5

6 Kern / Harbach Klenner / Lewis Kosma / Prevert, Mercer Lewis Mancini / Mercer Mingus Monk Monk Monk Monk Monk, Williams Monk Monk Noble Parker, Gillespie Parker Parker Parker Parker Parker (Davis?) Parker Parker, Harris Parker Porter Porter Porter Porter Porter Rodgers / Hart Rodgers / Hart Rodgers / Hart Romberg / Hammerstein Rollins Rollins Rollins Rollins Rollins Rollins Schwartz / Diets Shorter Shorter Silver Simons / Marks Strayhorn Tyner Tyner Van Heusen / Burke Warden / Gordon Young / Gillespie Young / Washington Young / Heyman Yesterdays Just friends Autumn leaves Afternoon in Paris The days of wine and roses Nostalgia in Times Square Blue Monk Evidence I mean you Rhythm-a-ning 'Round midnight Straight, no chaser Well you needn't Cherokee Anthropology Au privave Billie's bounce Blues for Alice Confirmation Donna Lee Now's the time Ornithology Scrapple from the apple All of you I love you Just one of those things Night and day What is this thing called love Have you met miss Jones? My funny Valentine My romance Softly, as in a morning sunrise Airegin Doxy Oleo Sonnymoon for two StThomas Tenor madness Alone together Footprints Virgo Nica's dream All of me Take the A train Effendi Passion dance It could happen to you There will never be another you Beautiful love Stella by starlight When I fall in love 6

7 Songs by genre Blues All blues (blues in ¾) Au privave Billie's bounce Birks' works (minor blues) Blue Monk Blue train Footprints (minor blues in ¾) MrPC (minor blues) Nostalgia in Times Square Now's the time Nostalgia in Times Square Now's the time Tenor madness The blues walk Straight, no chaser Sonnymoon for two Walkin' Rhythm Changes Bebop Anthropology I got rhythm Oleo Rhythm-a-ning Oleo Salt peanuts The theme A night in Tunisia (latin/swing) Blues for Alice (Parker blues) Confirmation Donna Lee Groovin' high Ornithology Scrapple from the apple Woody'n you Coltrane Changes 26-2 But not for me (Coltrane version) Countdown Giant steps Latin Modal Blue bossa (bossa) StThomas (calypso) Effendi Impressions Maiden voyage (even 8ths) Milestones Passion dance So what 7

8 Complex Modal Jazz Standards Songs Dolphin dance Naima Virgo Afternoon in Paris Airegin Caravan (latin/swing) Doxy Evidence Four I mean you I remember Clifford (ballad) In a sentimental mood (ballad) Inner urge It don't mean a thing Joy spring Lady Bird Moment's notice Nica's dream (latin/swing) 'Round midnight (ballad) Seven steps to heaven Solar Stablemates Take the A train Tune up Very early (/4) Well you needn't Alice in Wonderland Alone together All of me All the things you are Autumn leaves Beautiful love Blue in green (ballad) All of you (ballad) Body and soul (ballad) But not for me Bye bye blackbird Cherokee Have you met miss Jones? I love you Invitation It could happen to you Just friends Just one of those things Misty (ballad) My funny Valentine (ballad) My romance (ballad) Night and day On Green Dolphin street (latin/swing) Softly, as in a morning sunrise 8

9 Someday my prince will come (/4) Stella by starlight (ballad) Summertime (ballad) The days of wine and roses (ballad) There is no greater love There will never be another you What is this thing called love When I fall in love (ballad) Yesterdays (ballad) You don 't what love is (ballad) 9

10 Songs by difficulty level Basic Intermediate Afternoon in Paris Alice in Wonderland All blues All of me Au privave Autumn leaves Beautiful love Billie's bounce Birks' works Blue bossa Blue Monk Blue train Doxy Footprints I love you Misty Nostalgia in Times Square Now's the time So what Softly, as in a morning sunrise Solar Someday my prince will come Sonnymoon for two StThomas Summertime Take the A train Tenor madness There will never be another you What is this thing called love You don 't what love is A night in Tunisia All the things you are Alone together But not for me Bye bye blackbird Caravan Effendi Evidence Groovin' high Have you met miss Jones? I got rhythm I mean you I remember Clifford Impressions In a sentimental mood It could happen to you It don't mean a thing Just friends Lady Bird 10

11 Maiden voyage Milestones My funny Valentine My romance Nica's dream Night and day Oleo On Green Dolphin street Ornithology Passion dance Rhythm-a-ning Scrapple from the apple Stella by starlight Straight, no chaser The blues walk The days of wine and roses The theme There is no greater love Tune up Walkin' When I fall in love Yesterdays Advanced 26-2 Airegin Anthropology Blue in green Blues for Alice Body and soul But not for me (Coltrane changes) Cherokee Confirmation Countdown Dolphin dance Donna Lee Four Giant steps Inner urge Invitation Joy spring Just one of those things Moment's notice MrPC Naima 'Round midnight Salt peanuts Seven steps to heaven Stablemates Very early Virgo Well you needn't Woody'n you 11

12 fast swing 26-2 John Coltrane b 4 F^ Ab7 Db^ E7 A^ C7 C-7 F7 J J b J b b b # b n J # b b b Bb^ C#7 F#^ A7 D-7 G7 G-7 C7 # # n # # j n b n J F^ Ab7 Db^ E7 A^ C7 C-7 F7 b J J b b b b # b n J # b b Bb^ Ab7 Db^ E7 A^ C7 F^ b b b b b j # n # n # Ó C-7 E-7 A7 D^ F7 Bb^ b Ó j n # # j n Eb-7 Ab7 Db^ G-7 C7 b b b j Ó J F^ Ab7 Db^ E7 A^ C7 fic-7 F7 b J J b b b b # b n J # b b J b Bb^ Ab7 Db^ E7 A^ C7 F^ b b J b b n # n Ó fi C-7 F7 Bb^ Ab7 Db^ E7 b b b b n # # A^ C7 F^ b # 5 V V V J +U e e e e e e e e e e e e e e e

13 latin A night in Tunisia Dizzy Gillespie, Frank Paparelli INTRO? b Eb7 D-6 Eb7 D-6 b b b J J n J J b b b J J n bass line J J ü THEME % Eb7 D-6 Eb7 D-6 b b j b # j j b j Eb7 D-6 EØ A7 fi D- D- ü b # j b # Ó j Ó swing AØ D7 G- b j b # # j Ó 1 2 b GØ C7 F^ EØ A7 DS al fi j b # j j fi D- EØ Eb7 b j j j j b b b INTERLUDE b j D-7 G7 j j G-^ G-7 Gb7 b # # <n> j b b b b b b F^ EØ A7 b?? SOLO BREAK?????????????? Solo structure: AABA 1

14 medium up swing Afternoon in Paris John Lewis 4 4 C^ C-7 F7 Bb^ Bb-7 Eb7 J b J b b J b b J b b b Ab^ D-7 G7 C^ ( A-7 ) D-7 G7 C^ ü J b b b j j j w Ó Ó 1 2 D-7 G7 C6 ( D-7/G G7 C6/G A-7 A7/G D-7 G7 C#-7 F#7 D-7 G7 w D-7/G G7 ) C^ C-7 F7 Bb^ Bb-7 Eb7 J b J b b J J b b b b b Ab^ D-7 G7 C^ ( J b b b j j j w D-7 G7 ) 14

15 medium up swing Airegin Sonny Rollins bb b b 4 F- C7 b F- F7 j e e e ne b b b b Bb- F7 Bb- b n e j e e ė 1 b b b b Bb-7 D-7 G7 C^ C#-7 F#7 n w # n b b b b # B^ C-7 F7 Bb^ w n w b b Bb-7 Eb7 Ab^ GØ C7 bb w w Ó ü 2 Bb-7 Eb7 Ab^ (G 7 ) F7 bb b b b J J J ( CØ F7 ) n bb b b Bb-7 Eb7 Ab j j j j n n j <b> j Ó n ( last X only ) (GØ C7 ) 15

16 jazz waltz Alice in Wonderland Sammy Fain / Bob Hilliard b b 4 C-7 F7 Bb^ Eb^ AØ D7 G-7 Db7 bb b b C-7 F7 D-7 G-7 1 ü b b C-7 F7 D-7 G7 C-7 F7 Bb6 G-7 Ó n J ( Bb^ ) C7 F7 D-7 G-7 bb 2 ( G7 ) C-7 F7 Bb^ bb Eb^ b b EØ A7 n D-7 G7 C-7 G7 C-7 G7 C-7 Gb7 F7 bb DC al 2nd ending 16

17 blues in /4 All blues Miles Davis 4? 4 horns bass G7 j J J J J? Ó J J J J? C7 b J b b J b J J??? G7 Ó # J J D7(#9) Eb7(#9) D7(#9) b Ó # G7 J J b b b J J J # J 17

18 medium swing All of me Seymour Simons / Gerald Marks 4 4 C6 E7 # w A7 D-7 # j b j w E7 A-7 b # w J D7 D-7 G7 b w w C6 E7 # w A7 D-7 # j b j w F^ F-6 E-7 ( C^ ) A7 D-7 G7 C6 ( w D-7 G7 ) 18

19 medium swing All of you Cole Porter b b b 4 FØ ( ) B 7 Eb^ FØ (B 7(b9)) b b b b FØ ( B 7 ) Eb^ (Davis' changes: FØ b G-7 C7 ) Bb7(b9) G-7 bb C7 F-7 Bb7 b bb b ( G º or G -7 ) Eb^ Db9 C7 F-7 Bb7 b ( E ^ D7 D 7 C7 ) bb b FØ ( B 7 ) Eb^ FØ ( B 7(b9) ) b b b b FØ ( B 7 ) Eb^ G-7 C7 n bb b Ab^ AØ D7 G-7 C7 J J w bb b F-7 Bb7 Eb6 Ó 19

20 medium swing All the things you are Jerome Kern / Oscar Hammerstein II INTRO Db7(#9) C7(#9)? b b b b n <b> J n <b> J J n J b J J 4 J J J J n J ü THEME bb b b F-7 Bb-7 Eb7 Ab^ w bb b b Db^ G7 C^ n n w C-7 F-7 Bb7 Eb^ bb bb w n n b b b b Ab^ D7 G^ n n w n n A-7 bb b b n D7 G^ w # n n n n bb b b F#-7 B7 E^ C+7 n n n # w w n bb b b F-7 Bb-7 Eb7 Ab^ w bb b b Db^ Db-7 C-7 Bº GØ C7 ) bb b b Bb-7 Eb7 Ab6 ( Ó 20

21 ballad or medium Alone Together Arthur Schwartz / Howard Diets b 4 D-6 BØ EØ A7 D-6 EØ A7 j j j j j w D-6 AØ D7 G-7 D7 G-7 b j j w j J J B-7 E7 G-7 C7 F EØ A7 b J J J j j j 1 b D^ EØ A7 D^ ü # j j # j 2 AØ D7 G-7 b w b w GØ C7 F^ EØ A7 b w b j j b D-6 BØ EØ A7 D-6 EØ A7 j j j j w D-6 BØ B 7 A7 D-6 B 7 A7 b j n J # J J Ó 21

22 fast swing Anthropology Charlie Parker, Dizzy Gillespie b b 4 Bb G7 C-7 F7 Bb G7 C-7 F7 j # J J J J b b F-7 Bb7 Eb7 A 7 n J <b> J b j Bb G7 C-7 F7 n b J # J J j ( Eº ) Bb G7 C-7 F7 Bb G7 C-7 F7 bb # J J J J F-7 Bb7 Eb7 A 7 Bb bb n J <b> J b j J # J ( Eº ) D7 G7 bb # # n # n J n n J J J b b C7 n j J F7 n j Bb G7 C-7 F7 Bb G7 C-7 F7 bb # J J J J F-7 Bb7 Eb7 A 7 bb n J <b> J b j J Ó ( Eº ) Bb ( G7 C-7 F7 ) 22

23 medium swing Au privave Charlie Parker b 4 F7 Bb7 F7 # j j b J b J j Bb7 F7 D7 b n J b J b j j j j G-7 C7 F7 D7 G-7 C7 b J J J j j b 2

24 medium swing Autumn leaves Joseph Kosma / Jacques Prevert, Johnny Mercer bb 4 C-7 F7 Bb^ Eb^ w w AØ D7 G- ( G7 ) bb w n # w C-7 F7 Bb^ Eb^ b w b w AØ D7 G- b b w w Ó # AØ D7 G- ( G7 ) bb w C-7 F7 Bb^ Eb^ bb w Ó # AØ D7 G- F-7 Bb7 b b Eb^ D7 G- ( G7 bb w ) 24

25 medium swing Beautiful love Victor Young / Haven Gillespie b 4 EØ A7 D- ( D7 ) j w j G-7 C7 F^ EØ A7 b j w j n # b 1 D-7 G-7 Bb7 A7 w j ( EØ A7 ) D-7 G7 EØ A7 b # w j ü 2 D-7 G-7 Bb7 A7 b w j ( EØ A7 ) D-7 Bb7 A7 D- b # w 25

26 medium swing Billie's bounce Charlie Parker b 4 j F7 Bb7 F7 n # j j # n Bb7 F7 A-7 b j b j b J J # D7 b ( Ab-7 ) # G-7 C7 F7 D7 G-7 C7 b # J <n> # J j j 26

27 medium swing Birks' works Dizzy Gillespie b b b 4 C- ( Eb7 ) j # n j # n Ó j b b b Ab7 C- # n j # n Ó j bb b D7(#9) ( DØor Ab7 ) G7 C- j Ó D7 ( DØ G7 G7 ) 27

28 bossa Blue bossa Kenny Dorham bb b 4 C-7 F-7 J J j J w bb b DØ G7 C-7 J J j w J bb b Eb-7 Ab7 Db^ b J j b j j j w bb b DØ G7 C-7 ( DØ G7 ) j j w Ó 28

29 ballad Blue in green Miles Davis b 4 G-1 A7(#9) D- ( D 7 ) C-7 F7 J J ( Bb^(#11) ) Bb^ A7(#9) D-% b n # j Fine E7(#9) A-9 D- b # j n j # J ü 29

30 medium swing Blue Monk Thelonious Monk bb 4 Bb7 Eb7 Bb7 # n b # n bb # n b b Eb7 Eb7 Bb7 bb b # n # n bb bb # n j b b F7 Bb7 ( F7 ) bb # n bb # Ó 0

31 medium swing Blue train John Coltrane bb b 4 b J Eb7(#9) b w J b b w j b b bb b Ab7(#11) Eb7(#9) w b b w b J J b b b Bb7(#9) Eb7(#9) bb b w b b w Ó J bb b Eb7 Ab7 Eb7???????????????? solos b b b Ab7 Eb7???????????????? bb b F-7 Bb7 Eb7 F-7 Bb7???????????????? ü 1

32 medium up swing Blues for Alice Charlie Parker b 4 F EØ A7 D-7 G7 C-7 F7 n # b b # j b Bb7 Bb-7 Eb7 A-7 D7 Ab-7 Db7 b j b b b n b b J b b j G-7 b fij fi j fi j C7 F D7 G-7 C7 b J J 2

33 ballad Body and soul Johnny Green bb b b b 4 Eb-7 Bb7(b9) Eb-7 D7 Db^ Gb7 F-7 Eº j j j j bb b b b 1 2 Eb-7 CØ F7 Bb-7 Eb7 Eb-7 Ab7 Db6 Bb7 Db6 A7 ü j n w # # # # D^ E-7 ( A7 ) D/F# G-7 C7 F#-7 B-7 E-7 A7 D^ ( A7 ) j j j J j j j j j n n D-7 G7 C^ Ebº D-7 G7 C7 B7 Bb7 j j j J j J J J j b b b b b b b b b b b b Eb-7 Bb7(b9) Eb-7 D7 Db^ Gb7 F-7 Eº j j j j bb b b b Eb-7 CØ F7 Bb-7 Eb7 Eb-7 Ab7 Db6 ( Bb7 ) j n w

34 medium swing But not for me George Gershwin / Ira Gershwin b b b 4 F7 F-7 Bb7 Eb^ C-7 w ( Eb^ F-7 G-7 F-7 ) bb b F7 F-7 Bb7 Bb-7 Eb7 w bb b Ab^ Ab-7 Db7 G-7 C-7 n n F7 F-7 Bb7 bb b w ( F-7 F7 Bb7 ) F7 F-7 Bb7 Eb^ C-7 bb b w ( Eb^ F-7 G-7 F-7 ) b b b F7 F-7 Bb7 Bb-7 Eb7 w b b Ab^ Ab-7 Db7 G-7 C-7 b n n bb b F-7 Bb7 Eb6 ( G-7 w w Ó C7 ) 4

35 medium swing But not for me ( Coltrane Changes ) George Gershwin / Ira Gershwin bb b 4 Eb^ F#7 B^ D7 G Bb7 Eb^ j j # j n j Ó j bb b Eb^ F#7 B^ D7 G^ Bb7 Bb-7 Eb7 # j n n j b b b Ab^ Ab-7 Db7 Eb^ ( C-7 or C7 ) n J J J n j Ó bb b F7 F-7 5 Bb7 j j j j Eb^ F#7 B^ D7 G^ Bb7 Eb^ bb b j # j n Ó # j bb b bb b Eb^ F#7 B^ D7 G^ Bb7 Bb-7 Eb7 # # j j Ab^ Ab-7 Db7 Eb^ ( C-7 or C7 ) n J J J n j j j fi to coda bb b F-7 Bb7 Eb j Ó solo break ( F-7 B 7 ) (solos on ABAC) 5

36 fi b b b bb b F-9 A-9???????????????? after last chorus But not for me - 2 ( Coltrane Changes ) C#-9 A-9???????????????? bb b bb b b b b fi coda F-7 Bb7 G-7 C7???????????????? on cue last x ( E ^ F-7 Bb7 Eb???????? after last theme G-7 C7 ) ( F-7 B 7 ) ad lib (to next solo or last theme) F-9 A-9???????????????? Ó ü b b b C#-9 A-9???????????????? b b b F-7 Bb7 G-7 C7???????????????? ( E ^ G-7 C7 ) ad lib ü b b b b b b bb b F-7 Bb7 NC Ab-11 Db7 on cue last x j w Ó V VJ NC G-11 C7 NC F-11 Bb7 w Ó Ó V j + VJ Ó Ó V VJ + j b b Ó j NC Bb1 Eb^ w Ó V VJ U w + + Ó Ó j 6

37 Medium swing Bye bye blackbird Ray Henderson / Mort Dixon b 4 F^ ( G-7 C7 ) F^ ( G-7 C7 ) F^ A-7 D7 G-7 D7 b w w Ó ( A-7 A º ) G-7 D7 G-7 C7 b G-7 C7 F^ G-7 C7 b w w Ó b ( F^ AØ ) AØ D7 w # w G-7 GØ C7 b w w F^ ( G-7 C7 ) F^ AØ D7 b # G-7 C7 F^ ( D7 ) b Ó G-7 C7 7

38 afro latin b b b b c Caravan C7(b9) w w n Duke Ellington Juan Tizol w w bb b b n n (or G) <b> w w b b b b F- n b n b b w w w w bb b b C7(b9) w w n w w b b b b n n (or G) <b> w w bb b b F- n b n b b w w w w swing bb b b F7 Bb7 w n j w w j b b b b w w Eb7 w j w bb b b Ab7 C7 w j w 8

39 Caravan - 2 afro latin bb b b C7(b9) w w n w w bb b b n n (or G) <b> w w bb b b F- n b n b b w w w w ALTERNATE BRIDGE b b b b F7 w b w w b b Bb7 b b w w n w Eb7 bb b b w w n Ab^ bb b b C7 <b> w ORIGINAL MELODY AT BARS 11-14, 27-0, bb b b C7(b9) F- n b n b b n w w 9

40 fast swing Cherokee Ray Noble bb 4 Bb ( F+7) F-7 Bb7 Eb^ w w w w b b Ab7 Bb C7 w w w w w 1 C-7 DØ G7 C-7 F7 C-7 F7 Bb ü bb w w # w w w w w 2 C#-7 F#7 B^ b b # w # # # # # B-7 E7 A^ bb # # n n w w b b A-7 D7 G^ n w # G-7 C7 C-7 F7 bb w # w b b Bb ( F+7 ) F-7 Bb7 Eb^ w w w w b b Ab7 Bb C7 w w w w w C-7 F7 Bb ( bb w Ó C-7 F7 ) 40

41 medium up swing Confirmation Charlie Parker b 4 F^ EØ A7 D-7 G7 C-7 F7 j # j # j j j J b Bb7 A-7 D7 G7 G-7 C7 n b b J # n b b ( E 7 or AØ ) F^ EØ A7 D-7 G7 C-7 F7 b j b n b j j j # j b b Bb7 b A-7 D7 G-7 C7 F^ b j b # Ó ( E 7 or AØ ) b C-7 F7 Bb^ b n j <b> b b b n j Ó J b Eb-7 5 Ab7 Db^ G-7 C7 b b b b n b b b n b b b j b b F^ EØ A7 D-7 G7 C-7 F7 b # j # j j j J Bb7 A-7 D7 G-7 C7 F^ b n b b J # # j ( E 7) 41

42 fast swing Countdown John Coltrane 4 4 E-7 F7 Bb^ Db7 Gb^ A7 D^ b b b w D-7 Eb7 Ab^ B7 E^ G7 C^ # j w C-7 Db7 Gb^ A7 D^ F7 Bb^ b b b b j b J E-7 F7 Bb^ w b j Eb7 last x E-7 F7 Bb^ Db7 Gb^ F7 Bb^ A7 b b b D^ Bb^ Gb^ D^ Bb^ w w b w w w Gb^ b w D^ # # # # w 42

43 medium swing Dolphin dance Herbie Hancock b b b 4 bb b b b b Eb^ Bb-7/Eb Eb^ DØ G7 Ó w Ó w C-7 Ab7 C-7 A-7 D7 Ó j Ó G^ Ab-7 ( D 7 ) F-7 ( B 7 ) # j b b b b w w n C-7 ( B -7 ) A-7 D7 bb b w w J b b b b b b b b b G^ F/G A/G Eb^(#5)/G Ó n n w Ó n n w Eb^/F Ó F1(b9) j (G/F ) (F/G) Eb^/F E-7 A7 Ó n w Eb7(#11) A-7 D7 B-7 E1 D-7 n n n # # n b b b C#-7 F#7 D^/E C^/E # n J n J # j # # n w w D^/E C^/E fi b b b Db^/Eb Bb1(b9)/Eb E^(#5)/Eb DØ Ó w Ó w (last x) ( Ab^(#5)/Eb ) fi D^/E C^/D D^/E bb b???????? U U ü G7 ü 4

44 medium up swing Donna Lee Charlie Parker, Miles Davis? bb b b 4 Ab Ó n <b> F7 n ( CØ F7 ) Bb7 b n n n b b b b Bb-7 Eb7 Ab^ Eb-7 Ab7 <b> n n n b b n b b b b Db% Db-6 b b Ab^ n (C-7 ) F7 b n b b b Bb7 Bb-7 Eb7 bb n n n b b b n Ó b b b b b b Ab F7 n <b> ( n CØ F7 ) Bb7 b n b b C7 F- C7 bb n n n Ó Ó j b b F- C7 F- Bº bb n n # n # n b n n n n bb b b Ab^ F7 Bb-7 Eb7 Ab <b> F7 n b Ó (also E ) Bb-7 Eb7 44

45 medium swing Doxy Sonny Rollins bb 4 Bb7 Ab7 G7 C7 F7 Bb j j b j n j n b Ó j Bb7 Ab7 G7 C7 F7 bb j b j n j n b Bb7 Eb7 Eº bb J b j J j b Ó j Bb ( F7 ) Bb7 Ab7 G7 C7 F7 bb fi j b j n j n b fi b b Bb G7 C7 F7 Bb Ó n b n j Ó 45

46 medium swing Effendi McCoy Tyner { 4? 4 Ó D-7 ( dorian ) w Ó j w Ó j w w # j {? j w j {? B7sus ( mixolydian ) j w # j j # # # # # # # # # w J # # # # J # # # {? w J # J # J # # j # J # w # J # # # # # j b <n> b <n> {? D-7 ( dorian ) j w Ó j w w w ü {? j w j 46

47 medium swing Evidence Thelonious Monk bb b 4 Eb^ G-7 C7(b5) F-7 Bb7 j Ó b j j n b b b A7(b5) Ab-7 Db7 F-7 b Ó b j ( F-7 Bb7 Eb6) Bb7 j n J b b b Eb^ G-7 C7(b5) F-7 Bb7 j Ó b j j n b b b A7(b5) Ab-7 Db7 F-7 b Ó b j ( F-7 Bb7 Eb6) Bb7 j n J Bb-7 Eb7(b5) Ab^ Ab-7 bb b Ó n Ó Ó b Ó G-7 C7(b9) F1 Bb7(b5) bb b Ó b Ó <n> Ó n Ó b b b Eb^ G-7 C7(b5) F-7 Bb7 j Ó b j j n bb b A7(b5) Ab-7 Db7 F-7 b Ó b j ( F-7 Bb7 Eb6) Bb7 j n J 47

48 minor blues in /4 Footprints Wayne Shorter bb b 4 C-7 5 n j n? b b b 4 bass line bb b? b b b Ó j Ó j b b F-7 b J 5? b b b bb b? b b b C-7 n 5 Ó j b b b? b b b F#Ø F1 E7alt A7alt n n j <b> J b ( D7 F#Ø F1 E7alt A7alt???????????? Db7 ) b b b C-7? b b b 48

49 medium swing Four Miles Davis bb b 4 Ó j Eb^ Eb-7 Ab7 j j j j Ó Ó b b b b F-7 Ab-7 Db7 j J j b Ó Ó n b b b G-7 F#-7 B7 F-7 B 7 n n # n ( DØ G7 ) b b b G-7 F#-7 B7 F-7 Bb7 n n # Ó j bb b Eb^ Eb-7 Ab7 j j j j Ó Ó b bb b F-7 Ab-7 Db7 j J j b Ó Ó n b b b G-7 F#-7 B7 F-7 B 7 n n # n ( DØ G7 ) bb b G-7 F#-7 B7 F-7 Bb7 n n # E % F-7 B 7 49

50 medium up swing Giant steps John Coltrane 4 B^ D7 G^ Bb7 Eb^ A-7 D7 # b w n j J G^ Bb7 Eb^ F#7 B^ F-7 Bb7 b # # j w b J Eb^ A-7 D7 G^ C#-7 F#7 w n w # # J J B^ F-7 Bb7 Eb^ C#-7 F#7 w b w J # J Ó FINE ü 50

51 medium up swing Groovin' high Dizzy Gillespie bb b 4 Eb^ A-7 D7 Ó Ó j n n n # <n> # n bb b Eb^ G-7 C7 Ó Ó j n # <n> # n # bb b F7 F-7 1 Bb7 n Ó n Ó j n <b> # # b b b G-7 F#-7 F-7 Bb7 n # Ó n # n ü bb b 2 <b> Bb7 F-7 Ab-7 Db7 Eb6 # b Ó F-7 Bb7 51

52 Medium swing Have you met miss Jones? Richard Rodgers / Lorenz Hart b 4 F^ D7 G-7 C7 b A-7 D-7 G-7 C7 w (Ab-7 Db7 G-7 C7 ) F^ D7 G-7 C7 b A-7 D-7 C-7 F7 b w b Bb^ Ab-7 Db7 Gb^ E-7 A7 b b b b b <n> b D^ Ab-7 Db7 Gb^ G-7 C7 # b w F^ D7 G-7 C7 ( Bb7 ) b A-7 D7 G-7 C7 F^ (D7 ) b w Ó G-7 C7 52

53 medium up swing I got rhythm George Gershwin / Ira Gershwin b b 4 Bb6 G-7 C-7 F7 Bb6 G-7 C-7 F7 ( D-7 ) F-7 Bb7 Eb7 Ab7 Bb6 F7 Bb6 F7 bb Ó J J J (Bb7 Bb7/D Eb7 Bb6/F G7 C-7 Eº Bb6 bb G-7 C-7 F7 Bb6 G-7 C-7 F7 ( D-7 ) F-7 Bb7 Eb7 Ab7 Bb6 F7 Bb6 bb J J J (Bb7 F7 ) Bb7/D Eb7 Eº Bb6/F ) b b D7 G7 n C7 F7 bb Bb6 bb G-7 C-7 F7 Bb6 G-7 C-7 F7 ( D-7 ) F-7 Bb7 Eb7 Ab7 fibb6 b b J J J Ó ( Bb7 F7 Bb6 F7 ) Bb7/D Eb7 Eº Bb6/F G7 C-7 F7 ) fi bb Bb Ab7 G7 C7 F7 Bb6 J n Ó J original version 5

54 medium swing I love you Cole Porter b 4 GØ C7 F^ b j # j b G-7 C7 F^ w b GØ C7 F^ b J j # j A^ B-7 E7 A^ b n # w G-7 C7 F^ b J J AØ D7 G7 C7 b b J J w GØ C7 F^ AØ D7 b b J j # j G7 G-7 C7 F6 b # J Ó 54

55 medium swing I mean you Thelonious Monk b 4 intro NC Eb1 j b b j j b b j b b J J F Db7 D7 b j j j j j b b b # <n> J G-7 C7 F ( G-7 C7 ) b # fij fi j j J 1 ü 2 j Eb7 b w Ó b F^ w Ó j Db7 b w Ó b C7 <n> # Ó J b F Db7 D7 j j j b b j j <n> b # J G-7 C7 F fi (G-7 C7 ) b # fij # fi j j Ó F 2 NC Eb1 bfi 4 4 b b b J Ó j b b j j b j 55

56 ballad I remember Clifford Benny Golson INTRO b b b 4 Ab^ ( Ab^(#5) ) F-7/Bb ( A7 Ab^ ) G7 Bº j j n J b b b C-7 Bb-7 Ab-7 Gb-7 F-7 F-7/Bb Bb7(b9) w w j bb b Eb^ G7 Ab^ Aº Eb/Bb Bº C-7 C-/Bb j n n J j b b b AØ D7 G-7 G-/F EØ A7 F-7 Bb7 j n n b Eb^ G7 Ab^ Aº Eb/Bb Bº C-7 C-/Bb bb b j n J n j bb b AØ D7 GØ C7 F-7 Bb+7 G-7 Ab^ j b J J # J J J bb b AØ D7 G-7 C7alt F-7 Bb+7 Eb^ b j # n <b> b b b DØ G7 C-7 C-/Bb AØ D7 G-7 C7 F-7 Bb7 j j J b b Eb^ G7 Ab^ Aº Eb/Bb Bº C-7 C-/Bb b j n J n j bb b AØ D7 GØ C7 F-7 Bb+7 Eb6 ( F-7 Bb7 ) ü j b j # w 56

57 medium up swing Impressions John Coltrane 4 4 D-7 ( dorian ) w J Ó D-7 ( dorian ) J J J J Ó J Eb-7 ( dorian ) w b b b b J b b b J b b j b j b j b b D-7 ( dorian ) w J J 57

58 ballad In a sentimental mood Duke Ellington b 4 D- D-^ D-7 D-6 G- G-^ G-7 EØ A7 w b b D-7 A-7 D7 G-7 C7 F6 ( EØ A7 ) F6 ( Eb-7 Ab7) ü 1 2 b Db^ Bb-7 Eb-7 Ab7 Db6 Bb7 b b b b b Ó b Eb7 Ab7 Db^ Bb-7 Eb-7 Ab7 G-7 C7sus b b b b b b w b D- D-^ D-7 D-6 G- G-^ G-7 EØ A7 w b ( BØ Bb7 A-7 A º ) D-7 A-7 D7 G-7 C7 F6 ( EØ A7 ) b Ó 58

59 medium up swing Inner urge Joe Henderson 4 4 F#Ø j # # j j # # Ó F^(#11) j j j Ó Eb^(#11) b J b b j # b J b b # j j Db^(#11) j b J j b b # J J E^ Db^ D^ B^(#11) # J # # b b b b # J # # <n> C^ A^ Bb7(#11) G^ # # # # # # b # # # J # 59

60 ballad or latin Invitation C-% bb b 4 n n j b b C-7 b Bronislaw Kaper / PFrancis Webster F7 Bb1 w Eb-% bb b b b J j b b Eb-7 b Ab7 Db1 w n C#-7 bb C#-7 F#7 B-7 b # n # # # n # n # w B-7 bb b # n B-7 E7 A-7 # # # n n n w b b A-7 A-7 D7 G-7 b n n n n n b b n n bb b Eb7(#11) n w n b b C-% b n n j D7(#9) G+7 b b C-7 F7 Bb1 b w Eb-% B7(#11) bb b b b J j bb b n F7(#9) Bb7(#9) b b b Eb-^ b <n> w j D7 w G7 n j 60

61 medium swing It could happen to you Jimmy Van Heusen / Johnny Burke 4 # 4 G^ BØ E7 A-7 C#Ø n ( A º ) F#7 # # G^ C^ BØ E7 w w ( D-7 G7 ) ( B7 ) # A-7 C-6 G^ A-7 B-7 w ( C-7 F7 ) # E-7 A7 A-7 D7 # G^ BØ E7 A-7 C#Ø n ( A º ) F#7 # # G^ C^ BØ E7 w w ( D-7 G7 ) ( B7 ) # A-7 C-6 G^ ( C-7 F7 ) ( G^ F7 ) BØ w E7 # A-7 D7 G ( E7 ) w A-7 D7 61

62 medium swing It don't mean a thing (If it ain't got that swing) Duke Ellington b b b b 4 F- J n b (F- F-/E F-/E F-/D ) ( Db7 C7 ) F- ( F7 ) j Ó bb b b ( Bb7 j Eb7 j Ab6 j j C7 Bb7 Bb7 Ab/C ) bb b b F- J n b j Ó (F- F-/E F-/E F-/D ) ( Db7 C7 ) F- ( F7 ) bb b b ( Bb7 j Eb7 j Ab6 j j Bb7 Bb7 Ab/C ) bb b b Ab7 Db% j Ó Ó bb b b Bb7 Eb7 C7 j Ó Ó b b b b F- J n b j Ó (F- F-/E F-/E F-/D ) ( Db7 C7 ) F- ( F7 ) bb b b ( Bb7 j Eb7 j Ab6 j j C7 Ó Bb7 Bb7 Ab/C ) 62

63 medium swing Joy spring Clifford Brown b 4 F^ G-7 C7 F^ Bb-7 Eb7 Ó j j Ó j b b b A-7 Ab7 G-7 C7 F Ab-7 Db7 J j Ó J b b b b b Gb^ Ab-7 Db7 Gb^ B-7 E7 b b b b Ó j b b J b b b <n> # # n Bb-7 A7 Ab-7 Db7 Gb A-7 D7 b b J b j b b b b b b b Ó n J # G^ G-7 C7 F^ F-7 Bb7 b n J b b # b j J b b # b b Eb^ Ab-7 Db7 Gb^ G-7 C7 b b b b b b J b b b b j F^ G-7 C7 F^ Bb-7 Eb7 b j Ó j b b A-7 Ab7 G-7 C7 F ( b J j Ó G-7 C7 ) 6

64 medium swing Just friends John Klenner / Sam Lewis b 4 Bb^ Bb-7 Eb7 w b w F^ b A -7 w n w ( A-7 Abº ) D 7 G-7 C7 A-7 D-7 b j j ( EØ A7 ) G7 b G-7 C7 C-7 F7 b Bb^ Bb-7 Eb7 w b w F^ b A -7 w n w ( A-7 Abº ) D 7 G-7 C7 EØ A7 D-7 b j j G7 G-7 C7 F b Ó C-7 F7 64

65 medium swing Just one of those things Cole Porter b 4 D- E-7 A7 # w F7 BØ Bb-6 b # w F/A A 7 G-7 C7 b w F6 F º G-7 EØ A7 b Ó # <n> w b D- E-7 A7 # w b F7 BØ Bb-6 # # b F/A A º G-7 C7 w F6 ( F º ) F-7 Bb7 b # <n> w 65

66 Just one of those things - 2 E ^ Eº F-7 B 7 b # b b E 6 C-7 DØ G7 b # w Ó # b C6 A- A-/G F Ø F- b # b E-7 F º G-7 EØ A7 w Ó b D- E-7 A7 # w b F7 BØ Bb-6 # n # b A-7 D7 G-7 C7 # F6 b w w EØ A7 66

67 medium swing Lady Bird Tadd Dameron 4 4 C^ F-7 j b b Bb7 b C^ Bb-7 j b b Eb7 Ab^ A-7 D7 b b b <n> b b <n> b D-7 G7 C^ Eb^ # w Ab^ Db^ 67

68 even 8ths Maiden voyage Herbie Hancock 4 4 D7sus w w V V VJ V V comping sample VJ F7sus b w Ó Ó + Ó Ó D7sus w w Ó Ó F7sus b w Ó Ó Eb7sus w w Ó Ó # C#-1 # # w Ó Ó D7sus w w Ó Ó F7sus b w Ó 68

69 Milestones Miles Davis ü ü 4 4 medium up swing C7sus (mixolydian) A-7 (aeolian) C7sus (mixolydian) b j Ó b j Ó b b j j w ww b j Ó b j Ó b b j j w 69

70 Ballad Misty Erroll Garner / Johnny Burke bb b 4 Eb^ B -7 E 7 Ab^ b bb b Ab-7 D 7 Eb^ C-7 F-7 B 7 j j b b b 1 G+7 C7 F-7 Bb7 Eb6 ü w w 2 b b b Bb-7 E 7 b b Ab^ b bb b A-7 D7 F7 GØ C7 F-7 B 7 w b bb b Eb^ B -7 E 7 Ab^ Ab-7 D 7 b bb b Eb^ C-7 F-7 B 7 Eb6 j j w F-7 Bb7 70

71 fast swing Moment's notice John Coltrane bb b 4 E-7 A7 F-7 Bb7 Eb^ Ab-7 Db7 j j j bb b bb b bb b bb b bb b b b b D-7 G7 Eb-7 Ab7 Db^ DØ G7 j j C-7 Bb-7 Eb7 Ab^ Db7 w w G-7 C+7 Ab-7 Db7 Gb^ F-7 Bb7 b b J J b b j Ó E-7 A7 F-7 Bb7 Eb^ Ab-7 Db7 j j j D-7 G7 Eb-7 Ab7 Db^ DØ G7 j j C-7 Bb-7 Eb7 Ab^ Db7 w w j b b G-7 C7 F-7 Bb7 b b b b j (bass line) Eb/Bb w F-7/Bb VJ + w VJ + G-7/Bb F-7/Bb Eb/Bb F-7/Bb G-7/Bb F-7/Bb w VJ + w VJ + VJ + VJ + bb b Eb solo break V Ó ü 71

72 fast swing MrPC John Coltrane bb b 4 C-7 J J J bb b F-7 C-7 J J Ó b J b b b Ab7 G7 C-7 ( b J J J J G7 ) 72

73 ballad My funny Valentine Richard Rodgers / Lorenz Hart bb b c C- C-^ C-7 C-6 j j bb b b b b Ab^ F-7 DØ G7 w w C- C-^ C-7 C-6 j j bb b Ab^ F- J n j FØ Bb7 <b> w ( A -6 ) bb b Eb^/Bb F-7/Bb G-7/Bb F-7/Bb j j bb b Eb^ G7 C-7 (B -7 E 7 ) Ab^ DØ G7 j w b b b C- C-^ C-7 C-6 j j bb b F-7 DØ G7 C-7 Bb-7 Eb7 J w w bb b Ab^ F-7 Bb7 Eb6 j w DØ G7 7

74 Ballad My romance Richard Rodgers / Lorenz Hart b b 4 Bb^ E ^ D-7 D º C-7 F7 Bb^ D7 ( C-7 ) G-7 D7 G-7 G7 C-7 F7 Bb^ B 7 bb Eb^ Ab7 Bb^ B 7 Eb^ Ab7 Bb^ ( F-9 ) bb EØ A7 D-7 A 1 G-7 C7 C-7 F7 bb ( D 7 C7( 4) C7 ) b b Bb^ E ^ D-7 D º C-7 F7 Bb^ D7 ( C-7 ) G-7 D7 G-7 G7 C-7 F7 Bb^ B 7 bb Eb^ G7 C-7 C-/B AØ D7 G-7 G 7 bb (B -7 ) A 7 B ^/F G-7 C-7 F7 B % C-7 F7 bb w ( ) 74

75 ballad Naima John Coltrane b b b b 4 Bb-9/Eb Eb-9 B1/Eb A1/Eb Ab^9/Eb b Bb-9/Eb Eb-9 B1/Eb A1/Eb Ab^9/Eb bb bb b B^/Bb Bb1(b9) B^/Bb Bb1(b9) bb bb b b E1/Bb B^/Bb F-9/Bb Gb1/Bb bb b <n> b b b b Bb-9/Eb Eb-9 B1/Eb A1/Eb Ab^9/Eb fi b fi coda bb b b B1/Eb A1/Eb Ab^9/Eb B1/Eb A1/Eb Ab^9/Eb b b bb b bb1/eb A1/Eb Ab^ Db^ Ab^ Db^ Ab^ Db^ Ab^ b w 75

76 latin Nica's dream Horace Silver 4 bb b b b Bb-^ w J j Ab-^ j w bb b b b Bb-^ n J j Ab-7 Db7 j bb b b b Ab-7 Db7 Gb^ ( B1 ) w j j j w w b b b b b CØ F7 Bb-^ ( F7 ) ( ü Ó j Ó w 1 2 B -^) swing b b b b b Ab7sus ( Eb-7 j Ab7 FØ Bb7 b F-7 Bb7 ) b b b b b Eb7 n Absus j j ( Ab7 ) Db^ E-7 A7 w # n n # b b b b Ab7sus b ( Eb-7 j Ab7 FØ Bb7 b F-7 Bb7 ) bb b b b Eb7 n j j Absus ( Ab7 ) Db^ CØ F7 j n n DC al 2nd ending 76

77 medium swing Night and day Cole Porter bb b 4 FØ Bb7 Eb^ w # w b b b FØ Bb7 Eb^ # w j b b b AØ Ab-7 G-7 Gbº b j j n b b b b F-7 Bb7 Eb^ ( D 7 ) ü w n b 1 2 bb b Gb^ Eb^ b w b J bb b Gb^ Eb^ b b J J b j b b b AØ Ab-7 G-7 Gbº b j j n b b bb b F-7 Bb7 Eb6 w Ó 77

78 medium swing Nostalgia in Times Square Charles Mingus b 4 F7 Eb7 F7 Eb7 F7 Eb7 F7 Eb7 j j j b b j b Ab-7 Db7 Ab-7 Db7 F7 Eb7 F7 Eb7 j j b b j D-7 G7 C-7 F7 Bb-7 Eb7 F7 Eb7 b n j <b> j b j b 78

79 medium swing Now's the time Charlie Parker b 4 F7 Bb7 F7 j j j j b Bb7 Bº F7 D7 j j n b j b G-7 C7 F7 D7 b j j G-7 C7 79

80 medium up swing Oleo Sonny Rollins bb 4 Bb G7 C-7 F7 Bb G7 C-7 F7 j J j J j J j J F-7 Bb7 Eb7 Eº Bb G7 C-7 F7 bb j J J j j J j J Bb G7 C-7 F7 Bb G7 C-7 F7 b b j J j J J j j J F-7 Bb7 Eb7 Eº Bb bb j J j j J j b Ó D7 G7 bb???????????????? FILL b b C7 F7???????????????? Bb G7 C-7 F7 Bb G7 C-7 F7 bb j J j J j J j J F-7 Bb7 Eb7 Eº Bb (G7 C-7 F7 ) bb j J J j j J j b Ó 80

81 latin On Green Dolphin Street Branislau Kaper / Ned Washington b b b 4 Eb% Eb-7 b w w bb b F/Eb E/Eb n # n (E/E ) Eb^ GØ C7 <b> w swing b b F-7 Bb7 Eb^ ( B -7 E 7 ) b n # b J Ab-7 Db7 Gb^ Bb7 bb b b b b n n b b <n> J (F-7 B 7 ) latin b b b Eb% Eb-7 b w w bb b F/Eb E/Eb n # n (E/E ) Eb^ GØ C7 <b> w swing F-7 F-/Eb DØ G7 C-7 C-/Bb AØ D7 bb b n # bb b G-7 C7 F-7 Bb7 Eb^ w F-7 Bb7 81

82 medium up swing Ornithology Charlie Parker 4 # 4 G^ G-7 C7 j j b n J j b J F^ F-7 Bb7 # j n b # Ó b j n n n b b J Eb7 # ( E ^ ) AØ D7 G- A-7 D7 b <#> j b n b Ó J # B-7 E7 A-7 D7 j j J # n j j j n # b # G^ G-7 C7 j b n J j b J F^ F-7 Bb7 # j n b # Ó b j n n n b b J Eb7 # ( E ^ AØ D7 G^ b <#> j A-7 D7 ) b C-7 F7 # B-7 E7 n b ( B -7 ) b A-7 D7 G6 E7 # b b Ó A-7 D7 82

83 medium up swing Passion dance McCoy Tyner SAX 4 b b Ó b b J 4 b b b Ó b b b J { Piano? 4 w J b w J b SAX { Pno? b b b w b Ó b b b Ó b b J b w 1 b J J J b ü ü 2 b J J J b b b b b SAX { Pno SAX { Pno?? b bb b b j j b b Ó b j b bb b b b j j b b j b b b bb b b b bb b b b b b b b b j b b bb b b b bb b b b b b j b b b b b b b b b b b b 8

84 Passion dance - 2 SAX { Pno? b bb b J b j b bb b j b b b Ó b b b b b b b b j b b b b b Ó SAX { Pno? b bb b J b j b bb b j b b Ó b b b b b b <n> w w w b <n> w SOLOS ON F7( 4) 84

85 medium up swing Rhythm-a-ning Thelonious Monk Bass bb? b b 4 4 Bb G7 C-7 F7 Bb G7 C-7 F7 j n J J Ó F-7 Bb7 Eb7 Eº Bb G7 C-7 F7 Bb bb b j b j b j b n n b? b b 1 ü w w Ó n n Ó n ü 2 n n n j b b D7 n # j n? b b # j n # j D7 G7???????????????? G7 n Ó Ó j C7 F7 bb n # j n? b b # j n # j C7 F7???????????? n # # # n Ó w Bb G7 C-7 F7 Bb G7 C-7 F7 bb j? b b n J J Ó b b F-7 Bb7 Eb7 Eº Bb G7 C-7 F7 b j b j b j b n n? b b w w Ó n n 85

86 ballad 'Round midnight Thelonious Monk Monk's intro bb b b b b 4 AØ D7(b9) GØ C7(b9) r n n n n r n n n n bb b b FØ Bb7(b9) b b E 7 A -7 D 7 F 7 B7 F7 B 7 r n n???????? Davis' intro bb b b b b AØ D7(b5#9) GØ C7(b5#9) n n J n w bb b b FØ Bb7(b5b9) D/Eb b b # n b n n THEME b b b b b b V Ṿ V V V ÓV Ṿ Ṿ V V Eb- E -/D E -/D CØ Ab-7 Db7 Eb-7 Ab7 B-7 E7 Bb-7Eb7 j n J n j n # b n V Ṿ Ṿ V V V Ṿ Ṿ Ṿ bb b b Ab-7 Db7 Gb^ Ab7 CØ F7 Bb7 b b J j n b b b b Ebb b E -/D E -/D CØ Ab-7 Db7 Eb-7 Ab7 B-7E7 Bb-7Eb7 j n J n j n # b n bb b b Ab-7 Db7 Gb^ Ab7 CØ B7 F-7 Bb7 Eb b b J n 86

87 'Round midnight - 2 bb b b CØ F7 Bb7 CØ F7 Bb7 b b j n j n bb b b b b Ab-7 FØ Bb7 CØ F7 Bb-7 Eb7 Ab-7 Db7 F#-7 B7 FØ Bb7 J J j j J J J b b b b Ebb b E -/D E -/D CØ Ab-7 Db7 Eb-7 Ab7 B-7 E7 Bb-7 Eb7 j n J n j n # b n bb b b Ab-7 Db7 Gb^ Ab7 CØ B7 F-7 Bb7 fiebb b J n ü INTERLUDE (Davis) bb b b b b Bb1sus Bb+7(#9) Bb+7(#9) Ó Ó > R R R ( double time feel ) Bass fills to solos fi coda (Davis) bb b b b b Eb NC CØ F7 CØ F7 n w b b b b F#-7 B7 F#-7 B7 B-7 E7 b b n n # n # # # n n bb b b FØ b b n Bb7 n, tempo rubato b Bass line: E B A F (B) B n X w Ab7sus U 87

88 fast swing Salt peanuts Dizzy Gillespie Kenny Clarke Bass line INTRO ( Coda) b? b 4 4 b b b b b b b b b b b b Bb^ A^ Ab6 G^ Gb6 F^ b (piano) # # n n # bb <n> F^? b b n b Ó J Theme b F D7 G-7 C7 F D7 G-7 C7 Ó J J F F/A Bb Bº F? b n b F7 Bb7 Bº F D7 G-7 C7 J Ó J F F/A Bb Bº F? b n F D7 G-7 C7 F D7 G-7 C7 b Ó J J F F/A Bb Bº F? n b 88

89 Salt Peanuts - 2 b F7 Bb7 Bº F J Ó Ó F F/A Bb Bº F? b n E-7 A7 D- b Ó j # b # Ó # Ó A7 D-? b???????????????? D-7 G7 G-7 C7 b Ó j b n b b n J J G7 C7? b???????????????? F D7 G-7 C7 F D7 G-7 C7 b J Ó J F F/A Bb Bº F? n b F7 Bb7 Bº F D7 G-7 C7 b Ó J J F F/A Bb Bº F? n b ü ü 89

90 Salt Peanuts - INTERLUDE I F G-7 C7 F D-7 G-7 C7 b b # J # Ó J J J F G-7 C7 F D-7 G-7 C7? b???????????????? F7 Bb7 (D 7/B) F ( C7 F C7 ) b b b b J # Ó J F7 Bb7 ( D 7/B ) F ( C7 F C7 )? b???????????????? INTERLUDE II b F7 E7 E 7 D7 D 7 C7 n n b b b Ó b b? b b n b b J E 7 D7 D 7 C7 NC b b b b b # n F G-7 C7???????? BREAK? b J 90

91 medium up swing Scrapple from the apple Charlie Parker b 4 G-7 C7 G-7 C7 j # n j J j j b J b F^ Bb7 (Bº) F A-7 D7 J J J n j # Ó b G-7 C7 G-7 C7 j # n j J j j b J F^ Bb7 (Bº) F b J J J n j # Ó A7 D7 b? FILL??????????????? G7 C7 b???????????????? b G-7 C7 G-7 C7 j # n J j j b J j F^ Bb7 (Bº) F ( A-7 D7 ) b J J J n j # Ó 91

92 Fast swing Seven steps to heaven Charlie Parker Intro? b 4 (bass) J J b ü F1 E 1 (4x) J b (piano) j b j ü Theme F^ B ^ E-7 A7 D-7 A 1 G7 b j (drums fill) ( G7 b G-7 C7 ) Eb6(no5) E6(no5) F6(no5) j ü C^ D-7 G7 C^ F-7 B 7 b n j w Ó j Eb^ A -7 D 7 Gb^ C7 b w Ó j b w? U F^ B ^ E-7 A7 D-7 A 1 G7 b j (drums fill) ( G7 b G-7 C7 ) Eb6(no5) E6(no5) F6(no5) j (x) F1 ü Solo break F1 E 1 b?? J?? J? Ó Solos: AABA 92

93 medium swing So what Miles Davis { Piano 4 D-7 ( dorian ) Ó j? 4 Ó J Ó J Ó j Bass? 4 w J J J J { Pno ü Ó j Ó j? Ó J Ó J 1 2 Bs? w J 1 ü b J b J 2 b b b { Pno Eb-7 ( dorian ) Ó b b j b b b? b Ó b b J Ó b J Ó bb j b b b Bs? b w b J b b b b b J b b J b b b b 9

94 So what - 2 { Pno j j Ó b b b b Ó b b b b b b? b b b Ó J Ó b J Bs? b w b b J J { Pno D-7 ( dorian ) Ó j Ó j? Ó J Ó J Bs? w J J J { Pno Ó j Ó j? Ó J Ó J Bs w? J 94

95 medium up swing Softly, as in a morning sunrise Sigmund Romberg / Oscar Hammerstein b b b 4 C- DØ G7 C- DØ G7 j j bb b C- DØ G7 C- j w DØ G7 bb b C- DØ G7 C- DØ G7 j j bb b C- DØ G7 C- F-7 Bb7 j w b b b Eb^ C7 J n n bb b F-7 DØ w J G7 bb b C- DØ G7 C- DØ G7 j j bb b C- DØ G7 C- j w DØ G7 95

96 medium swing Solar Miles Davis b b b 4 C- G-7 C7 n J n j n w bb b F^ F-7 Bb7 n j # w b b b Eb^ Eb-7 Ab7 Db^ DØ j b j b j w j ( G7 n ) 96

97 jazz waltz Someday my prince will come Frank Churchill / Larry Morey bb 4 Bb^ D+7 Eb^ G+7 # b b C-7 G+7 C7 F7 n ( C-7 ) bb 1 D-7 Dbº C-7 F7 D-7 Dbº C-7 F7 b b ü 2 F-7 Bb7 Eb^ Eº b b n J n J bb ( Bb/F F7 Bb Bb^/F C-7/F Bb^/F ( F7 ) C-7/F F7 ) 97

98 medium up swing Sonnymoon for two Sonny Rollins bb 4 Bb7 Eb7 Bb7 b b j j j b Bb7 Bb7 G7 bb b b j j j b b b C-7 F7 Bb7 G7 C-7 F7 b b j j j b 98

99 latin StThomas Sonny Rollins 4 4 C E-7 A7 D-7 G7 C j J G7 C E-7 A7 D-7 G7 C J j EØ A7 DØ J J G7 C C7 F7 F º C/G G7 C j Ó G7 99

100 medium swing Stablemates Benny Golson b b b b b 4 j n E-7 A7 Eb-7 Ab7 Db^ C7 n n n n b b b b b Ab-7 Db7 Gb^ n J n GØ n C7 bb b b F-7 Bb7 Latin Eb-7 Ab7 Db^ b w Ó n n b j w Ó Swing bb b b F-7 Gb7 G7 C7 b J j j n J n j J bb b b b B7 Bb7 A7 Ab7 n j Ó # n j n Ó n j b b b b b E-7 A7 Eb-7 Ab7 Db^ C7 n <n> n n n bb b b b Ab-7 Db7 Gb^ n J n GØ n C7 bb b b F-7 Bb7 Latin Eb-7 Ab7 Db^ b w Ó n n b j w Ó 100

101 ballad Stella by starlight Victor Young / Ned Washington b b 4 EØ A7 C-7 F7 w w F-7 Bb7 Eb^ Ab7 bb w w b b Bb^ EØ A7 D-7 Bb-7 Eb7 n j ( C-7 F7 ) Davis' 1958 changes F^ bb EØ Eb^ D7 J ( AØ ) b b G+7 w C-7 w b b Ab7 Bb^ w EØ A7 DØ G7 bb w w CØ F7 Bb^ bb b w b w w 101

102 medium swing Straight, no chaser Thelonious Monk b 4 F7 Bb7 F7 j # j n # b j # j n # j n b Bb7 F7 D7 b j # b w j # j # j n G-7 C7 F7 D7 b # # # # # # G-7 C7 102

103 ballad Summertime George Gershwin / DuBose Hayward b 4 D- EØ A7 D- D7 w 6 b G-7 EØ A7 j w ( E7 ) j 10 b D- EØ A7 D- G-7 C7 j 14 b F6 D-7 EØ A7 D- EØ A7 ( ) ( j w ) 10

104 medium swing Take the "A" train Billy Strayhorn piano intro 4 4 j b b b b j j b b # J # # C6 D7 w j J # w b b j # J D-7 G7 C6 ( w # b b J D-7 G7 ) C6 w j D7 J # w D-7 G7 C6 C7 w # b b J w F^ j J J w D7 D-7 G7 j J # J b C6 w j D7 J # w D-7 G7 fi C6 ( w # b b J D-7 G7 ) ü fi Coda C6 J # U 104

105 medium up swing Tenor madness Sonny Rollins bb 4 Bb7 Eb7 Bb7 J j J b J j J <n> J j J b J Eb7 Bb7 ( G7 ) bb j J b J j J <n> J j J J C-7 F7 Bb7 ( G7 C-7 F7 ) bb j J n <b> # J j J Ó 105

106 medium up swing The blues walk Clifford Brown b b 4 Bb7 ( Eb7 Bb7 ) J j J J j # J Eb7 Bb7 ( G7 ) bb j j J J # Ó b b ( F7 j b ( G7 n C-7 F7 ) Bb C-7 F7 ) 106

107 ballad The days of wine and roses Henry Mancini / Johnny Mercer b 4 F^ Eb^ A-7 D7 w ( Eb7 ) b G-7 Bb- ( 7 ) Eb7 b A-7 D-7 G-7 C7 b j b EØ A7 D-7 G7 G-7 C7 j w b F^ Eb^ A-7 D7 w ( Eb7 ) G-7 Bb- ( 7 ) Eb7 b b A-7 D-7 BØ Bb7 b w A-7 D-7 G-7 C7 F ( G-7 C7 ) b w 107

108 medium up swing The Theme Unknown bb 4 Bb G7 J J theme: Bb C-7 C-7 F7 Bb G7 n J J C º Bb/D Bb C-7 C-7 n F7 J C º Bb/D F-7 Bb7 bb J Bb C-7 Eb7 n C º Bb/D 1 Eº Bb G7 C-7 F7 Bb ü J J n J J n NC 2 Ó D7 G7 bb???????????????? FILL b b C7 F7?????????????? J Bb bb Bb J G7 C-7 C-7 F7 C º Bb/D Bb Bb G7 n J J C-7 F7 J C-7 n C º Bb/D F-7 Bb7 bb J Bb C-7 Eb7 C º Bb/D Eº n J J Bb G7 C-7 F7 n J NC 108

109 medium swing There is no greater love Isham Jones / Marty Symes bb 4 Bb6 E 7 n DØ b w ( D7 or Ab7 ) G7 b C7 C-7 F7 bb w b w Bb6 bb E 7 n b w ( D7 DØ or Ab7 ) G7 b C7 C-7 F7 Bb6 bb w D7 bb ( AØ G- D7 G- # Ó # Ó D7 ) ( AØ D7 ) D7 b b ( AØ D7 ) G-7 C7 # w F7 ( C-7 F7 ) Bb6 bb E 7 n b w ( D7 DØ or Ab7 ) G7 b C7 C-7 F7 Bb6 C-7 bb w F7 109

110 medium swing There will never be another you Harry Warren / Mack Gordon bb b 4 Eb^ DØ G7 j j w bb b C-7 Bb-7 Eb7 w J J bb b Ab^ Db7 Eb^ C-7 j bb b F7 F-7 Bb7 n w bb b Eb^ DØ G7 j j w b b b C-7 Bb-7 Eb7 J w J bb b Ab^ Db7 Eb^ AØ D7 j bb b Eb6 Ab7 G7 C7 F-7 Bb7 Eb6 ( B 7 ) Ó ( D7 D 7 ) 110

111 medium up swing Tune up Miles Davis 4 E-7 A7 D^ # # w w D-7 G7 C^ # w C-7 F7 Bb^ Eb^ b w b w 1 E-7 F7 Bb^ Eb7 w j w Ó ( A7 ) ( E-7 A7 ) ü 2 E-7 A7 D^ w j w Ó 111

112 jazz waltz Very early Bill Evans 4 C^ Bb7 Eb^ Ab1 b b <n> Db^ G1 C^ Bb7(#11) b b <n> D^ A-7 F#Ø B1 E-7 Ab1 Db^ G7sus G1 G+7 ü b b j b 1 2 # B^ Ab1 Db^ Bb1 # b b # J b B^ G1 # C^ # <n> J Ab9 Db^ G1 C^ A7 b b b b D-7 C^/E F G7sus fi C^ (BREAK) G1 fi D-7 C^/E F G7sus D-7 C#-7 Bb^ G^ B^ 4 j U # w 112

113 ballad Virgo Wayne Shorter b 4 F^ Bb-7 Eb7 DØ Bb7(#11) A^ J j b j b b j <n> b j w A-7 F-7 Bb7 EØ Eb7(#11) D^ b j n j j j j w D-7 C-7 F7(b9) Eb7 D+7(#9) G-7 Ab7 b b # b Db^ D-7 G7 G-7 Db-7 Gb7 b b <n> J n j b b j b J F^ Bb-7 Eb7 DØ Bb7(#11) A^ b J j b j b b j <n> b j w A-7 F-7 Bb7 EØ Eb7(#11) D-7 Db7(b5) b n j j j j C-7 F7(b9) Bb^ E7(#9) A+7(#9) D- G-7 C7 b j w J # w w Fine 11

114 medium up swing Walkin' Richard Carpenter b 4 INTRO bb b C pedal on 2 4 b b b b Ó b bb b b b b b n J b F7 Bb7 F7 J J # fij b J Bb7 b J b n J F7 Ó J j ( D7 ) b A1 Ab1 Ab7sus G7sus G1 Gb1 C7(#9) F7sus b b n b b J (G-7 C7 F7 D7 G-7 C7 ) n J 114

115 medium up swing Well you needn't Thelonious Monk b 4 # j F7 Gb7 F7 Gb7 b # j b # j F7 Gb7 F7 ( G 7 ) ü b b j n n j # j b j Db7 b b b b b D7 1 j b j 2 Eb7 E7 Eb7 D7 Db7 C7 B7 C7 b n # n b b b b n n # # n # j b F7 Gb7 F7 b b j n Alternate "A" section b F7 Gb7 F7 Gb7 b # j b # j j n F7 ( G 7 ) n F7 Gb7 F7 Gb7 simile b j n b j n Ó ALternate Bridge G7 b j # # j Ab7 b b b j A7 Bb7 B7 Bb7 A7 Ab7 G7 Gb7 b <n> # n n b # b b # b n j 115

116 medium swing What is this thing called love Cole Porter 4 4 b GØ C7 F- b b b w Ó b DØ G7 C^ b j j # w Ó b GØ C7 F- b b j b w Ó b DØ G7 C^ b j j b j w Ó b C-7 F7 Bb^ b b w Ó Ab7 b b D-7 G7 b w b ( G7 ) GØ C7 F- b b J J b w Ó b Db7 G7 C6 b j j b w Ó 116

117 ballad When I fall in love Victor Young / Edward Heyman b b b 4 Eb^ C7 F-7 Bb7 Eb^ C7 F7 Bb7 bb b Eb^ Ab7 Db7 C7 F7 F-7 Bb7 w ( D7 G7 ) 1 b b b Eb^ A7(b5) Ab^ Db7 G-7 Ab^ GØ C7 j bb b F-7 D7(#9) Db7 C7 F-7 C+7 F-7 Bb7 j w ü 2 b b b Eb^ A7(b5) Ab^ D7 G-7 C7 F-7 Db7 j bb b Eb^ C7 B7 Bb7 Eb6 w ( Eb^ Ab7 Db7 C7 F-7 Bb7 ) F-7 Bb7 117

118 medium up swing Woody'n you Dizzy Gillespie intro bb b b b 4 GØ n GØ/C n j Ó J n NC n n # n # # n # n FØ FØ/B n J j Ó NC n n # n n n n n bb b b b E -11 NC A 7(#9) 2 j j n > w w (drums) Theme bb b b GØ C7 FØ Bb7 b n J Ó J Ó bb b b EbØ Ab7 Db^ b b J n n 1 2 ü <b> <b> Ó J bb b b Ab-7 Db7 Ab-7 Db7 Ab-7 Db7alt Gb^ b b n n j J ( Ab-7 Db7 ) bb b b Bb-7 b ( Bb-7 Eb7 Bb-7 Eb7 Bb-7 Eb7alt Ab1 n n # n j Ó Eb7 ) b b b b b GØ C7 FØ Bb7 n J Ó J Ó bb b b b EbØ Ab7 Db^ J b n n <b> Ó 118

119 medium swing Yesterdays Jerome Kern / Otto Harback b 4 D- EØ A7 D- EØ A7 w w D- D-/C# D-/C BØ E7 b # n n w A+7 D7 G7 C7 b w w b F7 Bb^ EØ A7 w 119

120 ballad You don't know what love is Gene DePaul / Don Raye bb b b 4 F- Db7 C7 F- C7 Db7 j j j bb b b GØ C7 F- Db7 GØ C7 j j j b b F- b b Db7 C7 F- C7 Db7 j j j bb b b GØ C7 F- Db7 C7 F- j b b b b Bb-7 Eb7 Ab^ Bb-7 Eb7 Ab^ J J j J J b b b b n D-7 G7 C^ Db7 C7 n w j j b b F- b b Db7 C7 F- C7 Db7 j j j bb b b GØ C7 F- Db7 C7 F- ( C7 ) j 120

121 The Author Puzio Jazz performer and teacher The Real DrJellyfish Book 101 Essential Jazz Standards 2 nd Edition 2012 Zup Archives Productions

CWU Jazz Specialization Degree Jury Rubric

CWU Jazz Specialization Degree Jury Rubric CWU Jazz Specialization Degree Jury Rubric Name Quality Ratings: must be rated at 8 or above or the item will not be passed off Ratings: 0-5 = unacceptable performance, 6-7 = developing, but not fully

More information

250 II-V SUBSTITUTION TECHNIQUES by PERE SOTO

250 II-V SUBSTITUTION TECHNIQUES by PERE SOTO 250 II-V SUBSTITUTION TECHNIQUES by PERE SOTO more techniques substitution on V7 triton technique + tensions harmonic chords substitutions 5 Db7 triton technique (b9) Db7 Abº7 B^7(b5)/G 6 substitution

More information

page title type location genre video audio

page title type location genre video audio Guitar Training material contents: page title type location genre video audio 3 basic exercises exercise GT XL v a 4 technical exercises exercise GT XL a 6 practising tips exercise GT XL a 8 scales, interval

More information

11. Jazz Standards and Forms

11. Jazz Standards and Forms 11. Jazz Standards and Forms A typical performance of a jazz standard might take the following structure: o An introduction o The head (main melody) o Open-ended repetition of the form with improvisation

More information

Memorized /Recorded. Melody/ 8ves

Memorized /Recorded. Melody/ 8ves After You've Gone 1918 Turner Layton NRB 2 Bb Afternoon in Paris 1955 John Lewis RB C Ain't Misbehavin' 1929 Fats Waller NRB 2 Eb Airegin 1963 Sonny Rollins NRB 1 F- All Blues 1959 Miles Davis RB G All

More information

INTERMEDIATE JAZZ CONCEPTION STUDY GUIDE ADDITIONS (ALTO)

INTERMEDIATE JAZZ CONCEPTION STUDY GUIDE ADDITIONS (ALTO) INTERMEDIATE JAZZ CONCEPTION STUDY GUIDE ADDITIONS (ALTO) 1. Splank Street- 1. Dynamic contrast gives this piece a sense of drama. Observe dynamics closely, maintaining a centered and resonate sound at

More information

BASS MASTER CLASS As Published in DownBeat Magazine, August 2006 by Dr. J.B. Dyas. Linear Bass Line Construction

BASS MASTER CLASS As Published in DownBeat Magazine, August 2006 by Dr. J.B. Dyas. Linear Bass Line Construction BASS MASTER CLASS As Published in DownBeat Magazine, August 2006 by Dr. J.B. Dyas Linear Bass Line Construction It has been said that the definition of a jazz combo is a bassist and at least one other

More information

a A F#(+11) Bm7 E+ B D C#m7 F#7 Bm7 E7 A Angels Over Paris A Bm7 Bm7 E7 Bm7 E7 A F#(+11) Bm7 E+ A Bm7 C#m7 Bm7 E7 D G#7 C#m7 F#7 B7 F7 E7

a A F#(+11) Bm7 E+ B D C#m7 F#7 Bm7 E7 A Angels Over Paris A Bm7 Bm7 E7 Bm7 E7 A F#(+11) Bm7 E+ A Bm7 C#m7 Bm7 E7 D G#7 C#m7 F#7 B7 F7 E7 1 Angels Over Paris a A F#(+11) Bm7 E+ A Bm7 Bm7 E7 Bm7 E7 A F#(+11) Bm7 E+ A Bm7 C#m7 Bm7 E7 B D C#m7 F#7 Bm7 E7 A D G#7 C#m7 F#7 B7 F7 E7 A F#(+11) Bm7 E+ A Bm7 C#m7 Bm7 E7 Bm7 F+ E7 A / 2 ASCONA Verse

More information

Voicing Modes - 2nd edition Revised & updated Etudes in Standard notation & TAB

Voicing Modes - 2nd edition Revised & updated Etudes in Standard notation & TAB 1 Voicing Modes Voicing Modes Voicing Modes - 2nd edition Revised & updated Etudes in Standard notation & TAB Copyright 201, 201 by Noel Johnston All Rights Reserved Second Edition First Printing: September,

More information

Copyright 2016, by Noel Johnston. All Rights Reserved. First Edition First Printing: July 2016 ISBN XXXXXXXXXX

Copyright 2016, by Noel Johnston. All Rights Reserved. First Edition First Printing: July 2016 ISBN XXXXXXXXXX Voicing Modes Copyright 206, by Noel Johnston All Rights Reserved First Edition First Printing: July 206 ISBN XXXXXXXXXX Front cover and other image credits: Adobe Stock images and Noel Johnston Constellation:

More information

Jazz Fundamentals. Greg Polanik Coordinator Corina Iukovici Co-Coordinator. Academy for Lifelong Learning Cape Cod Community College Spring 2015

Jazz Fundamentals. Greg Polanik Coordinator Corina Iukovici Co-Coordinator. Academy for Lifelong Learning Cape Cod Community College Spring 2015 Jazz Fundamentals Greg Polanik Coordinator Corina Iukovici Co-Coordinator Academy for Lifelong Learning Cape Cod Community College Spring 2015 Chapter 4 Bebop Oo Bop Sh' Bam! Dizzy Gillespie Bebop 1945-1950s

More information

Woodshed. Methods For Fighting The Epidemic Of Tune Illiteracy. MASTER CLASS by J.B. Dyas, Ph.D

Woodshed. Methods For Fighting The Epidemic Of Tune Illiteracy. MASTER CLASS by J.B. Dyas, Ph.D Woodshed MASTER CLASS by J.B. Dyas, Ph.D Methods For Fighting The Epidemic Of Tune Illiteracy For the past 20-plus years, I ve had the honor of teaching in a wide variety of didactic situations, from jazz

More information

How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007

How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 How to Improvise Jazz Melodies Bob Keller Harvey Mudd College January 2007 There are different forms of jazz improvisation. For example, in free improvisation, the player is under absolutely no constraints.

More information

Arrival Michael Guy Chislett, Matt Crocker, Benjamin Hastings, Dylan Thomas A 130 bpm 4/4

Arrival Michael Guy Chislett, Matt Crocker, Benjamin Hastings, Dylan Thomas A 130 bpm 4/4 A 130 bpm 4/4 A.\\\..E/A.\\\..A/D.\\\..E/D.\\\. A.\\\..\\\\..Esus.\\\..E.\\\. F#m7.\\\..E/F#.\\\..A/D.\\\..E/D.\\\. A.\\\..\\\\..Esus.\\\..E.\\\. A. D A. E F#m7. D A. Esus E F#m7. D A. E F#m7. D. A. E

More information

Harmonizing Jazz Melodies Using Clusters

Harmonizing Jazz Melodies Using Clusters Harmonizing Jazz Melodies Using Clusters As a jazz pianist, I am always looking for ways to arrange jazz tunes. One technique that I find myself working with involves using clusters in the right hand in

More information

NEW ORLEANS- NEW ORLEANS JAZZ:

NEW ORLEANS- NEW ORLEANS JAZZ: Jazz Cities: Music Selections NEW ORLEANS- NEW ORLEANS JAZZ: Born: October 20, 1890 in New Orleans, Died: July 10, 1941 in Los Angeles, California, U.S. Genre: Ragtime, Jazz, Jazz Blues, New Orleans Jazz

More information

JazzyPiano.net Glen Rose Professional Piano Techniques (2 parts)

JazzyPiano.net Glen Rose Professional Piano Techniques (2 parts) JazzyPiano.net Glen Rose Professional Piano Techniques (2 parts) Professional Piano Techniques - Part One (27 minutes) (and faking it) These ideas continue from where the video titled, The Five Basic Jazz

More information

The Complete Pacific Jazz Joe Pass Quartet Sessions (#207) DISCOGRAPHY

The Complete Pacific Jazz Joe Pass Quartet Sessions (#207) DISCOGRAPHY The Complete Pacific Jazz Joe Pass Quartet Sessions (#207) DISCOGRAPHY THE COMPLETE PACIFIC JAZZ JOE PASS QUARTET SESSIONS Disc One: 1. Catch Me (Forward Pass) (A) 3:11 2. Days Of Wine And Roses (A) 2:49

More information

Lego Field Guide (page 1) Bob Keller, Corrected Draft. Please see Acknowledgment and Disclaimer on last page. 8 July 2008

Lego Field Guide (page 1) Bob Keller, Corrected Draft. Please see Acknowledgment and Disclaimer on last page. 8 July 2008 Lego Field Guide (page 1) Term Type Meaning Etymology Root step, when applicable (halfsteps up) Amen IV I cadence Used in church hymns. Tonality step, when applicable (halfsteps up) Example Changes Example

More information

Hark Michael Guy Chislett, Ben Tan, Dylan Thomas, Melodie Wagner E 134 bpm 6/8

Hark Michael Guy Chislett, Ben Tan, Dylan Thomas, Melodie Wagner E 134 bpm 6/8 E 134 bpm 6/8 E.\..Asus2.Amaj9..Bsus.\..C#m7.\. Asus2.Amaj9 Hark.the.herald.angels.sing Bsus. C#m7 E. Asus2 Bsus F#m7. A. B F#m7. A. B A. F#m7 B/D#. E C#m B/D#..E. A B/A.Amaj7.B... C#m B/D#..E. A B C#m.B/D#..E.\..A.B/A..Amaj7.B.

More information

========= Playing Outside C HAPTER E IGHT

========= Playing Outside C HAPTER E IGHT ========= Playing Outside P LAYING O UTSIDE C HAPTER E IGHT Sequences Playing a Half Step Away Playing a Tritone Away Playing Scales to Get Outside Some Piano Stuff The Chromatic Scale Be Brave, Go Ahead

More information

Easy ii V I Vocabulary

Easy ii V I Vocabulary Easy ii V I Vocabulary Easy and Essential ii V I Lines and Concepts Written By: Matthew Warnock Published By: Guitar for Life LLC Copyright 2018 Guitar for Life LLC mattwarnockguitar.com 2 Table of Contents

More information

Chapter 1 - Jazz Guitar Chords Essential Jazz Guitar Chords For Beginners How to Transpose Guitar Chords... 13

Chapter 1 - Jazz Guitar Chords Essential Jazz Guitar Chords For Beginners How to Transpose Guitar Chords... 13 1 2 Contents Chapter 1 - Jazz Guitar Chords... 8 17 Essential Jazz Guitar Chords For Beginners... 9 How to Transpose Guitar Chords... 13 Your First Jazz Chord Progression... 15 Essential Jazz Comping Rhythms...

More information

Survey of Jazz Performers. This is a presentation of important jazz figures, both past and present.

Survey of Jazz Performers. This is a presentation of important jazz figures, both past and present. Survey of Jazz Performers This is a presentation of important jazz figures, both past and present. Louis Armstrong (1901-1971) One of the greatest trumpet players of all time. One of the first to play

More information

The Evolution of Jazz Blues Chords

The Evolution of Jazz Blues Chords The Evolution of Jazz Blues Chords Jazz blues chords, progressions and tunes appear throughout the Jazz genre in many different forms and arrangements. The influence of Blues on Jazz is undeniable. The

More information

PRACTICAL TIPS FOR YOUR JAZZ RHYTHM SECTION

PRACTICAL TIPS FOR YOUR JAZZ RHYTHM SECTION PRACTICAL TIPS FOR YOUR JAZZ RHYTHM SECTION Matt Pivec, Clinician Director of Jazz Studies, Butler University School of Music mpivec@butler.edu FEATURING STUDENTS FROM THE BUTLER UNIVERSITY JAZZ COMBO

More information

The Great American Songbook

The Great American Songbook The Great American Songbook Volume Don't Get Around Much Anymore Arr. by Rich Severson Georgia On My Mind Tenderly The Shadow Of Your Smile Fly Me To The Moon It Had To Be You Don'tGetAroundMuchAnyonDukeBoElbRingutosenl

More information

Intro to Jazz Improvisation: Mus121b Tues. + Friday 12:30-1:50

Intro to Jazz Improvisation: Mus121b Tues. + Friday 12:30-1:50 Intro to Jazz Improvisation: Mus121b Tues. + Friday 12:30-1:50 Prerequisites: Ability to read music and facility on an instrument. This course explores some of the tools improvisers use to develop their

More information

2 0 E X C L U S I V E J A M T R A C K S

2 0 E X C L U S I V E J A M T R A C K S Audio files, track documentation, and tabs in Guitar Pro and PDF formats. 2 0 E X C L U S I V E J A M T R A C K S M P 3 G P X P D F Expand your acoustic instrumentation with this exclusive set of JamTracks.

More information

Improv Pathways. Table of Contents. CD 1 Track List

Improv Pathways. Table of Contents. CD 1 Track List Introduction & CD Track Lists........ 1-3 Lessons 1-8: The I Chord............ 4-14 Head Charts: I Chord.............. 15-16 Lessons 9-13: The IV Chord........ 17-23 Head Charts: I & IV Chords........

More information

LEVEL FOUR. Please consult our website for the schedule of fees. REQUIREMENTS & MARKING ONE SUPPLEMENTARY 10

LEVEL FOUR. Please consult our website for the schedule of fees.  REQUIREMENTS & MARKING ONE SUPPLEMENTARY 10 LEVEL FOUR Length of the examination: Examination Fee: Co-requisite: 25 minutes Please consult our website for the schedule of fees. www.conservatorycanada.ca None. There is no written examination corequisite

More information

Jazz Improvisation 2

Jazz Improvisation 2 Eb INSTRUMENTS Jazz Improvisation 2 HANDBOOK Performing Arts Institute 2007 Copyright 2007 Alex Noppe. All rights reserved. Jazz Improvisation 2: Bebop TABLE OF CONTENTS 1 Learning Bebop 2- How to Learn

More information

Jazzing Up Jazz Band JB Dyas, PhD As published in DownBeat magazine January, 2018

Jazzing Up Jazz Band JB Dyas, PhD As published in DownBeat magazine January, 2018 Jazzing Up Jazz Band JB Dyas, PhD As published in DonBeat magazine January, 2018 JB Dyas (left) orks ith the big band at Houston s High School for the Performing and Visual Arts Presenting jazz orkshops

More information

Texas Bandmasters Association 2016 Convention/Clinic

Texas Bandmasters Association 2016 Convention/Clinic Building a Better Big Band with the Jazz Ambassadors CLINICIAN: Sergeant First Class Joshua Fox DEMONSTRATION GROUP: The Jazz Ambassadors Texas Bandmasters Association 2016 Convention/Clinic JULY 21-24,

More information

The Jazz Piano. What s the function of the jazz piano in the jazz ensemble?

The Jazz Piano. What s the function of the jazz piano in the jazz ensemble? The Jazz Piano Welcome to the wonderful world of jazz piano! Understanding the function of the piano and how to play your part in the jazz band can be overwhelming when first exposed to standard jazz material.

More information

Splinters and Stones Joel Houston, Michael Guy Chislett D 74 bpm 4/4

Splinters and Stones Joel Houston, Michael Guy Chislett D 74 bpm 4/4 D 74 bpm 4/4 D.///..////..Gmaj7.///..////. D. Bm G(add2) D(add2) Asus. D Bm7 G(add2) D Asus Pre-.1 Bm G. Em7. D D/F#.D Asus. Asus/F#.Asus Bm G. Em7. D/F# D. Asus D. Asus A. Gmaj7 D A D. Bm G(add2) D(add2)

More information

Jazz Improvisation 2

Jazz Improvisation 2 Bb INSTRUMENTS Jazz Improvisation 2 HANDBOOK Performing Arts Institute 2007 Copyright 2007 Alex Noppe. All rights reserved. Jazz Improvisation 2: Bebop TABLE OF CONTENTS 1 Learning Bebop 2- How to Learn

More information

Tony Grey Bass Academy

Tony Grey Bass Academy Tony Grey Bass Academy BeBop Study Lesson 1 Step 1 Tony Grey Bass Academy This lesson is taken directly from inside the Tony Grey Bass Academy were we do a full course on all of the different approach

More information

Preview Only. Legal Use Requires Purchase. The Days of Wine and Roses JAZZ. Music by HENRY MANCINI Lyrics by JOHNNY MERCER Arranged by MIKE LEWIS

Preview Only. Legal Use Requires Purchase. The Days of Wine and Roses JAZZ. Music by HENRY MANCINI Lyrics by JOHNNY MERCER Arranged by MIKE LEWIS a division of Alfred JAZZ The Days of Wine and Roses Music by HENRY MANCINI Lyrics by JOHNNY MERCER Arranged by MIKE LEWIS INSTRUMENTATION Conductor 1st Eb Alto Saxophone 2nd Eb Alto Saxophone 1st Bb Tenor

More information

Lecture 9 The Tenor Titans

Lecture 9 The Tenor Titans Lecture 9 The Tenor Titans Coleman Hawkins (1904 1969) Born Coleman Randolph Hawkins on November 21, 1904 in Saint Joseph, Missouri Commonly regarded as the first important and influential jazz musician

More information

Contents. CD-Track Listing...5. Introduction Pentatonic Scales Creating Pentatonic Lines Rhythmic Variation...

Contents. CD-Track Listing...5. Introduction Pentatonic Scales Creating Pentatonic Lines Rhythmic Variation... Contents CD-Track Listing...5 Introduction...7 1 Pentatonic Scales...9 2 Creating Pentatonic Lines...13 3 Rhythmic Variation...27 Chords and Pentatonics...29 Progression 1: (Minor 7th Cycle)...29 Progression

More information

Foreword PART 3: WORKOUTS Melodic Minor Workouts How to Practice Workouts... 26

Foreword PART 3: WORKOUTS Melodic Minor Workouts How to Practice Workouts... 26 TABLE OF CONTENTS Foreord...................................................... 7 PART 1: BACKGROUND............................................. 9 PART 2: THEORY.................................................

More information

Harmonic Plumbing Mark White Whitmark Music Publishing

Harmonic Plumbing Mark White Whitmark Music Publishing Harmonic Plumbing Mark White Whitmark Music Publishing I borrowed the term "Harmonic Plumbing" from the liner notes of a Bill Evans album. In plumbing, one can find any number of different routes to connect

More information

Minor Blues Chord Progressions

Minor Blues Chord Progressions Minor Blues Chord Progressions In this jazz guitar lesson you will learn the most common chord progressions used when playing a minor blues. These progressions will start off rather simply, with what is

More information

2019 Stef Ramin jazz-guitar-licks.com All Rights Reserved

2019 Stef Ramin jazz-guitar-licks.com All Rights Reserved What s a Tritone Substitution? The tritone substitution is one of the most common substitution found in jazz. The basic application of a tritone chord substitution is to take any 7th chord and play another

More information

Specific Chord Symbols Chart

Specific Chord Symbols Chart 2 3 4 Specific Chord Symbols Chart 5 Symbol C Spelling C E G Symbol C dim Spelling C Eb Gb Symbol C 13(b5) Spelling C E Gb Bb D A C 6 C E G A C o7 C Eb Gb A C 13(b9) C E G Bb Db A C 6 /9 C E G A D Co7(add

More information

Jazz Piano Voicings - Transcribed From Volume 70 'Killer Joe' By Jamey Aebersold READ ONLINE

Jazz Piano Voicings - Transcribed From Volume 70 'Killer Joe' By Jamey Aebersold READ ONLINE Jazz Piano Voicings - Transcribed From Volume 70 'Killer Joe' By Jamey Aebersold READ ONLINE If you are searching for a ebook by Jamey Aebersold Jazz Piano Voicings - Transcribed From Volume 70 'Killer

More information

SCOOBY-SAX NEWSLETTER (July, 2011)

SCOOBY-SAX NEWSLETTER (July, 2011) SCOOBY-SAX NEWSLETTER (July, 2011) Newsletter Items Tenor Conclave Website Updates INFORMATION http://www.scoobysax.com/ Welcome My intention is to publish this newsletter quarterly. Unfortunately, I missed

More information

album for Impulse!, simply titled Duke Ellington & John Coltrane. The bassist and

album for Impulse!, simply titled Duke Ellington & John Coltrane. The bassist and John Coltrane s Solo on Take The Coltrane Transcription & Analysis by Seth Carper In 1962 John Coltrane and Duke Ellington went into the studio to record an album for Impulse!, simply titled Duke Ellington

More information

George Cables Website: www. georgecables.com Discography George Cables - Why Not George Cables - Circle

George Cables Website: www. georgecables.com   Discography George Cables - Why Not George Cables - Circle George Cables Website: www. georgecables.com Email: george@georgecables.com Discography 1975 - George Cables - Why Not 1979 - George Cables - Circle 1979 - George Cables - Cables' Vision 1980 - George

More information

INTRODUCTION TO CHORDS

INTRODUCTION TO CHORDS INTRODUCTION TO CHORDS Indicates Files in Piano Marvel Repertoire Introduction to Chords Print out this file and use it at your keyboard to study/ Prepared by Christine Brown Please give me your feedback

More information

Your Song by Elton John / Piano Tutorial by David Yzhaki

Your Song by Elton John / Piano Tutorial by David Yzhaki Your Song by Elton John / Piano Tutorial by David Yzhaki 20.9.2015 / Hans Ulrich Along with the full Tutorial-Video from David Yzhaki I wrote a summary that helps you to exercise each part. This is made

More information

The Solo Section is a Part of the Chart Too!

The Solo Section is a Part of the Chart Too! The Solo Section is a Part of the Chart Too! Making the Solo Section Work for Your Band Mike Conrad Doctoral Candidate University of Northern Colorado Time spent on improvisation? Chart is about 5 minutes

More information

Let The Good Times Roll

Let The Good Times Roll Let The Good Times Roll Coosed by Sam Theard & Fleeie Moore Alto 1 Alto 2 Tenor 1 Tenor 2 Baritone Truet 1 Truet 2 Truet Truet 4 Trombone 1 Trombone 2 Trombone Trombone 4 Piano/Guitar Bass Drums q = 120

More information

Riff Broken Chord Arpeggio. Phrase. Improvisation Phrase Back Beat

Riff Broken Chord Arpeggio. Phrase. Improvisation Phrase Back Beat Riff Broken Chord Arpeggio Scale Pattern or Scalic Question and Answer Phrase Blues Scale and Blues Notes Improvisation Phrase Back Beat 4/4 3/4 Also known as simple time Syncopation Swing This maybe a

More information

V V V V V V V V V V V V V V V V

V V V V V V V V V V V V V V V V II V I Jazz Lick #2 Scott Devine C Major II-V-I progression? II-V-I Jazz Lick #2 (L#0) D 7 G7 C C V V V V V V V V V V V V V V V V? D minor 7 œ œ œ œ arpeggios (chord tones) c major 7? G dominant 7? œ œ

More information

History of Jazz A m e r i c a s C l a s s i c a l

History of Jazz A m e r i c a s C l a s s i c a l Jump Bands Trimmed instrumentation of the swing band 1 or 2 trumpets History of Jazz A m e r i c a s C l a s s i c a l M u s i c 1 trombone, if at all 3 saxes (alto, tenor, baritone) rhythm section: piano,

More information

Riff Broken Chord Arpeggio. Phrase. Improvisation Phrase Back Beat

Riff Broken Chord Arpeggio. Phrase. Improvisation Phrase Back Beat Riff Broken Chord Arpeggio Scale Pattern or Scalic Question and Answer Phrase Blues Scale and Blues Notes Improvisation Phrase Back Beat 4/4 3/4 Also known as simple time Syncopation Swing This maybe a

More information

Charlie Parker - Omnibook: For E-flat Instruments PDF

Charlie Parker - Omnibook: For E-flat Instruments PDF Charlie Parker - Omnibook: For E-flat Instruments PDF (Jazz Transcriptions). The Omnibook has become the book to turn to when you want to master the Bird. Includes 60 solos such as Anthropology * Au Privave

More information

From The Bottom Up: Building Your Own Jazz Bass Lines

From The Bottom Up: Building Your Own Jazz Bass Lines From The Bottom Up: Building Your On Jazz Bass Lines Overvie Purpose The purpose of this presentation is to learn ho to create ass lines from a set of chord changes. The maority of the presentation ill

More information

THE LEFT HANDED GUITAR CHORDS BOOK. 296 illustrated chords for left handed and over 500 chord notes. Asus4. The left handed Guitar Chords Book 1

THE LEFT HANDED GUITAR CHORDS BOOK. 296 illustrated chords for left handed and over 500 chord notes. Asus4. The left handed Guitar Chords Book 1 THE LEFT HANDED GUITAR CHORDS BOOK Asus 96 illustrated chords for left handed and over 5 chord notes The left handed Guitar Chords Book First E-book edition: 7 e-book Left handed Guitar Chords Book Copyright

More information

You can upload a maximum of six files, so you ll need to combine several scales and arpeggios into one or two files.

You can upload a maximum of six files, so you ll need to combine several scales and arpeggios into one or two files. Bass app. 1 Jazz Port Townsend 2018 Bass Application Guidelines for New or Returning Applicants After you have chosen whether you would like to audition for the BEGINNER/INTERMEDIATE, ADVANCED or SEMI-PRO

More information

JPS Lesson 37. Technique

JPS Lesson 37. Technique JPS Lesson 37 Technique 1. Hexatonics Series Part 1 C7Sus (bvii, I) Our hexatonic scale is very similar to our pentatonic scale except we are combining two triads two form a six note scale. The combination

More information

WOLFMARSHALLTrioWolf Marshall Trio Press Kit

WOLFMARSHALLTrioWolf Marshall Trio Press Kit WOLFMARSHALLTrioWolf Marshall Trio Press Kit Thank you for your interest in the Wolf Marshall Trio. This kit includes information about the band, articles written about the band and other promotional items.

More information

5 Miles Davis ii V I licks.

5 Miles Davis ii V I licks. 5 Miles Davis ii V I licks. BASS CLEF Matt Lawton WWW.MATTLAWTONBASS.COM MATTLAWTONBASS@GMAIL.COM About The Author Thanks for downloading my ebook! If you don t know who I am allow me to introduce myself;

More information

Straight No Chaser. for Osceola All-County Jazz Auditions. j œ œ œ nœ. # œ œ nœ. œ # œ œ # œ œ œ # œ œ œ. # œ œ. œ œ# œ œ# œ œ œ œ.

Straight No Chaser. for Osceola All-County Jazz Auditions. j œ œ œ nœ. # œ œ nœ. œ # œ œ # œ œ œ # œ œ œ. # œ œ. œ œ# œ œ# œ œ œ œ. Alto Sax 4 Ó Œ for Osceola 2002-2003 All-County azz Auditions # # n T Monk # # G # # 9 # E- # # # A # # # A 4 # G # n # # 8 G # # # E- E- 22 # # # # # # A The Articulation in this piece should e closer

More information

W.A. Schools' Jazz Festival

W.A. Schools' Jazz Festival W.A. Schools' Jazz Festival Suggested Repertoire Although there are no set pieces, ensembles are encouraged to choose a balanced program of recognised jazz repertoire that includes a swing arrangement

More information

If anything appears confusing, refer to the big packet or schedule a time to work with Mr. Cox prior to the due date.

If anything appears confusing, refer to the big packet or schedule a time to work with Mr. Cox prior to the due date. Jazz Improvisation Audition Overview for E-FLAT INSTRUMENTS (edition for Alto and Baritone Saxophone) Each candidate for Jazz Ensemble will perform a minimum of 1 chorus (16 bars) of improvised solo over

More information

A Guide To Change Running (A Quick Overview) Forward

A Guide To Change Running (A Quick Overview) Forward A Guide To Change Running (A Quick Overview) Forward It s just music, it s playing clean and looking for the pretty notes - Charlie Parker Regardless of how it s labeled: Change Running, Running the Changes,

More information

Diminished 7th Chords Common Progressions and Principles

Diminished 7th Chords Common Progressions and Principles Diminished 7th Chords Common Progressions and Principles Ted Greene 1974-12-29 The following principles concerning diminished 7th chords are pretty complicated and take quite awhile to absorb, unfortunately.

More information

Instructions for BHS Jazz Auditions 2017 RHYTHM SECTION

Instructions for BHS Jazz Auditions 2017 RHYTHM SECTION Instructions for BHS Jazz Auditions 2017 RHYTHM SECTION Hello and welcome! Thank you for deciding to audition for the BHS Jazz Lab II band and/or the BHS Jazz Ensemble for the 2017 2018 school year. You

More information

Mozart, Beethoven, and Brahms were all renowned for their improvisational abilities

Mozart, Beethoven, and Brahms were all renowned for their improvisational abilities ØJazz Ukulele What is Jazz? (From Ask Jeeves) - a genre of popular music that originated in New Orleans around 1900 and developed through increasingly complex styles. A type of music of black American

More information

Piano Voicing Mnemonics

Piano Voicing Mnemonics Piano Voicing Mnemonics I. One-anded Jazz Voicings for Major 7, Dominant 7, and Minor 7 Chords. Category (rd in the loest voice) C 7 E B D Look at root at the top and spread out (up a hole, don a half);

More information

Extended Program Notes for Thesis Guitar Recital

Extended Program Notes for Thesis Guitar Recital Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-8-2011 Extended Program Notes for Thesis Guitar Recital Aaron Lebos Florida International

More information

Jazz Port Townsend 2018 Piano Application Guidelines for New or Returning Applicants

Jazz Port Townsend 2018 Piano Application Guidelines for New or Returning Applicants Jazz Port Townsend 2018 Piano Application Guidelines for New or Returning Applicants After you have chosen whether you would like to audition for the BEGINNER/INTERMEDIATE, ADVANCED or SEMI-PRO level,

More information

œ œ œ œ œ œ œ œ œ b œ œ œ œ œ œ œ œ œ n œ ? b b ? b b œ # œ ? b b œ œ b œ ? b b œ œ œ b œ

œ œ œ œ œ œ œ œ œ b œ œ œ œ œ œ œ œ œ n œ ? b b ? b b œ # œ ? b b œ œ b œ ? b b œ œ œ b œ Bass Lines WHERE THE PASSING TONES COME FROM Every chord has one or more scales which contain the chord tones (1,, 5, 7) and a set of passing tones (2, 4, 6). Diatonic, scale, passing tones come from the

More information

Audition Overview for B-FLAT TRANSPOSING INSTRUMENTS

Audition Overview for B-FLAT TRANSPOSING INSTRUMENTS Jazz Improvisation Audition Overview for B-FLAT TRANSPOSING INSTRUMENTS Each candidate for Jazz Ensemble will perform a minimum of 1 chorus (16 bars) of improvised solo over the changes for Summertime

More information

TABLE OF CONTENTS ABOUT THE AUTHOR...4 INTRODUCTION...5

TABLE OF CONTENTS ABOUT THE AUTHOR...4 INTRODUCTION...5 ABLE OF CONENS ABOU HE AUHOR...4 INRODUCION... CHAPER Getting Started 6 he Fretboard...6 Reading Standard Music Notation... Reading Bass ablature...9 Chord Symbols...9 Accidentals... 0 he Chromatic Scale...

More information

Harmonised Scales Author: John Clarke Date:?

Harmonised Scales Author: John Clarke Date:? Dedicated to fostering the art and craft of the jazz guitar Harmonised Scales Author: John Clarke Date:? The objective of this article is to show: how chords are related to scales how an understanding

More information

Practice Regimen. for Beginning Musicians. Learn how to focus your practice time to get the most out of it. By Ralph Martin

Practice Regimen. for Beginning Musicians. Learn how to focus your practice time to get the most out of it. By Ralph Martin Practice Regimen for Beginning Musicians Learn how to focus your practice time to get the most out of it. By Ralph Martin 1 Written by Ralph Martin January 2008 All Rights Reserved 2 Purpose The purpose

More information

APPENDIX A SOME MUSIC INFORMATION

APPENDIX A SOME MUSIC INFORMATION APPENDIX A SOME MUSIC INFORMATION This appendix has some general information on music. This includes: 1. Musical notes 2. Musical scale formation and the relationship of notes to the scale; 3. Chord formation;

More information

The Tritone substitution In Chords on August 8, 2012 at 10:01 am from Alfred Scoggins (Wholenote web site) Tempo: 120

The Tritone substitution In Chords on August 8, 2012 at 10:01 am from Alfred Scoggins (Wholenote web site) Tempo: 120 The Tritone substitution In Chords on August 8, 2012 at 10:01 am from Alfred Scoggins (Wholenote web site) Tempo: 120 In chordal playing there are several substitution rules one can apply. One of these

More information

Preview Only. Legal Use Requires Purchase. Recorda Me JAZZ. JOE HENDERSON Arranged by ERIC RICHARDS INSTRUMENTATION

Preview Only. Legal Use Requires Purchase. Recorda Me JAZZ. JOE HENDERSON Arranged by ERIC RICHARDS INSTRUMENTATION a division o Alred JAZZ Conductor 1st Eb Alto Saxohone 2nd Eb Alto Saxohone 1st Bb Tenor Saxohone 2nd Bb Tenor Saxohone Eb Baritone Saxohone 1st Bb Trumet 2nd Bb Trumet rd Bb Trumet 4th Bb Trumet JOE HENDERSON

More information

Music Illustrations by ispeakdesign

Music Illustrations by ispeakdesign Table of contents: All Play Guitar - Level 1 Workbook section: Introduction: Page 5 Parts of guitar: Page 9 The string names: Page 11 Tuning: Page 13 Fingering: Page 15 Chord grids: Page 19 Tablature:

More information

More details >>> HERE <<<

More details >>> HERE <<< More details >>> HERE http://urlzz.org/tmai101/pdx/1b2p2am/ Tags: Chord progression of g major A Closer Look. piano

More information

Eu So Quero Um Xodo. by Anastasio Dominguinhos arrangement by Tim Sparks T A B DADGBE CII. Eu So Quero Em Xodo/Page 1

Eu So Quero Um Xodo. by Anastasio Dominguinhos arrangement by Tim Sparks T A B DADGBE CII. Eu So Quero Em Xodo/Page 1 DADGBE Eu So Quero Um Xodo by Anastasio Dominguinhos arrangement by Tim Sparks T A B CII.. 9 8 8 Eu So Quero Em Xodo/Page 8 8 9 Last Time to Coda 8 8.. 9 9 8 8 8 8 8 8 9 8 8 9 9 9 8 8 8 8 9 9 9 9 Eu So

More information

PLAY BY EAR, IMPROVISE AND UNDERSTAND CHORDS

PLAY BY EAR, IMPROVISE AND UNDERSTAND CHORDS PLAY BY EAR, IMPROVISE AND UNDERSTAND CHORDS IN WORSHIP A comprehensive ear training and chord theory course for the whole worship team guitar, bass, keys & orchestral players Get away from the sheet music

More information

Pentatonic Scale Studies Second Edition (2003)

Pentatonic Scale Studies Second Edition (2003) Pentatonic Scale Studies Second Edition (2003) Edard Petersen Roving Bovine Music Pentatonic Scale Studies Second Edition Many thanks to Brian Seeger for his ork in repairing and organizing the Pentatonic

More information

Mandolin Scales Download or Read Online ebook mandolin scales in PDF Format From The Best User Guide Database

Mandolin Scales Download or Read Online ebook mandolin scales in PDF Format From The Best User Guide Database Scales Free PDF ebook Download: Scales Download or Read Online ebook mandolin scales in PDF Format From The Best User Guide Database Major Pentatonic Scales for. Major Pentatonic Scales for Ab, A, Bb &

More information

FENDER PLAYERS CLUB THE ii-v-i

FENDER PLAYERS CLUB THE ii-v-i THE CADENTIAL USE OF THE DOMINANT SEVENTH CHORD The following figures demonstrate improvised melodic "lines" over common progressions using major, minor, and dominant seventh chords. In this lesson, we

More information

Le a rn i n g the Ukulele Fingerboa rd

Le a rn i n g the Ukulele Fingerboa rd Le a rn i n g the Ukulele Fingerboa rd by Curt Sheller G Tuning D G B E It s not as hard as you think. Curt Sheller Publications 2050 Orlando Rd., Suite 101 Pottstown, PA 19464-2348 www.curtsheller.com

More information

After You've Gone (Dixieland Tunes)

After You've Gone (Dixieland Tunes) After You've Gone (Dixieland Tunes) (Medium Swing) Layton, Creamer 1918 Verse Chorus (Break Break ) ( ) C TREBLE q = 110 120 A Bb After You've Gone F7 Bb 1916 Now won't you list en honey while I say How

More information

5 Powerful Chord Progression Ideas To Enhance Your Songwriting. SongwritingLessonsOnline.com

5 Powerful Chord Progression Ideas To Enhance Your Songwriting. SongwritingLessonsOnline.com 5 Powerful Chord Progression Ideas To Enhance Your Songwriting SongwritingLessonsOnline.com 5 Powerful Chord Progression Ideas To Enhance Your Songwriting By Ryan Buckner Guitar Mastery Solutions, Inc.

More information

Table of Contents SESSIONS PAGE

Table of Contents SESSIONS PAGE Table of Contents SESSIONS PAGE SESSIONS PAGE 1) Starting Off Right 2 String Names, Technique, Tuning, Finger Exercises, C & G7 Chords 2) Reading Music & Notes on the 1st & 2nd Strings 7 Music Reading,

More information

Introduction To Guitar For Worship

Introduction To Guitar For Worship Introduction To Guitar For Worship Copyright 00 by Ming Ho Distributed by: Introduction The purpose of this document is to teach you how to play guitar for the purpose of worshiping and leading others

More information

Sonotheque/1_JAZZ/Count Basie/Count Basie - RCA Years In Complete Dossiers Disc 1 Disc 2 Disc 3

Sonotheque/1_JAZZ/Count Basie/Count Basie - RCA Years In Complete Dossiers Disc 1 Disc 2 Disc 3 Count Basie - RCA Years In Complete 1 sur 3 27/01/2011 09:52 Sonotheque/1_JAZZ/Count Basie/Count Basie - RCA Years In Complete Dossiers Disc 1 Disc 2 Disc 3 Count Basie - RCA Years In Complete 2 sur 3

More information

CHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS

CHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS 6 PROGRESSION 1. I - IV - V7 2. I - vi - IV - V7 3. I - ii - V7 4. I - iii - IV - V7 CHAPTER TWO BASIC SKILLS REVIEW COMMON CHORDS The chart below contains the seven pitches of five major scales. Upper

More information

Rhythm section: stabile force behind a pop/jazz band, the instruments holding together the main musical elements of harmony and rhythm.

Rhythm section: stabile force behind a pop/jazz band, the instruments holding together the main musical elements of harmony and rhythm. Jazz development In the early 20C, the following were popular providers of entertainment: Marching bands, Ragtime, European dance bands, Black American music such as the blues African and European folk

More information

Al Biles & GenJam Playlist (by Composer)

Al Biles & GenJam Playlist (by Composer) Al Biles & GenJam Playlist (by Composer) Tune Name Composer Style Gimme Five Abercrombie, John 5 Work Song Adderley, Nat Pop Nature Boy/Mad Men ahbez, eden MovTV Rise Alpert, Herb Waltz Serenata Anderson,

More information

Elements of Predictability

Elements of Predictability Advanced Harmonic Concepts Elements of Predictability There are a number of similar characteristics associated ith the composition and performance of standard jazz With these characteristics come a number

More information