survey of slow animation techniques Selina Siu a CS898 presentation 12 th March 2003
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1 survey of slow animation techniques Selina Siu a CS898 presentation 12 th March 2003
2 outline about Josée s thesis why a survey designing the survey results and analysis some thoughts
3 paintings vs animations paintings contemplative mode allow viewers to build complex response animations darkened environment requires constant attention
4 concept of slow animation complex static images that changes slowly over time but can be viewed in contemplative modes
5 animated painting project acrylic paintings animations projected over top deceive viewers into perceiving as paintings
6 why a survey art exhibition scheduled at time of thesis many aspects of slow animation appears in work can learn more about common sense assumptions what makes work paintings or animations does motion hinder perception? type of experimentation limited by environment organization not needed
7 designing the survey establishing goals determining population presenting the survey creating the questionnaire
8 establishing goals deciding what you want to learn viewer opinions works seen as animations because of prominent motion darkened room glowing appearance works seen as paintings because of unsaturated colours surface textures room light/shadows around canvases
9 determining population what kind of people you want population size dependent on time, budget, precision impossible to avoid bias completely no control over size or people limit to exhibition viewers in a university filling out survey is voluntary no attendant to clarify things try to recognize bias
10 presenting survey survey types personal interview or telephone mail in computer terminal, or web
11 presentation considerations speed cost internet usage literacy sensitivity use of video, sound, graphics
12 design to fit survey method creating questionnaire keep it short and simple what will you do with info from each question? must know useful to know nice to know good introduction encourages people to fill survey
13 mix of art and science asking questions (1/2) question types multiple choice numeric open end text open end use meaningful scales question order may affect results habituation
14 asking questions (2/2) don t put 2 questions into 1 use natural order when there is one security question to avoid bias data avoid emotionally charged words avoid technical terms and acronyms accept all possible answers comments can provide insight layout is important
15 results - audience 60 surveys filled no personal info for 18% most university age more science than art background 18% mix proportional representation in age groups background influence on selected answers minimal
16 results - animations or paintings on first glance interpretation
17 results - confirming expectations paintings animation Motion only 1 st criterion
18 what can we believe? motion is very important component of animation important associations of painting and animation confirmed
19 Josée s opinions 60 people is not a lot wider variety of people would be nice piece is complex - how much did respondents understand?
20 my opinions lots of people from cgl == biased results? compare results before/after understanding of work background of artists - digital vs traditional lots more...
21 more opinions artist is a big nuisance variable
22 references Slow Animations: Animations as Paintings Josée Lajoie survey design Bill me (yes, I m self referencing)
23 acknowledgments Bill for topic suggestion and talk organization Elodie for making my talk less work Josée for her thoughts & diagrams on the survey Steve for helping me with the setup
24 questions?
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